Qobuz Store wallpaper
Categories:
Cart 0

Your cart is empty

Lilya Zilberstein|Beethoven: Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata"

Beethoven: Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata"

Lilya Zilberstein

Available in
logo Hi-Res
24-Bit 96.0 kHz - Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

Beethoven: Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata"

Lilya Zilberstein

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 80 million songs with an unlimited streaming plan.

Listen to this playlist and more than 80 million songs with our unlimited streaming plans.

From $10.83/month

Cantata III- Dir vorrei (Ludwig van Beethoven)

1
I. Allegro assai
00:10:40

Lilya Zilberstein, Performer - Ludwig van Beethoven, Composer

(C) 2016 K&K Verlagsanstalt (P) 2016 K&K Verlagsanstalt

2
II. Andante con moto
00:06:18

Lilya Zilberstein, Performer - Ludwig van Beethoven, Composer

(C) 2016 K&K Verlagsanstalt (P) 2016 K&K Verlagsanstalt

3
III. Allegro ma non troppo - Presto
00:07:27

Lilya Zilberstein, Performer - Ludwig van Beethoven, Composer

(C) 2016 K&K Verlagsanstalt (P) 2016 K&K Verlagsanstalt

About the album

Improve this page

Qobuz logo Why buy on Qobuz...

On sale now...

Beethoven : 9 Symphonies (1963)

Herbert von Karajan

Beethoven : 9 Symphonies (1963) Herbert von Karajan

Williams: Violin Concerto No. 2 & Selected Film Themes

Anne-Sophie Mutter

Beethoven : Symphonies n°5 & n°7

Carlos Kleiber

From The Fires

Greta Van Fleet

From The Fires Greta Van Fleet
More on Qobuz
By Lilya Zilberstein

Lilya Zilberstein Plays Piano Works

Lilya Zilberstein

Debussy: Pour le piano, L.95; Estampes, L.100 / Ravel: Miroirs, M.43; Sonatine, M.40; Jeux d'eau, M.30

Lilya Zilberstein

Rachmaninov: Piano Concertos Nos.2 & 3

Lilya Zilberstein

Chopin: Mazurkas

Lilya Zilberstein

Chopin: Mazurkas Lilya Zilberstein

Rachmaninov: Preludes Op. 32; Shostakovich: Piano Sonata No. 1

Lilya Zilberstein

Playlists

You may also like...

The New Four Seasons - Vivaldi Recomposed

Max Richter

Exiles

Max Richter

Exiles Max Richter

Beethoven: Complete Piano Concertos

Krystian Zimerman

Old Friends New Friends

Nils Frahm

Nightscapes

Magdalena Hoffmann

Nightscapes Magdalena Hoffmann
In your panoramas...
The Earth’s Song: The World of Gustav Mahler

What could have prompted Gustav Mahler to compose a work as unclassifiable as this one? Written between 1907 and 1908, a pivotal period in Mahler's life, The Song of the Earth occupies a special place within his oeuvre. It combines the “fin de siècle” spirit with the fascination for the exotic that was spreading amongst his peers at the time. Vienna was in turmoil when this music was composed, and the piece oscillates between the notions of farewell and new beginnings. With a lot of layers to peel back, The Song of the Earth definitely merits a closer look.

Steve Reich in 10 Works

Steve Reich belongs to that very small circle of composers who can claim to have changed the face of contemporary music over the last fifty years. Qobuz presents a selection of ten of the most important works from his catalogue.

10 Versions of Berlioz’s Symphonie Fantastique

As a proper manifesto of French romanticism, Berlioz’s Symphonie fantastique marked the 19th century as much as Stravinsky’s The Rite of Spring impacted the 20th. Composed in Paris − which at the time was a global crucible for artistic creation − these two masterpieces catapulted musical language into another dimension. On December 5th, 1830 the revolutionary work of 27-year-old Hector Berlioz deeply moved the musicians present in the small room of the old academy of music, among whom were Meyerbeer and Liszt, who were impressed by the extraordinary audacity of this piece presented just three years after Beethoven’s death.

In the news...