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Paolo Pandolfo - Bach: Sonate per Viola da Gamba e Basso Continuo

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Bach: Sonate per Viola da Gamba e Basso Continuo
Paolo Pandolfo, Rinaldo Alessandrini
- Released on 10/1/12 by Tactus
- Main artist: Paolo Pandolfo
- Genre: Classical Chamber Music
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Bach: Sonate per Viola da Gamba e Basso Continuo
Paolo Pandolfo
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Viola da Gamba Sonata in D major, Wq. 137, H. 559 (Carl Philipp Emanuel Bach)
Rinaldo Alessandrini, Performer - Paolo Pandolfo, Performer - Carl Philipp Emanuel Bach, Composer
(C) 2012 Tactus (P) 2012 Tactus
Rinaldo Alessandrini, Performer - Paolo Pandolfo, Performer - Carl Philipp Emanuel Bach, Composer
(C) 2012 Tactus (P) 2012 Tactus
Rinaldo Alessandrini, Performer - Paolo Pandolfo, Performer - Carl Philipp Emanuel Bach, Composer
(C) 2012 Tactus (P) 2012 Tactus
Viola da Gamba Sonata in C major, Wq. 136, H. 558 (Carl Philipp Emanuel Bach)
Paolo Pandolfo, Performer - Rinaldo Alessandrini, Performer - Carl Philipp Emanuel Bach, Composer
(C) 2012 Tactus (P) 2012 Tactus
Paolo Pandolfo, Performer - Rinaldo Alessandrini, Performer - Carl Philipp Emanuel Bach, Composer
(C) 2012 Tactus (P) 2012 Tactus
Paolo Pandolfo, Performer - Rinaldo Alessandrini, Performer - Carl Philipp Emanuel Bach, Composer
(C) 2012 Tactus (P) 2012 Tactus
Viola da Gamba Sonata in G minor, Wq. 88, H. 510 (Carl Philipp Emanuel Bach)
Rinaldo Alessandrini, Performer - Paolo Pandolfo, Performer - Carl Philipp Emanuel Bach, Composer
(C) 2012 Tactus (P) 2012 Tactus
Rinaldo Alessandrini, Performer - Paolo Pandolfo, Performer - Carl Philipp Emanuel Bach, Composer
(C) 2012 Tactus (P) 2012 Tactus
Rinaldo Alessandrini, Performer - Paolo Pandolfo, Performer - Carl Philipp Emanuel Bach, Composer
(C) 2012 Tactus (P) 2012 Tactus
About the album
- 1 disc(s) - 9 track(s)
- Total length: 01:07:18
- Main artist: Paolo Pandolfo
- Composer: Carl Philipp Emanuel Bach
- Label: Tactus
- Genre: Classical Chamber Music
-
16-Bit CD Quality 44.1 kHz - Stereo
(C) 2012 Tactus (P) 2012 Tactus
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It was a rainy October night in the Bugey. On October nights, it's always raining in the Bugey. It was around midnight. There were fifty of us, waiting in the cold, the wet and the rapt silence at the Ambronay Festival. All of a sudden, and without a sound, Jordi Savall was there, sopping wet in a white raincoat, like Bogart in Casablanca, holding onto a hard case shaped like a human body. Moving slowly, he drew out not a person but a viola de gamba, which he started tuning and stringing with the greatest care. And then the miracle descended upon the auditorium.
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