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Christoph Schickedanz|Bach: Sonatas and Partitas for Solo Violin (Sei Solo á Violino senza Basso accompagnato)

Bach: Sonatas and Partitas for Solo Violin (Sei Solo á Violino senza Basso accompagnato)

Christoph Schickedanz

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No one could argue that there's a scarcity of recordings of Bach's Partitas and Sonatas for Solo Violin on the market; from 1903, Joseph Joachim, aged 72, recorded a few movements, and Sarasate followed in his footsteps shortly after. The first complete recording was made by the young Menuhin in 1936, followed by cascades of new versions by Szigeti, Milstein, Szeryng and Grumiaux, who made a lasting impact on the way this music would be played. And then came the "baroques", led by Kuijken, who set the record straight on the baroque era – although fans of the different schools would continue to tear chunks out of each other. Like any self-respecting violinist, Christoph Schickedanz long had the idea of recording his own vision of the six works; and after his great predecessors and the recent baroque school, newcomers would easily be able to forge a completely new conception that mixed the two, without risking the ire of either tendency. And so he has chosen to play with a moderate vibrato, without the romantic glissandos which encumbered the pioneers' discourses; or the heaviness of tempo which shackled many readings; or indeed the headlong baroque charges which had wrecked several recordings by partisans of the old school. In short, he has given a personal and perfectly convincing reading. © SM/Qobuz

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Bach: Sonatas and Partitas for Solo Violin (Sei Solo á Violino senza Basso accompagnato)

Christoph Schickedanz

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1
Violin Sonata No. 1 in G Minor, BWV 1001: I. Adagio
00:03:43

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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2
Violin Sonata No. 1 in G Minor, BWV 1001: II. Fuga. Allegro
00:04:35

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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3
Violin Sonata No. 1 in G Minor, BWV 1001: III. Siciliana
00:02:41

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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4
Violin Sonata No. 1 in G Minor, BWV 1001: IV. Presto
00:03:22

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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5
Violin Partita No. 1 in B Minor, BWV 1002: I. Allemanda
00:05:09

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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6
Violin Partita No. 1 in B Minor, BWV 1002: II. Double
00:02:39

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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7
Violin Partita No. 1 in B Minor, BWV 1002: III. Corrente
00:03:09

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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8
Violin Partita No. 1 in B Minor, BWV 1002: IV. Double. Presto
00:02:59

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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9
Violin Partita No. 1 in B Minor, BWV 1002: V. Sarabande
00:03:30

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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10
Violin Partita No. 1 in B Minor, BWV 1002: VI. Double
00:02:34

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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11
Violin Partita No. 1 in B Minor, BWV 1002: VII. Tempo di Borea
00:02:55

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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12
Violin Partita No. 1 in B Minor, BWV 1002: VIII. Double
00:03:10

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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13
Violin Sonata No. 2 in A Minor, BWV 1003: I. Grave
00:04:25

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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14
Violin Sonata No. 2 in A Minor, BWV 1003: II. Fuga
00:07:22

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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15
Violin Sonata No. 2 in A Minor, BWV 1003: III. Andante
00:04:23

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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16
Violin Sonata No. 2 in A Minor, BWV 1003: IV. Allegro
00:05:56

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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DISC 2

1
Violin Partita No. 2 in D Minor, BWV 1004: I. Allemande
00:04:59

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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2
Violin Partita No. 2 in D Minor, BWV 1004: II. Corrente
00:02:33

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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3
Violin Partita No. 2 in D Minor, BWV 1004: III. Sarabande
00:03:46

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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4
Violin Partita No. 2 in D Minor, BWV 1004: IV. Giga
00:03:42

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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5
Violin Partita No. 2 in D Minor, BWV 1004: V. Chaconne
00:13:08

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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6
Violin Sonata No. 3 in C Major, BWV 1005: I. Adagio
00:03:43

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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7
Violin Sonata No. 3 in C Major, BWV 1005: II. Fuga
00:09:40

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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8
Violin Sonata No. 3 in C Major, BWV 1005: III. Largo
00:02:46

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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9
Violin Sonata No. 3 in C Major, BWV 1005: IV. Allegro Assai
00:05:17

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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10
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio
00:03:26

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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11
Violin Partita No. 3 in E Major, BWV 1006: II. Loure
00:03:39

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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12
Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en Rondeau
00:02:39

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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13
Violin Partita No. 3 in E Major, BWV 1006: IV. Menuet I
00:01:50

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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14
Violin Partita No. 3 in E Major, BWV 1006: V. Menuet II
00:01:42

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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15
Violin Partita No. 3 in E Major, BWV 1006: VI. Bourrée
00:01:28

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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16
Violin Partita No. 3 in E Major, BWV 1006: VII. Gigue
00:01:54

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Christoph Schickedanz, Artist, MainArtist

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Album review

No one could argue that there's a scarcity of recordings of Bach's Partitas and Sonatas for Solo Violin on the market; from 1903, Joseph Joachim, aged 72, recorded a few movements, and Sarasate followed in his footsteps shortly after. The first complete recording was made by the young Menuhin in 1936, followed by cascades of new versions by Szigeti, Milstein, Szeryng and Grumiaux, who made a lasting impact on the way this music would be played. And then came the "baroques", led by Kuijken, who set the record straight on the baroque era – although fans of the different schools would continue to tear chunks out of each other. Like any self-respecting violinist, Christoph Schickedanz long had the idea of recording his own vision of the six works; and after his great predecessors and the recent baroque school, newcomers would easily be able to forge a completely new conception that mixed the two, without risking the ire of either tendency. And so he has chosen to play with a moderate vibrato, without the romantic glissandos which encumbered the pioneers' discourses; or the heaviness of tempo which shackled many readings; or indeed the headlong baroque charges which had wrecked several recordings by partisans of the old school. In short, he has given a personal and perfectly convincing reading. © SM/Qobuz

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