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Ornette Coleman - At The "Golden Circle" Stockholm Volume One
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At The "Golden Circle" Stockholm Volume One
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Francis Wolff, Producer - Ornette Coleman, Composer - Not Applicable, ComposerLyricist - The Ornette Coleman Trio, MainArtist
℗ 2012 Blue Note Records
Francis Wolff, Producer - Ornette Coleman, ComposerLyricist - The Ornette Coleman Trio, MainArtist
℗ 1987 Blue Note Records
Rudy Van Gelder, Mastering Engineer, StudioPersonnel - Francis Wolff, Producer - Ornette Coleman, Composer - Rune Andreasson, Recording Engineer, StudioPersonnel - The Ornette Coleman Trio, MainArtist
℗ 2001 Blue Note Records
Francis Wolff, Producer - Ornette Coleman, Composer - Rune Andreasson, Recording Engineer, StudioPersonnel - The Ornette Coleman Trio, MainArtist
℗ 2001 Blue Note Records
About the album
- 1 disc(s) - 4 track(s)
- Total length: 00:39:24
- Main artist: Ornette Coleman
- Composer: Various Composers
- Label: Blue Note Records
- Genre: Jazz
- 24-Bit 192.0 kHz - Stereo
© 2012 Blue Note Records ℗ 2012 Blue Note RecordsImprove this page
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“The most beautiful sound next to silence.” That’s been ECM’s motto for the past fifty years. Manfred Eicher, the charismatic founder of the Munich label, seems to live in a parallel universe. And jazz sounds different on planet ECM. It is often thanks to this label that artists such as Keith Jarrett, Charles Lloyd, Jan Garbarek, Chick Corea have recorded their best records. Even more so than with Blue Note or Impulse! Limiting the whole history of this extraordinary label to just 10 records would be mission impossible. So, these 10 albums will tell not “the” story but “a” story of ECM.
Along with Blue Note and Verve, Impulse! is without doubt one of the best-known American jazz labels. Painted in orange and black, the label not only brought us John Coltrane, but also some of the most adventurous musicians of the 1960s.
At the start of his busy career Keith Jarrett spent seven years carrying out all manner of crazy experiments with his American Quartet. Between the years of 1971 and 1976, the pianist, alongside Charlie Haden, Paul Motian and Dewey Redman ran some kind of mad laboratory in which the genres of hard bop, free-jazz, world and avant-garde would all come together. A spontaneous and interesting time worth rediscovering.