Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
When Acetone released their debut album, Cindy, in 1993, the band seemed to run on two speeds -- nearly all of their songs were either semi-grunge numbers with loud distorted guitars and a fairly heavy stomp, or slowcore-influenced tunes that suggested their favorite Velvet Underground song was "Candy Says." While some Neil Young-style country accents and pop overtones would later find their way into the mix, this duality remained common throughout Acetone's recording career, though the slowcore side of their personality was getting a lot more play on their swan song, 2000's York Blvd. Acetone folded after the death of bassist Richie Lee in 2001, and 16 years later, Light in the Attic paid tribute to the band with a career-spanning collection, 1992-2001, that combines material from their albums with previously unreleased demos and home recordings from the band's archive. The set pares down their duality and focuses exclusively on the slowcore side of their personality; if this album was all a curious listener had to go on, they'd never even know that numbers like "Pinch," "Final Say," "It's a Lie," or their cover of Kris Kristofferson's "Border Lord" had any place in the group's aesthetic. Given that Acetone's following was modest during their lifetime and they're not especially well remembered today, this is a serious flaw, as this set gives an ultimately inaccurate portrait of their body of work, ignoring an important facet of their sound. That said, as a summary of Acetone's slowcore-influenced material, 1992-2001 is splendid. While most slowcore bands tended to sound sad and downbeat, there was a sunny side to Acetone's most languid music, and the subtle virtuosity of Mark Lightcap's guitar was a perfect foil for the purposeful drift of Lee's bass and Steve Hadley's drums. And while most of the unreleased material doesn't stand out from the album cuts, that also means they're on par with the stuff the group released back in the day, and what's here is quietly magical at its best. If Light in the Attic were to release a companion volume of Acetone's noisier stuff, then 1992-2001 would make a bit more sense; as it is, this collection is full of fine music that merits attention, but as a career summary, it falls short of the mark.
© Mark Deming /TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From $10.83/month
Acétone, Composer, MainArtist - 2017 Light In The Attic, MusicPublisher
(C) 2017 Light In The Attic (P) 2017 Light In The Attic
Acétone, Composer, MainArtist - 2017 Light In The Attic, MusicPublisher
(C) 2017 Light In The Attic (P) 2017 Light In The Attic
Acétone, Composer, MainArtist - 2017 Light In The Attic, MusicPublisher
(C) 2017 Light In The Attic (P) 2017 Light In The Attic
Acétone, Composer, MainArtist - 2017 Light In The Attic, MusicPublisher
(C) 2017 Light In The Attic (P) 2017 Light In The Attic
Acétone, Composer, MainArtist - 2017 Light In The Attic, MusicPublisher
(C) 2017 Light In The Attic (P) 2017 Light In The Attic
Acétone, Composer, MainArtist - 2017 Light In The Attic, MusicPublisher
(C) 2017 Light In The Attic (P) 2017 Light In The Attic
Acétone, Composer, MainArtist - 2017 Light In The Attic, MusicPublisher
(C) 2017 Light In The Attic (P) 2017 Light In The Attic
Acétone, Composer, MainArtist - 2017 Light In The Attic, MusicPublisher
(C) 2017 Light In The Attic (P) 2017 Light In The Attic
Acétone, Composer, MainArtist - 2017 Light In The Attic, MusicPublisher
(C) 2017 Light In The Attic (P) 2017 Light In The Attic
Acétone, Composer, MainArtist - 2017 Light In The Attic, MusicPublisher
(C) 2017 Light In The Attic (P) 2017 Light In The Attic
Acétone, Composer, MainArtist - 2017 Light In The Attic, MusicPublisher
(C) 2017 Light In The Attic (P) 2017 Light In The Attic
Acétone, Composer, MainArtist - 2017 Light In The Attic, MusicPublisher
(C) 2017 Light In The Attic (P) 2017 Light In The Attic
Acétone, Composer, MainArtist - 2017 Light In The Attic, MusicPublisher
(C) 2017 Light In The Attic (P) 2017 Light In The Attic
Album review
When Acetone released their debut album, Cindy, in 1993, the band seemed to run on two speeds -- nearly all of their songs were either semi-grunge numbers with loud distorted guitars and a fairly heavy stomp, or slowcore-influenced tunes that suggested their favorite Velvet Underground song was "Candy Says." While some Neil Young-style country accents and pop overtones would later find their way into the mix, this duality remained common throughout Acetone's recording career, though the slowcore side of their personality was getting a lot more play on their swan song, 2000's York Blvd. Acetone folded after the death of bassist Richie Lee in 2001, and 16 years later, Light in the Attic paid tribute to the band with a career-spanning collection, 1992-2001, that combines material from their albums with previously unreleased demos and home recordings from the band's archive. The set pares down their duality and focuses exclusively on the slowcore side of their personality; if this album was all a curious listener had to go on, they'd never even know that numbers like "Pinch," "Final Say," "It's a Lie," or their cover of Kris Kristofferson's "Border Lord" had any place in the group's aesthetic. Given that Acetone's following was modest during their lifetime and they're not especially well remembered today, this is a serious flaw, as this set gives an ultimately inaccurate portrait of their body of work, ignoring an important facet of their sound. That said, as a summary of Acetone's slowcore-influenced material, 1992-2001 is splendid. While most slowcore bands tended to sound sad and downbeat, there was a sunny side to Acetone's most languid music, and the subtle virtuosity of Mark Lightcap's guitar was a perfect foil for the purposeful drift of Lee's bass and Steve Hadley's drums. And while most of the unreleased material doesn't stand out from the album cuts, that also means they're on par with the stuff the group released back in the day, and what's here is quietly magical at its best. If Light in the Attic were to release a companion volume of Acetone's noisier stuff, then 1992-2001 would make a bit more sense; as it is, this collection is full of fine music that merits attention, but as a career summary, it falls short of the mark.
© Mark Deming /TiVo
About the album
- 1 disc(s) - 16 track(s)
- Total length: 01:16:24
- Main artists: Acetone
- Composer: Acetone
- Label: Light In The Attic Records
- Genre: Pop/Rock Rock
(C) 2017 Light In The Attic (P) 2017 Light In The Attic
Improve album informationWhy buy on Qobuz?
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalog with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets, and computers, and listen to your purchases wherever you go.