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Arnaud Rebotini|120 Battements Par Minute - Original Soundtrack

120 Battements Par Minute - Original Soundtrack

Arnaud Rebotini

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In 2014 Arnaud Rebotini cleverly applied his sound universe to the images of Robin Campillo’s Eastern Boys. He alternated between streamlined sequences leaning towards minimalism, repetitive music – à la Philip Glass – and dark and hypnotic electro tornadoes. In the end, his score is one of the key elements of this beautiful and troubling film… The filmmaker worked for the second time with Mister Black Strobe for the soundtrack of his 120 Beats per Minute. A music journalist Didier Lestrade, who knows Act Up and dance music, describes as follows: “Between 1992 and 1995, the period described in 120 BPM, house music reached its peak… This soundtrack provides balance to the film, justifying such a conceptual title: 120 BPM, house music and the heart’s natural rhythm, the music that helps us keep going when we think we’d give up, the most important musical movement of the last thirty years, along with hip hop…”. For this fascinating but sensitive project, as it switches from moments of pure struggle to light and hedonistic sequences, Arnaud Robotini unravelled a multicolour house score for which he created a recurring theme that keeps coming back throughout the film, as a dotted line. An unbreakable common thread that evolves depending on the themes, from minimalistic and introspective to completely dance floor and space music, almost new age. The musician’s strength is to remain perfectly in tune with the time depicted – the beginning of the 90s – while giving his compositions a contemporary feel. Even more than in Eastern Boys, the soundtrack for 120 Beats per Minute is a key element of Campillo’s film. © MD/Qobuz

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120 Battements Par Minute - Original Soundtrack

Arnaud Rebotini

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1
120 Battements Par Minute
00:05:19

Arnaud Rebotini, Composer, Lyricist, MainArtist

Blackstrobe Records under exclusive licence to Because Music LC33186 Blackstrobe Records under exclusive licence to Because Music LC33186

2
Premiers Battements
00:00:28

Arnaud Rebotini, Composer, Lyricist, MainArtist

Blackstrobe Records under exclusive licence to Because Music LC33186 Blackstrobe Records under exclusive licence to Because Music LC33186

3
Sean & Nathan la nuit
00:05:43

Arnaud Rebotini, Composer, Lyricist, MainArtist

Blackstrobe Records under exclusive licence to Because Music LC33186 Blackstrobe Records under exclusive licence to Because Music LC33186

4
Meltonpharm
00:01:12

Arnaud Rebotini, Composer, Lyricist, MainArtist

Blackstrobe Records under exclusive licence to Because Music LC33186 Blackstrobe Records under exclusive licence to Because Music LC33186

5
Jeremie est mort du sida
00:03:52

Arnaud Rebotini, Composer, Lyricist, MainArtist

Blackstrobe Records under exclusive licence to Because Music LC33186 Blackstrobe Records under exclusive licence to Because Music LC33186

6
Pride
00:03:42

Arnaud Rebotini, Composer, Lyricist, MainArtist

Blackstrobe Records under exclusive licence to Because Music LC33186 Blackstrobe Records under exclusive licence to Because Music LC33186

7
La Parade
00:01:24

Arnaud Rebotini, Composer, Lyricist, MainArtist

Blackstrobe Records under exclusive licence to Because Music LC33186 Blackstrobe Records under exclusive licence to Because Music LC33186

8
Smalltown Boy (Arnaud Rebotini Remix)
00:05:36

Arnaud Rebotini, Performer - James Somerville, Composer - Steven Bronski, Composer - Lawrence Steinbachek, Composer

Blackstrobe Records under exclusive licence to Because Music LC33186 Blackstrobe Records under exclusive licence to Because Music LC33186

9
Le Scanner
00:01:22

Arnaud Rebotini, Composer, Lyricist, MainArtist

Blackstrobe Records under exclusive licence to Because Music LC33186 Blackstrobe Records under exclusive licence to Because Music LC33186

10
Premier Club
00:05:53

Arnaud Rebotini, Composer, Lyricist, MainArtist

Blackstrobe Records under exclusive licence to Because Music LC33186 Blackstrobe Records under exclusive licence to Because Music LC33186

11
AZT DDI DDC
00:02:08

Arnaud Rebotini, Composer, Lyricist, MainArtist

Blackstrobe Records under exclusive licence to Because Music LC33186 Blackstrobe Records under exclusive licence to Because Music LC33186

12
Le Pont
00:00:29

Arnaud Rebotini, Composer, Lyricist, MainArtist

Blackstrobe Records under exclusive licence to Because Music LC33186 Blackstrobe Records under exclusive licence to Because Music LC33186

13
What About This Love ? (Kenlou Remix)
00:05:39
14
Sean & Nathan
00:05:12

Arnaud Rebotini, Composer, Lyricist, MainArtist

Blackstrobe Records under exclusive licence to Because Music LC33186 Blackstrobe Records under exclusive licence to Because Music LC33186

15
Minority's Swing
00:04:11

Arnaud Rebotini, Composer, Lyricist, MainArtist

Blackstrobe Records under exclusive licence to Because Music LC33186 Blackstrobe Records under exclusive licence to Because Music LC33186

16
Housing Committee
00:03:29

Arnaud Rebotini, Composer, Lyricist, MainArtist

Blackstrobe Records under exclusive licence to Because Music LC33186 Blackstrobe Records under exclusive licence to Because Music LC33186

17
A Prayer for You
00:03:58

Arnaud Rebotini, Composer, Lyricist, MainArtist

Blackstrobe Records under exclusive licence to Because Music LC33186 Blackstrobe Records under exclusive licence to Because Music LC33186

Album review

In 2014 Arnaud Rebotini cleverly applied his sound universe to the images of Robin Campillo’s Eastern Boys. He alternated between streamlined sequences leaning towards minimalism, repetitive music – à la Philip Glass – and dark and hypnotic electro tornadoes. In the end, his score is one of the key elements of this beautiful and troubling film… The filmmaker worked for the second time with Mister Black Strobe for the soundtrack of his 120 Beats per Minute. A music journalist Didier Lestrade, who knows Act Up and dance music, describes as follows: “Between 1992 and 1995, the period described in 120 BPM, house music reached its peak… This soundtrack provides balance to the film, justifying such a conceptual title: 120 BPM, house music and the heart’s natural rhythm, the music that helps us keep going when we think we’d give up, the most important musical movement of the last thirty years, along with hip hop…”. For this fascinating but sensitive project, as it switches from moments of pure struggle to light and hedonistic sequences, Arnaud Robotini unravelled a multicolour house score for which he created a recurring theme that keeps coming back throughout the film, as a dotted line. An unbreakable common thread that evolves depending on the themes, from minimalistic and introspective to completely dance floor and space music, almost new age. The musician’s strength is to remain perfectly in tune with the time depicted – the beginning of the 90s – while giving his compositions a contemporary feel. Even more than in Eastern Boys, the soundtrack for 120 Beats per Minute is a key element of Campillo’s film. © MD/Qobuz

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