Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
On sale -40%Mahler's Das Lied von der Erde came after a difficult period in his life when his daughter died from a childhood disease, he was forced out of his opera conducting position by anti-Semitism, and he was diagnosed with a serious congenital heart condition. He seems to have put his symphonic ideas into song, as it were, as a kind of personal response to these problems, and the work, for all its gigantism and its half-hour finale, has a peculiarly intimate quality. This is well-captured by the Bavarian Radio Symphony Orchestra in live performances from the Herkulesssaal in Munich, and conductor Sir Simon Rattle, who keeps the dynamics moderate and the instrumental details clear. His reading dovetails nicely with the presence of Czech mezzo soprano Magdalena Kožená, who has a somewhat lighter voice than Mahler imagined: he specified an alto and tenor, and if that wasn't available, a tenor and baritone. But the composer does not have the last word, and the text comes through here with unusual clarity and intensity. Sample the finale, Der Abschied, where Kožená and Rattle keep control over the giant Mahlerian arcs. Australian tenor Stuart Skelton, by contrast, is a more usual type of Mahlerian/Wagnerian heldentenor, and he forms quite a contrast to Kožená. Whether this enlivens the music or disturbs its balance will be a matter of individual taste, but this is certainly a Das Lied von der Erde to be reckoned with, and perhaps even to compete with the great Rafael Kubelik reading recorded in the same space.
© TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From $10.83/month
Das Lied von der Erde (Gustav Mahler)
Gustav Mahler, Composer - Sir Simon Rattle, Conductor - Symphonieorchester des Bayerischen Rundfunks, Orchestra - Stuart Skelton, Artist, MainArtist
(C) 2018 BR-Klassik (P) 2018 BR-Klassik
Gustav Mahler, Composer - Sir Simon Rattle, Conductor - Symphonieorchester des Bayerischen Rundfunks, Orchestra - Magdalena Kozená, Artist, MainArtist
(C) 2018 BR-Klassik (P) 2018 BR-Klassik
Gustav Mahler, Composer - Sir Simon Rattle, Conductor - Symphonieorchester des Bayerischen Rundfunks, Orchestra - Stuart Skelton, Artist, MainArtist
(C) 2018 BR-Klassik (P) 2018 BR-Klassik
Gustav Mahler, Composer - Sir Simon Rattle, Conductor - Symphonieorchester des Bayerischen Rundfunks, Orchestra - Magdalena Kozená, Artist, MainArtist
(C) 2018 BR-Klassik (P) 2018 BR-Klassik
Gustav Mahler, Composer - Sir Simon Rattle, Conductor - Symphonieorchester des Bayerischen Rundfunks, Orchestra - Stuart Skelton, Artist, MainArtist
(C) 2018 BR-Klassik (P) 2018 BR-Klassik
Gustav Mahler, Composer - Sir Simon Rattle, Conductor - Symphonieorchester des Bayerischen Rundfunks, Orchestra - Magdalena Kozená, Artist, MainArtist
(C) 2018 BR-Klassik (P) 2018 BR-Klassik
Album review
Mahler's Das Lied von der Erde came after a difficult period in his life when his daughter died from a childhood disease, he was forced out of his opera conducting position by anti-Semitism, and he was diagnosed with a serious congenital heart condition. He seems to have put his symphonic ideas into song, as it were, as a kind of personal response to these problems, and the work, for all its gigantism and its half-hour finale, has a peculiarly intimate quality. This is well-captured by the Bavarian Radio Symphony Orchestra in live performances from the Herkulesssaal in Munich, and conductor Sir Simon Rattle, who keeps the dynamics moderate and the instrumental details clear. His reading dovetails nicely with the presence of Czech mezzo soprano Magdalena Kožená, who has a somewhat lighter voice than Mahler imagined: he specified an alto and tenor, and if that wasn't available, a tenor and baritone. But the composer does not have the last word, and the text comes through here with unusual clarity and intensity. Sample the finale, Der Abschied, where Kožená and Rattle keep control over the giant Mahlerian arcs. Australian tenor Stuart Skelton, by contrast, is a more usual type of Mahlerian/Wagnerian heldentenor, and he forms quite a contrast to Kožená. Whether this enlivens the music or disturbs its balance will be a matter of individual taste, but this is certainly a Das Lied von der Erde to be reckoned with, and perhaps even to compete with the great Rafael Kubelik reading recorded in the same space.
© TiVo
About the album
- 1 disc(s) - 6 track(s)
- Total length: 01:04:08
- 1 Digital booklet
- Main artists: Stuart Skelton Magdalena Kožená Symphonieorchester Des Bayerischen Rundfunks Sir Simon Rattle
- Composer: Gustav Mahler
- Label: BR-Klassik
- Genre: Classical
(C) 2018 BR-Klassik (P) 2018 BR-Klassik
Improve album informationWhy buy on Qobuz?
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalog with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets, and computers, and listen to your purchases wherever you go.