Wynton Kelly Trio
A superb accompanist loved by Miles Davis and Cannonball Adderley, Wynton Kelly was also a distinctive soloist who decades later would be a strong influence on Benny Green. He grew up in Brooklyn and early on played in R&B bands led by Eddie "Cleanhead" Vinson, Hal Singer, and Eddie "Lockjaw" Davis. Kelly, who recorded 14 titles for Blue Note in a trio (1951), worked with Dinah Washington, Dizzy Gillespie, and Lester Young during 1951-1952. After serving in the military, he made a strong impression with Washington (1955-1957), Charles Mingus (1956-1957), and the Dizzy Gillespie big band (1957), but he would be most famous for his stint with Miles Davis (1959-1963), recording such albums with Miles as Kind of Blue, At the Blackhawk, and Someday My Prince Will Come. When he left Davis, Kelly took the rest of the rhythm section (bassist Paul Chambers and drummer Jimmy Cobb) with him to form his trio. The group actually sounded at its best backing Wes Montgomery. Before his early death, Kelly recorded as a leader for Blue Note, Riverside, Vee-Jay, Verve, and Milestone.© Scott Yanow /TiVo Read more
A superb accompanist loved by Miles Davis and Cannonball Adderley, Wynton Kelly was also a distinctive soloist who decades later would be a strong influence on Benny Green. He grew up in Brooklyn and early on played in R&B bands led by Eddie "Cleanhead" Vinson, Hal Singer, and Eddie "Lockjaw" Davis. Kelly, who recorded 14 titles for Blue Note in a trio (1951), worked with Dinah Washington, Dizzy Gillespie, and Lester Young during 1951-1952. After serving in the military, he made a strong impression with Washington (1955-1957), Charles Mingus (1956-1957), and the Dizzy Gillespie big band (1957), but he would be most famous for his stint with Miles Davis (1959-1963), recording such albums with Miles as Kind of Blue, At the Blackhawk, and Someday My Prince Will Come. When he left Davis, Kelly took the rest of the rhythm section (bassist Paul Chambers and drummer Jimmy Cobb) with him to form his trio. The group actually sounded at its best backing Wes Montgomery. Before his early death, Kelly recorded as a leader for Blue Note, Riverside, Vee-Jay, Verve, and Milestone.
© Scott Yanow /TiVo
Similar artists
-
Smokin’ in Seattle (Live at the Penthouse, 1966) (Live)
Wynton Kelly Trio, Wes Montgomery
Jazz - Released by Resonance Records on 19 May 2017
Choc de Classica5 Sterne Fono Forum Jazz16-Bit CD Quality 44.1 kHz - Stereo -
Kelly Blue (Mono Version)
Jazz - Released by BnF Collection on 1 Jan 1959
24-Bit 96.0 kHz - Stereo -
Piano Interpretations (Album of 1951)
Pop - Released by Jazz Classics on 29 Nov 2019
16-Bit CD Quality 44.1 kHz - Stereo -
-
It's All Right!
Jazz - Released by Verve Reissues on 1 Jan 1964
The Wynton Kelly Trio (consisting of the pianist, bassist Paul Chambers, and drummer Jimmy Cobb) are augmented by guitarist Kenny Burrell and percussi ...
16-Bit CD Quality 44.1 kHz - Stereo -
-
-
Honolulu Vibes
Jazz - Released by my onlyoldies fmo on 5 Oct 2019
16-Bit CD Quality 44.1 kHz - Stereo -
Only The Best Hits
Jazz - Released by Only The Best Hits on 14 Apr 2021
16-Bit CD Quality 44.1 kHz - Stereo -
-
-
-
Nightingale
Jazz - Released by oldies and hits for future on 2 May 2019
16-Bit CD Quality 44.1 kHz - Stereo -
Splash Of Color
Jazz - Released by Sandmann & Walther on 30 Aug 2016
16-Bit CD Quality 44.1 kHz - Stereo -
-
-
It's All Right!
Jazz - Released by exclusiv for streaming partners on 29 Jan 2016
16-Bit CD Quality 44.1 kHz - Stereo -
-
On Valentines Day
Jazz - Released by Valentines Day on 21 Jul 2022
16-Bit CD Quality 44.1 kHz - Stereo -