The Posies
The Posies were one of the most popular power pop bands of the '90s; along with other revivalists like Matthew Sweet and Teenage Fanclub, they helped update the classic power pop sound for the alternative age, marrying bright, British Invasion-style melodies and harmonies to loud, grungy guitars and quirky lyrics. Centered around the partnership of guitarists, vocalists, and songwriters Jonathan Auer and Ken Stringfellow, the Posies made a splash in the power pop underground with their home-recorded debut, 1988's Failure. The ornate, polished sound of their major-label debut, 1990's Dear 23, gave way to a tougher, more guitar-based sound on 1993's Frosting on the Beater and 1996's Amazing Disgrace. While the Posies broke up in 1998 and both Auer and Stringfellow went on to solo careers, the pair would revive the Posies throughout the 2000s for albums and live work, eventually making their way to a 30th Anniversary tour in 2018. Jonathan Auer and Ken Stringfellow began recording songs together in Auer's Bellingham, Washington home in 1988. That year, the duo self-released a cassette called Failure, on which they played all the instruments; sounding especially indebted to the Hollies and Simon & Garfunkel, it was soon picked up by the Seattle indie PopLlama, and wound up getting the band a deal with Geffen. Getting a proper rhythm section in bassist Rick Roberts and drummer Mike Musburger, the Posies made their major-label debut in 1990 with Dear 23, which showcased their budding sense of popcraft with bigger-budget production. When the Posies returned with a new album in 1993, their hometown Seattle scene had blown wide open. While the band didn't fit into any sort of grunge blueprint, they did toughen up their sound under producer Don Fleming, resulting in their harder-rocking breakthrough album, Frosting on the Beater (the title a masturbation reference). Paced by the college-radio hit "Dream All Day," the album earned an audience among both power pop and alternative rock fans (as well as introducing new bassist Dave Fox). The same year, Auer and Stringfellow backed a reunion of power pop heroes Big Star (namely Alex Chilton and Jody Stephens), a gig they would return to off and on for much of the '90s. It took a bit of time for Auer and Stringfellow to follow up the success of Frosting on the Beater. When they returned, they had a new rhythm section in tow -- drummer Brian Young (also of Fountains of Wayne) and bassist Joe Howard (who usually recorded under the pseudonyms Joe Bass or Joe Skyward). Released in 1996, Amazing Disgrace consolidated the Posies' position as critics' darlings, rocking out even more than its predecessor. Yet Geffen failed to promote the record adequately, and the group had lost some of its alternative audience from three years before; as a result, Amazing Disgrace sold disappointingly, and the Posies were dropped from Geffen. Stringfellow put out a home-recorded solo album, This Sounds Like Goodbye, in 1997, but despite the title, the Posies reconvened on their original label, PopLlama, for their official swan song, 1998's Success (a nod to their debut's title). Stringfellow subsequently toured with R.E.M. as a backing musician, along with Young Fresh Fellow Scott McCaughey, with whom he worked in the Minus 5; among other side projects, he also formed a new band, Saltine, that released only one EP. Auer, meanwhile, went solo and formed a backing band, and also produced records for PopLlama. The year 2000 saw the release of a Geffen best-of, Dream All Day, as well as At Least, At Last, a four-disc box set of outtakes, demos, and the like on power pop label Not Lame; plus, Auer and Stringfellow reunited for a summer acoustic tour under the Posies banner, which produced the live EP In Case You Didn't Feel Like Plugging In. In 2001, the duo reunited once again for an acoustic studio EP, Nice Cheekbones and a Ph.D., and toured with a rhythm section of Howard and drummer Darius Minwalla. The same year, Stringfellow issued his second solo album, Touched, which featured material originally intended for Saltine. The Posies reunited in full in 2005 and released the excellent Every Kind of Light on the Rykodisc label. In 2010, they returned with Blood/Candy, which they recorded in Spain. An expanded edition of their debut, Failure, was released by the celebrated reissue label Omnivore Recordings in 2014. After struggling with the losses of former members Darius Minwalla and Joe Skyward, who died respectively in 2015 and 2016, Auer and Stringfellow returned in 2016 with a new Posies album. Titled Solid States, the Posies supported the release with an unusual tour, "Solid States Secret Shows." For the tour, the group played unconventional venues, with fans being told the exact location of each concert only on the day before the performance. In 2018, the Posies set out on an international concert tour to commemorate the 30th anniversary of the release of Failure. For the tour, Auer and Stringfellow were joined by the rhythm section from Frosting on the Beater, Dave Fox on bass and Mike Musburger on drums. The tour coincided with deluxe, expanded reissues of the Posies' three albums for Geffen -- Dear 23, Frosting on the Beater, and Amazing Disgrace -- from Omnivore Recordings.© Steve Huey & Mark Deming /TiVo Read more
The Posies were one of the most popular power pop bands of the '90s; along with other revivalists like Matthew Sweet and Teenage Fanclub, they helped update the classic power pop sound for the alternative age, marrying bright, British Invasion-style melodies and harmonies to loud, grungy guitars and quirky lyrics. Centered around the partnership of guitarists, vocalists, and songwriters Jonathan Auer and Ken Stringfellow, the Posies made a splash in the power pop underground with their home-recorded debut, 1988's Failure. The ornate, polished sound of their major-label debut, 1990's Dear 23, gave way to a tougher, more guitar-based sound on 1993's Frosting on the Beater and 1996's Amazing Disgrace. While the Posies broke up in 1998 and both Auer and Stringfellow went on to solo careers, the pair would revive the Posies throughout the 2000s for albums and live work, eventually making their way to a 30th Anniversary tour in 2018.
Jonathan Auer and Ken Stringfellow began recording songs together in Auer's Bellingham, Washington home in 1988. That year, the duo self-released a cassette called Failure, on which they played all the instruments; sounding especially indebted to the Hollies and Simon & Garfunkel, it was soon picked up by the Seattle indie PopLlama, and wound up getting the band a deal with Geffen. Getting a proper rhythm section in bassist Rick Roberts and drummer Mike Musburger, the Posies made their major-label debut in 1990 with Dear 23, which showcased their budding sense of popcraft with bigger-budget production.
When the Posies returned with a new album in 1993, their hometown Seattle scene had blown wide open. While the band didn't fit into any sort of grunge blueprint, they did toughen up their sound under producer Don Fleming, resulting in their harder-rocking breakthrough album, Frosting on the Beater (the title a masturbation reference). Paced by the college-radio hit "Dream All Day," the album earned an audience among both power pop and alternative rock fans (as well as introducing new bassist Dave Fox). The same year, Auer and Stringfellow backed a reunion of power pop heroes Big Star (namely Alex Chilton and Jody Stephens), a gig they would return to off and on for much of the '90s.
It took a bit of time for Auer and Stringfellow to follow up the success of Frosting on the Beater. When they returned, they had a new rhythm section in tow -- drummer Brian Young (also of Fountains of Wayne) and bassist Joe Howard (who usually recorded under the pseudonyms Joe Bass or Joe Skyward). Released in 1996, Amazing Disgrace consolidated the Posies' position as critics' darlings, rocking out even more than its predecessor. Yet Geffen failed to promote the record adequately, and the group had lost some of its alternative audience from three years before; as a result, Amazing Disgrace sold disappointingly, and the Posies were dropped from Geffen. Stringfellow put out a home-recorded solo album, This Sounds Like Goodbye, in 1997, but despite the title, the Posies reconvened on their original label, PopLlama, for their official swan song, 1998's Success (a nod to their debut's title).
Stringfellow subsequently toured with R.E.M. as a backing musician, along with Young Fresh Fellow Scott McCaughey, with whom he worked in the Minus 5; among other side projects, he also formed a new band, Saltine, that released only one EP. Auer, meanwhile, went solo and formed a backing band, and also produced records for PopLlama. The year 2000 saw the release of a Geffen best-of, Dream All Day, as well as At Least, At Last, a four-disc box set of outtakes, demos, and the like on power pop label Not Lame; plus, Auer and Stringfellow reunited for a summer acoustic tour under the Posies banner, which produced the live EP In Case You Didn't Feel Like Plugging In. In 2001, the duo reunited once again for an acoustic studio EP, Nice Cheekbones and a Ph.D., and toured with a rhythm section of Howard and drummer Darius Minwalla. The same year, Stringfellow issued his second solo album, Touched, which featured material originally intended for Saltine.
The Posies reunited in full in 2005 and released the excellent Every Kind of Light on the Rykodisc label. In 2010, they returned with Blood/Candy, which they recorded in Spain. An expanded edition of their debut, Failure, was released by the celebrated reissue label Omnivore Recordings in 2014. After struggling with the losses of former members Darius Minwalla and Joe Skyward, who died respectively in 2015 and 2016, Auer and Stringfellow returned in 2016 with a new Posies album. Titled Solid States, the Posies supported the release with an unusual tour, "Solid States Secret Shows." For the tour, the group played unconventional venues, with fans being told the exact location of each concert only on the day before the performance.
In 2018, the Posies set out on an international concert tour to commemorate the 30th anniversary of the release of Failure. For the tour, Auer and Stringfellow were joined by the rhythm section from Frosting on the Beater, Dave Fox on bass and Mike Musburger on drums. The tour coincided with deluxe, expanded reissues of the Posies' three albums for Geffen -- Dear 23, Frosting on the Beater, and Amazing Disgrace -- from Omnivore Recordings.
© Steve Huey & Mark Deming /TiVo
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Every Kind Of Light
The Posies
Rock - Released by Ryko - WEA on 28 Jun 2005
The Posies sure have a funny idea about breaking up -- though they supposedly called it quits in 1999, the band has been playing reunion shows and rel ...
16-Bit CD Quality 44.1 kHz - Stereo -
Frosting On The Beater
The Posies
Rock - Released by DGC on 1 Jan 1993
Frosting on the Beater opens with a thick wall of distorted guitars and booming drums kicking up a very melodic fuss behind Ken Stringfellow and Jonat ...
16-Bit CD Quality 44.1 kHz - Stereo -
Amazing Disgrace
The Posies
Pop - Released by DGC on 1 Jan 1996
The Posies learned to rock on 1993's Frosting on the Beater, where their splendid hooks and creamy harmonies were matched with towering walls of guita ...
16-Bit CD Quality 44.1 kHz - Stereo -
Failure
The Posies
Alternative & Indie - Released by Omnivore Recordings on 19 Aug 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Success
The Posies
Alternative & Indie - Released by Popllama Records on 13 Feb 1998
16-Bit CD Quality 44.1 kHz - Stereo -
Solid States
The Posies
Alternative & Indie - Released by Lojinx on 24 Jun 2016
Thirty years after Jon Auer and Ken Stringfellow started working together, the Posies have evolved from a great pop band into a terrific part-time job ...
16-Bit CD Quality 44.1 kHz - Stereo -
Alive Before The Iceberg
The Posies
Pop - Released by Houston Party on 28 Jul 1998
16-Bit CD Quality 44.1 kHz - Stereo -
Dream All Day: The Best Of The Posies
The Posies
Rock - Released by Geffen on 1 Jan 2000
Compiled with Ken Stringfellow and Jon Auer's full participation, Dream All Day: The Best of the Posies' 19 tracks still aren't a full career overview ...
16-Bit CD Quality 44.1 kHz - Stereo -
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Blood/Candy
The Posies
Alternative & Indie - Released by Rykodisc on 27 Sep 2010
5/6 de MagicStereophile: Record To Die ForIn the new millennium, the Posies exist as something less than a full-time band and something more than a side project. Jon Auer and Ken Stringfellow ...
16-Bit CD Quality 44.1 kHz - Stereo -
NICE CHEEKBONES AND Ph.D.
The Posies
Pop - Released by Houston Party Records on 1 Jan 2001
Like 2000's live LP, In Case You Didn't Feel Like Plugging In, this EP finds the Posies in an acoustic bent. Like a second helping of "Posies MTV Unpl ...
16-Bit CD Quality 44.1 kHz - Stereo -
Solid States
The Posies
Alternative & Indie - Released by MyMusicEmpire on 24 Jun 2016
Thirty years after Jon Auer and Ken Stringfellow started working together, the Posies have evolved from a great pop band into a terrific part-time job ...
16-Bit CD Quality 44.1 kHz - Stereo -
Squirrel vs Snake
The Posies
Alternative & Indie - Released by Lojinx on 11 Mar 2016
16-Bit CD Quality 44.1 kHz - Stereo