Gidon Kremer
Gidon Kremer's technical brilliance, inward but passionate playing, and commitment to both new works and new interpretations of old works have made him one of the most respected violinists in the world today. He is widely known as the director of his own ensemble, Kremerata Baltica, which has explored a wide range of new music from the Baltic region and other areas. Kremer was born on February 27, 1947, in Riga, Latvia, then part of the Soviet Union. The Latvian form of his name is Gidons Krēmers. His parents were both professional violinists (his father, a Jew, survived the Holocaust), and, as with so many virtuosi, Kremer's gift was apparent almost immediately after a violin was put in his hands. His grandfather, Georg Bruckner, concertmaster of the Riga Opera, is credited with having guided the development of his formidable talent. Kremer won the first prize of the Latvian Republic at age 16 and entered the Moscow Conservatory to study under the legendary violinist David Oistrakh, who eventually offered him a position as an assistant after he graduated. By that time, however, Kremer had already won numerous violin competitions (most notably the 1970 Tchaikovsky Competition), and his star was rising as a soloist. Kremer had been denied permission to travel abroad but was finally allowed to leave the country in 1975. He became a sensation in the West when conductor Herbert von Karajan in 1976 proclaimed Kremer the greatest violinist in the world after recording the Brahms violin concerto with him. A remarkably versatile player, Kremer has a repertory encompassing the standard Baroque, Classical, and Romantic literature, as well as new works by composers such as Stockhausen, Henze, and Adams, and music from the Baltic countries. Always a champion of the new and the rare, he has rhetorically asked: "Why ride the same old warhorses to success?" He also enjoys thumbing his nose at conventional wisdom, regularly creating radical reinterpretations of the classics, as in his 1980 recording of the Beethoven Violin Concerto with somewhat bizarre cadenzas by Schnittke. He disdains virtuosity for virtuosity's sake but is nonetheless one of the most technically proficient violinists in the world. His playing tends toward a thoughtful austerity rather than the extroversion of a Jascha Heifetz, but when he is in top form, he is a mesmerizing performer. Kremer has kept apartments around the world but became particularly fond of the Austrian town of Lockenhaus. He founded the Lockenhaus Chamber Music Festival there in 1981 but ended the festival in 1990, deciding to stop before the task became too exhausting. In the late '90s, he created the punningly named Kremerata Baltica with a group of young Latvian players; the group's recordings of Arvo Pärt and Astor Piazzolla placed them out in front of two of the hottest trends of the 20th century's end. His recordings with the group have won numerous international awards, including a Grammy in 2002. In the early 2010s, Kremer withdrew from several high-profile appearances, citing weariness with the machinery of musical celebrity. His recording career, however, has possibly become even more prolific, encompassing chamber music, recordings of mainstream repertory, and continued exploration with Kremerata Baltica, on the ECM label, of contemporary music from the Slavic countries, his native Baltic region, and the Russian sphere. He has devoted a pair of albums to Shostakovich's protégé Mieczyslaw Weinberg; one was honored with a Grammy nomination in 2015, and a second, devoted to the composer's chamber symphonies, appeared in 2017. He was once again nominated for a Grammy in 2019 for a recording of Weinberg's Symphonies Nos. 2 & 21 under Mirga Gražinytė-Tyla. Kremer's more mainstream recordings, such as a 2012 album devoted to Vivaldi's Four Seasons, have appeared on Deutsche Grammophon and Decca. His recording pace slowed hardly at all, as he issued several recordings annually during the late 2010s and early 2020s, by which time he was in his mid-70s. Kremer is not known as a chamber music player but has issued recordings with younger performers whose careers he has helped along; in 2020, he released an album of trios by Beethoven (an arrangement of the Triple Concerto, Op. 56) and Chopin with cellist Giedré Dirvanauskaité and pianist Georgijs Osokins. In 2022, Kremer issued a recording of Weinberg's difficult Sonatas for violin solo. By that time, his catalog contained nearly 200 recordings.© Andrew Lindemann Malone & James Manheim /TiVo Read more
Gidon Kremer's technical brilliance, inward but passionate playing, and commitment to both new works and new interpretations of old works have made him one of the most respected violinists in the world today. He is widely known as the director of his own ensemble, Kremerata Baltica, which has explored a wide range of new music from the Baltic region and other areas.
Kremer was born on February 27, 1947, in Riga, Latvia, then part of the Soviet Union. The Latvian form of his name is Gidons Krēmers. His parents were both professional violinists (his father, a Jew, survived the Holocaust), and, as with so many virtuosi, Kremer's gift was apparent almost immediately after a violin was put in his hands. His grandfather, Georg Bruckner, concertmaster of the Riga Opera, is credited with having guided the development of his formidable talent. Kremer won the first prize of the Latvian Republic at age 16 and entered the Moscow Conservatory to study under the legendary violinist David Oistrakh, who eventually offered him a position as an assistant after he graduated. By that time, however, Kremer had already won numerous violin competitions (most notably the 1970 Tchaikovsky Competition), and his star was rising as a soloist. Kremer had been denied permission to travel abroad but was finally allowed to leave the country in 1975. He became a sensation in the West when conductor Herbert von Karajan in 1976 proclaimed Kremer the greatest violinist in the world after recording the Brahms violin concerto with him.
A remarkably versatile player, Kremer has a repertory encompassing the standard Baroque, Classical, and Romantic literature, as well as new works by composers such as Stockhausen, Henze, and Adams, and music from the Baltic countries. Always a champion of the new and the rare, he has rhetorically asked: "Why ride the same old warhorses to success?" He also enjoys thumbing his nose at conventional wisdom, regularly creating radical reinterpretations of the classics, as in his 1980 recording of the Beethoven Violin Concerto with somewhat bizarre cadenzas by Schnittke. He disdains virtuosity for virtuosity's sake but is nonetheless one of the most technically proficient violinists in the world. His playing tends toward a thoughtful austerity rather than the extroversion of a Jascha Heifetz, but when he is in top form, he is a mesmerizing performer.
Kremer has kept apartments around the world but became particularly fond of the Austrian town of Lockenhaus. He founded the Lockenhaus Chamber Music Festival there in 1981 but ended the festival in 1990, deciding to stop before the task became too exhausting. In the late '90s, he created the punningly named Kremerata Baltica with a group of young Latvian players; the group's recordings of Arvo Pärt and Astor Piazzolla placed them out in front of two of the hottest trends of the 20th century's end. His recordings with the group have won numerous international awards, including a Grammy in 2002.
In the early 2010s, Kremer withdrew from several high-profile appearances, citing weariness with the machinery of musical celebrity. His recording career, however, has possibly become even more prolific, encompassing chamber music, recordings of mainstream repertory, and continued exploration with Kremerata Baltica, on the ECM label, of contemporary music from the Slavic countries, his native Baltic region, and the Russian sphere. He has devoted a pair of albums to Shostakovich's protégé Mieczyslaw Weinberg; one was honored with a Grammy nomination in 2015, and a second, devoted to the composer's chamber symphonies, appeared in 2017. He was once again nominated for a Grammy in 2019 for a recording of Weinberg's Symphonies Nos. 2 & 21 under Mirga Gražinytė-Tyla. Kremer's more mainstream recordings, such as a 2012 album devoted to Vivaldi's Four Seasons, have appeared on Deutsche Grammophon and Decca. His recording pace slowed hardly at all, as he issued several recordings annually during the late 2010s and early 2020s, by which time he was in his mid-70s. Kremer is not known as a chamber music player but has issued recordings with younger performers whose careers he has helped along; in 2020, he released an album of trios by Beethoven (an arrangement of the Triple Concerto, Op. 56) and Chopin with cellist Giedré Dirvanauskaité and pianist Georgijs Osokins. In 2022, Kremer issued a recording of Weinberg's difficult Sonatas for violin solo. By that time, his catalog contained nearly 200 recordings.
© Andrew Lindemann Malone & James Manheim /TiVo
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Weinberg: Sonatas for Violin Solo
Classical - Released by ECM New Series on 18 Feb 2022
Choc de ClassicaLatvian violinist Gidon Kremer’s repertoire is so very wide and varied, and his collaborations so very generous, creative and non-standard – not least ...
24-Bit 96.0 kHz - Stereo -
Vivaldi: Four Seasons
Gidon Kremer, Leslie Pearson, London Symphony Orchestra, Claudio Abbado
Classical - Released by Deutsche Grammophon (DG) on 12 Nov 2021
24-Bit 96.0 kHz - Stereo -
Arvo Pärt: Tabula Rasa (Remaster)
Classical - Released by ECM on 11 Sep 2015
The Qobuz Ideal DiscographyThe 1984 ECM album Tabula Rasa was the vehicle that introduced the revolutionary music of Arvo Pärt to audiences outside Eastern Europe and initiated ...
24-Bit 96.0 kHz - Stereo -
"Preghiera" (Rachmaninov : Piano Trios)
Gidon Kremer, Daniil Trifonov, Giedré Dirvanauskaité
Classical - Released by Deutsche Grammophon (DG) on 24 Feb 2017
4 étoiles ClassicaDiapason d'or5 Sterne Fono Forum KlassikThis group of Rachmaninov piano trios was released in celebration of the 70th birthday of Latvian violinist Gidon Kremer. One might have expected some ...
24-Bit 96.0 kHz - Stereo -
New Seasons (Glass, Pärt, Kancheli, Umebayashi)
Gidon Kremer, Kremerata Baltica
Classical - Released by Deutsche Grammophon (DG) on 29 May 2015
Prise de Son d'Exception5 de DiapasonThe New Seasons referred to in the title here are the so-called American Four Seasons, the Violin Concerto No. 2 of Philip Glass, which has even less ...
24-Bit 192.0 kHz - Stereo -
Weinberg: Violin Concerto & Sonata for 2 Violins (Live)
Gidon Kremer, Gewandhausorchester Leipzig, Madara Petersone, Daniele Gatti
Classical - Released by Accentus Music on 15 Jan 2021
While Mieczyslaw Weinberg's instrument was the piano, he wrote extensively and wonderfully for the violin, which makes sense both on artistic and pers ...
24-Bit 48.0 kHz - Stereo -
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Gidon Kremer, Kremerata Baltica
Classical - Released by SKANI on 17 Jun 2022
Internationally prominent violinist and conductor Gidon Kremer has sometimes championed music from his native Latvia. Of the composers heard here, he ...
24-Bit 96.0 kHz - Stereo -
Bach: The Sonatas and Partitas for Violin Solo
Classical - Released by ECM New Series on 1 Jan 2005
Never one to shy away from challenges, Gidon Kremer often confronts them in his recordings of new or unusual music, yet his expression is often under ...
16-Bit CD Quality 44.1 kHz - Stereo -
Giya Kancheli: Chiaroscuro
Gidon Kremer, Patricia Kopatchinskaja, Kremerata Baltica
Classical - Released by ECM New Series on 2 Oct 2015
Georgian-born composer Giya Kancheli, who has lived for some years in Antwerp, has been championed by various Western conductors and ensembles, but th ...
24-Bit 96.0 kHz - Stereo -
Weinberg : Chamber Music
Gidon Kremer, Giedré Dirvanauskaité, Yulianna Avdeeva
Classical - Released by Deutsche Grammophon (DG) on 18 Oct 2019
Le Choix de France MusiqueDiapason d'or...
24-Bit 96.0 kHz - Stereo -
Glass : Violin Concerto - Schnittke : Concerto Grosso 5
Gidon Kremer, Wiener Philharmonic Orchestra, Christoph von Dohnányi, Rainer Keuschnig
Classical - Released by Deutsche Grammophon (DG) on 1 Jan 1993
16-Bit CD Quality 44.1 kHz - Stereo -
Vasks: Distant Light & Voices
Gidon Kremer, Kremerata Baltica
Classical - Released by Warner Classics on 1 Jan 1999
16-Bit CD Quality 44.1 kHz - Stereo -
Gubaidulina: Offertorium
Gidon Kremer, Boston Symphony Orchestra, Charles Dutoit
Classical - Released by Deutsche Grammophon (DG) on 1 Jan 1989
16-Bit CD Quality 44.1 kHz - Stereo -
Gubaidulina : Offertorium - Hommage à T.S. Eliot
Gidon Kremer, Boston Symphony Orchestra, Charles Dutoit
Classical - Released by Deutsche Grammophon (DG) on 1 Jan 1989
16-Bit CD Quality 44.1 kHz - Stereo -
Weinberg : Violin Sonatas, Concertino, Symphony no.10... (Live In Lockenhaus & Neuhardenberg / 2012 & 2013)
Gidon Kremer, Kremerata Baltica
Classical - Released by ECM on 28 Jan 2014
Hi-Res AudioChoc de ClassicaChoc Classica de l'annéeDiapason d'orGramophone Editor's ChoiceLatvian violinist Gidon Kremer has proven a near-infallible guide to the neglected music of the former Soviet bloc. In the case of Polish-born Soviet ...
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Mendelssohn: Concerto for Violin, Piano and Strings; Violin Concerto
Gidon Kremer, Martha Argerich, Orpheus Chamber Orchestra
Classical - Released by Deutsche Grammophon (DG) on 1 Jan 1989
The Qobuz Ideal Discography16-Bit CD Quality 44.1 kHz - Stereo -
Sofia Gubaidulina (Live)
Classical - Released by ECM New Series on 27 Jan 2012
Hi-Res AudioSofia Gubaidulina doesn't designate either of the pieces on this recording as concertos even though they feature a solo and ensemble, and that logic i ...
24-Bit 44.1 kHz - Stereo -
Bartók: Sonata For Violin And Piano No.1, Sz. 75 / Janácek: Violin Sonata / Messiaen: Theme And Variations For Violin And Piano
Classical - Released by Deutsche Grammophon (DG) on 1 Jan 1990
16-Bit CD Quality 44.1 kHz - Stereo -
After Mozart
Gidon Kremer, Kremerata Baltica
Classical - Released by Nonesuch on 16 Oct 2001
16-Bit CD Quality 44.1 kHz - Stereo -
Beethoven: Violin Concerto, Op. 61 - Romances, Op. 40 & 50 (- Elatus)
Gidon Kremer, The Chamber Orchestra of Europe, Nikolaus Harnoncourt
Classical - Released by Warner Classics International on 1 Mar 1993
16-Bit CD Quality 44.1 kHz - Stereo -
Schnittke: Complete Violin Concertos
Concertos - Released by Warner Classics on 1 Jan 2000
16-Bit CD Quality 44.1 kHz - Stereo