Choir of King's College, Cambridge
Among England's famed university choirs, the King's College Choir of Cambridge has both one of the deepest histories and some of the most visible present-day activities. Its annual broadcasts of the Festival of Nine Lessons and Carols, begun in 1918, have been an integral part of Christmas celebrations in many countries. The Choir of King's College was founded in 1441 by England's King Henry VI as the resident ensemble of King's College Chapel, a status it continues to hold today. The choir shrank during some of the tumultuous events of the 15th through the 17th centuries but continued to operate. By the early 20th century, it had reached its present complement of 30 members: 16 boy choristers and 14 adult choral scholars, plus two organ scholars. Choristers audition at five or six, join the choir on probation at eight, enter as full members at ten, and depart when their voices break. A listing of the choir's past members over the decades includes a virtual who's-who of British choral, vocal, and keyboard music, such as conductor Andrew Davis, bass-baritone Stephen Varcoe, tenor Mark Padmore, and composer Bob Chilcott, to name just a few. The choir has also directly spawned several contemporary choral groups, including Polyphony (directed by Stephen Layton, another alumnus), the King's Singers, and the King's Men, the latter composed of the choir's current Choral Scholars. The position of Director of Music with the choir has been notable for the longevity of its holders; organist John Randall was the director from 1742 until his death in 1799. Sir David Willcocks, director from 1957 until 1973, was a major figure in the revival of English Renaissance choral music. Since 1982, the Director of Music has been Stephen Cleobury. Always popular, the choir's reach has been extended by the general revival of early music; it has collaborated with the Brandenburg Consort, the Academy of Ancient Music, and other historical-performance ensembles as well as a range of modern symphony orchestras. The choir issued music throughout the LP era on London and other labels, but beginning in the early 1980s, a new association with EMI resulted in extraordinary recording productivity; the year 1990 alone saw the release of ten King's College Choir CDs. That productivity has continued in the 2010s as the group has recorded on its own King's College Choir label. In 2018, the choir released 100 Years of Nine Lessons and Carols, featuring both historical and modern recordings.© James Manheim /TiVo Read more
Among England's famed university choirs, the King's College Choir of Cambridge has both one of the deepest histories and some of the most visible present-day activities. Its annual broadcasts of the Festival of Nine Lessons and Carols, begun in 1918, have been an integral part of Christmas celebrations in many countries. The Choir of King's College was founded in 1441 by England's King Henry VI as the resident ensemble of King's College Chapel, a status it continues to hold today. The choir shrank during some of the tumultuous events of the 15th through the 17th centuries but continued to operate. By the early 20th century, it had reached its present complement of 30 members: 16 boy choristers and 14 adult choral scholars, plus two organ scholars. Choristers audition at five or six, join the choir on probation at eight, enter as full members at ten, and depart when their voices break. A listing of the choir's past members over the decades includes a virtual who's-who of British choral, vocal, and keyboard music, such as conductor Andrew Davis, bass-baritone Stephen Varcoe, tenor Mark Padmore, and composer Bob Chilcott, to name just a few. The choir has also directly spawned several contemporary choral groups, including Polyphony (directed by Stephen Layton, another alumnus), the King's Singers, and the King's Men, the latter composed of the choir's current Choral Scholars. The position of Director of Music with the choir has been notable for the longevity of its holders; organist John Randall was the director from 1742 until his death in 1799. Sir David Willcocks, director from 1957 until 1973, was a major figure in the revival of English Renaissance choral music. Since 1982, the Director of Music has been Stephen Cleobury. Always popular, the choir's reach has been extended by the general revival of early music; it has collaborated with the Brandenburg Consort, the Academy of Ancient Music, and other historical-performance ensembles as well as a range of modern symphony orchestras. The choir issued music throughout the LP era on London and other labels, but beginning in the early 1980s, a new association with EMI resulted in extraordinary recording productivity; the year 1990 alone saw the release of ten King's College Choir CDs. That productivity has continued in the 2010s as the group has recorded on its own King's College Choir label. In 2018, the choir released 100 Years of Nine Lessons and Carols, featuring both historical and modern recordings.
© James Manheim /TiVo
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In the Bleak Midwinter: Christmas Carols from King's
Choir of King's College, Cambridge, Daniel Hyde
Classical - Released by Kings College Cambridge on 5 Nov 2021
The title of this Choir of King's College, Cambridge album, In the Bleak Midwinter, refers to the poem by Christina Rossetti and its settings to music ...
24-Bit 192.0 kHz - Stereo -
Now the Green Blade Riseth: Choral Music for Easter
Choir of King's College, Cambridge, Daniel Hyde
Choral Music (Choirs) - Released by Kings College Cambridge on 15 Apr 2022
A beautiful and varied selection of Easter choral music on its new album under the direction of Daniel Hyde. "Now the green blade riseth" is a process ...
24-Bit 96.0 kHz - Stereo -
Traditional Christmas Carols from King's
Choir of King's College, Cambridge, Stephen Cleobury, Daniel Hyde
Classical - Released by Kings College Cambridge on 9 Dec 2022
24-Bit 96.0 kHz - Stereo -
Christmas Carols by King's College Choir
Choir of King's College, Cambridge, Stephen Cleobury
Christmas Music - Released by Kings College Cambridge on 13 Dec 2019
16-Bit CD Quality 44.1 kHz - Stereo -
Carols From Cambridge: The Very Best Sacred Christmas Carols
Choir of King's College, Cambridge, Choir of Clare College, Cambridge
Classical - Released by Decca (UMO) on 1 Jan 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Carols From King's (2020 Collection) (Live)
Choir of King's College, Cambridge, Daniel Hyde
Christmas Music - Released by Kings College Cambridge on 11 Dec 2020
There are numerous recordings of Christmas carols by British collegiate choirs. There are quite a few by the Choir of King's College, Cambridge, and t ...
24-Bit 48.0 kHz - Stereo -
Allegri: Miserere / Palestrina: Stabat Mater
Choir of King's College, Cambridge, Sir David Willcocks
Classical - Released by Decca Music Group Ltd. on 1 Jan 1964
16-Bit CD Quality 44.1 kHz - Stereo -
Purcell: Funeral Music for Queen Mary & Anthems
Choir of King's College, Cambridge
Classical - Released by Warner Classics on 1 Jan 1977
16-Bit CD Quality 44.1 kHz - Stereo -
Allegri's Miserere and Other Music of the Italian 16th Century
Choir of King's College, Cambridge
Classical - Released by Warner Classics on 1 Jan 1984
16-Bit CD Quality 44.1 kHz - Stereo -
Charpentier: Te Deum, H. 146 & Magnificat, H. 74
Choir of King's College, Cambridge
Classical - Released by Warner Classics on 1 Jan 1978
24-Bit 192.0 kHz - Stereo -
Essential Christmas Carols from King’s
Choir of King's College, Cambridge
Classical - Released by Warner Classics on 26 Nov 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Kings College Choir: Purcell
Choir of King's College, Cambridge, Stephen Cleobury
Classical - Released by Warner Classics on 3 Mar 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Rossini: Petite Messe Solennelle/Stabat Mater
Choir of King's College, Cambridge, Stephen Cleobury
Classical - Released by Warner Classics on 10 Jan 1995
16-Bit CD Quality 44.1 kHz - Stereo -
Bruckner: Mass in E Minor, Motets
Choir of King's College, Cambridge, Stephen Cleobury, Academy of St. Martin in the Fields
Classical - Released by Kings College Cambridge on 16 Oct 2020
Bruckner's Mass No. 2 in E minor, WAB 27, was composed for mixed chorus, not for an English cathedral choir with boy sopranos, and listeners will make ...
24-Bit 96.0 kHz - Stereo -
Britten: A Ceremony of Carols; Rejoice in the Lamb; A Boy Was Born
Choir of King's College, Cambridge, Rachel Masters, Stephen Cleobury
Classical - Released by Decca Music Group Ltd. on 1 Jan 1991
16-Bit CD Quality 44.1 kHz - Stereo -
Bernstein: Chichester Psalms - Britten: Rejoice the Lamb & Festival Te Deum
Choir of King's College, Cambridge
Classical - Released by Warner Classics on 1 Jan 1974
24-Bit 192.0 kHz - Stereo -
Handel: 4 Coronation Anthems/Dixit Dominus etc.
Choir of King's College, Cambridge, Winchester Cathedral Choir, Christ Church Cathedral Choir, Oxford
Classical - Released by Decca Music Group Ltd. on 1 Jan 1997
16-Bit CD Quality 44.1 kHz - Stereo -
Howells: Hymnus Paradisi
Choir of King's College, Cambridge
Classical - Released by Warner Classics on 1 Jan 1970
24-Bit 192.0 kHz - Stereo -
Gregorian Chant
Choir of King's College, Cambridge, Stephen Cleobury
Classical - Released by Warner Classics on 28 Nov 2005
The listener trying to get a basic grip on what medieval plainchant was all about could not ask for a better introduction than this release. The Choir ...
16-Bit CD Quality 44.1 kHz - Stereo -
A Festival of Lessons & Carols from King's
Choir of King's College, Cambridge
Classical - Released by Warner Classics on 1 Jan 1979
24-Bit 192.0 kHz - Stereo -
Rutter: Gloria, Magnificat, Psalm 150
Choir of King's College, Cambridge, Stephen Cleobury
Classical - Released by Warner Classics on 7 Mar 2005
One might think that setting the Gloria and Magnificat texts would call forth stylistically quintessential works from a composer, but oddly enough the ...
16-Bit CD Quality 44.1 kHz - Stereo