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Tania Maria|Via Brasil vol.1 (Enr 4-5 Décembre 1974 Paris)

Via Brasil vol.1 (Enr 4-5 Décembre 1974 Paris)

Tania Maria

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This rare album from singer/pianist Tânia Maria, backed by bassist Hélio and drummer Boto, documents that in the mid-'70s, the swinging samba-jazz interpreter was already developed -- even if still closely emulating Elis Regina. The album opens with the heavy pounding of "Samba de Orly" (Vinícius de Moraes/Chico Buarque de Hollanda), and the same atmosphere follows with a Jorge Ben medley, giving room to the lyrical "Até Quem Sabe" (Lysias Ênio/João Donato). "Abre Alas" traces very closely Elis Regina's take. Another Ben classic, "Fio Maravilha" (which was written in homage to the celebrated soccer player Fio, from Botafogo, who later sued Ben for using his name, which is the reason why this song is currently interpreted as "Filho Maravilha") restores that heavy swing. "Águas de Março" (Tom Jobim), in which a mild samba arrangement (as opposed to the usual bossa nova rendition) backs her interpretation, is profoundly indebted to Elis Regina. Another sensitive moment is brought by "Não Tem Perdão" (Ronaldo Monteiro de Souza/Ivan Lins), the vehicle for one of her solos coupling the piano with her voice. The album closes with a medley of "Não Põe a Mão" (Péricles Simões Mutt/Arnô Canegal/B. Moreira), "Arrasta a Sandália" (Osvaldo Vasques/Aurélio Gomes), "Aquarela do Brasil" (Ary Barroso), the marchinha "Nega do Cabelo Duro" (Rubens Soares/David Nasser), "Maracangalha" (Dorival Caymmi), all transformed into a heavy samba. An appealing record for samba-jazz and Tânia Maria fans.
© Alvaro Neder /TiVo

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Via Brasil vol.1 (Enr 4-5 Décembre 1974 Paris)

Tania Maria

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1
Samba De Orly (Enr 4-5 Décembre 1974 Paris)
00:04:18

Hélio, Interprète Instrumental, AssociatedPerformer - Vinicius De Moraes, ComposerLyricist - Chico Buarque, ComposerLyricist - toquinho, ComposerLyricist - Tania Maria, Interprète Vocal, MainArtist, AssociatedPerformer - Boto, Interprète Instrumental, AssociatedPerformer

℗ 1975 Decca Records France

2
Pot-Pourri De Jorge Ben (Enr 4-5 Décembre 1974 Paris)
00:05:56

Hélio, Interprète Instrumental, AssociatedPerformer - Jorge Ben, ComposerLyricist - Tania Maria, Interprète Vocal, MainArtist, AssociatedPerformer - Boto, Interprète Instrumental, AssociatedPerformer

℗ 1975 Decca Records France

3
Até Quem Sabe (Enr 4-5 Décembre 1974 Paris)
00:04:20

Hélio, Interprète Instrumental, AssociatedPerformer - Lysias Enio, ComposerLyricist - João Donato, ComposerLyricist - Tania Maria, Interprète Vocal, MainArtist, AssociatedPerformer - Boto, Interprète Instrumental, AssociatedPerformer

℗ 1975 Decca Records France

4
Abre Alas (Enr 4-5 Décembre 1974 Paris)
00:04:17

Ronaldo Monteiro De Souza, ComposerLyricist - Hélio, Interprète Instrumental, AssociatedPerformer - IVAN LINS, ComposerLyricist - Tania Maria, Interprète Vocal, MainArtist, AssociatedPerformer - Boto, Interprète Instrumental, AssociatedPerformer

℗ 1975 Decca Records France

5
Fio Maravilha (Enr 4-5 Décembre 1974 Paris)
00:03:36

Hélio, Interprète Instrumental, AssociatedPerformer - Jorge Ben, ComposerLyricist - Tania Maria, Interprète Vocal, MainArtist, AssociatedPerformer - Boto, Interprète Instrumental, AssociatedPerformer

℗ 1975 Decca Records France

6
A Cruz (Enr 4-5 Décembre 1974 Paris)
00:05:41

Hélio, Interprète Instrumental, AssociatedPerformer - Tania Maria, Interprète Vocal, MainArtist, AssociatedPerformer, ComposerLyricist - Maria da Fé, ComposerLyricist - Boto, Interprète Instrumental, AssociatedPerformer

℗ 1975 Decca Records France

7
Aguas De Março (Enr 4-5 Décembre 1974 Paris)
00:06:06

Hélio, Interprète Instrumental, AssociatedPerformer - António Carlos Jobim, ComposerLyricist - Tania Maria, Interprète Vocal, MainArtist, AssociatedPerformer - Boto, Interprète Instrumental, AssociatedPerformer

℗ 1975 Decca Records France

8
Bedeu (Enr 4-5 Décembre 1974 Paris)
00:02:22

Hélio, Interprète Instrumental, AssociatedPerformer - Tania Maria, Interprète Vocal, MainArtist, AssociatedPerformer - A Fagner, ComposerLyricist - Boto, Interprète Instrumental, AssociatedPerformer

℗ 1975 Decca Records France

9
Nao Tem Perdao (Enr 4-5 Décembre 1974 Paris)
00:04:52

Ronaldo Monteiro De Souza, ComposerLyricist - Hélio, Interprète Instrumental, AssociatedPerformer - IVAN LINS, ComposerLyricist - Tania Maria, Interprète Vocal, MainArtist, AssociatedPerformer - Boto, Interprète Instrumental, AssociatedPerformer

℗ 1975 Decca Records France

10
Pot-Pourri Via Brasil (Enr 4-5 Décembre 1974 Paris)
00:02:24

David Nasser, ComposerLyricist - Hélio, Interprète Instrumental, AssociatedPerformer - Rubens Soares, ComposerLyricist - Ary Barroso, ComposerLyricist - Dorival Caymmi, ComposerLyricist - Lamartine Babo, ComposerLyricist - Tania Maria, Interprète Vocal, MainArtist, AssociatedPerformer - Boto, Interprète Instrumental, AssociatedPerformer

℗ 1975 Decca Records France

Album Description

This rare album from singer/pianist Tânia Maria, backed by bassist Hélio and drummer Boto, documents that in the mid-'70s, the swinging samba-jazz interpreter was already developed -- even if still closely emulating Elis Regina. The album opens with the heavy pounding of "Samba de Orly" (Vinícius de Moraes/Chico Buarque de Hollanda), and the same atmosphere follows with a Jorge Ben medley, giving room to the lyrical "Até Quem Sabe" (Lysias Ênio/João Donato). "Abre Alas" traces very closely Elis Regina's take. Another Ben classic, "Fio Maravilha" (which was written in homage to the celebrated soccer player Fio, from Botafogo, who later sued Ben for using his name, which is the reason why this song is currently interpreted as "Filho Maravilha") restores that heavy swing. "Águas de Março" (Tom Jobim), in which a mild samba arrangement (as opposed to the usual bossa nova rendition) backs her interpretation, is profoundly indebted to Elis Regina. Another sensitive moment is brought by "Não Tem Perdão" (Ronaldo Monteiro de Souza/Ivan Lins), the vehicle for one of her solos coupling the piano with her voice. The album closes with a medley of "Não Põe a Mão" (Péricles Simões Mutt/Arnô Canegal/B. Moreira), "Arrasta a Sandália" (Osvaldo Vasques/Aurélio Gomes), "Aquarela do Brasil" (Ary Barroso), the marchinha "Nega do Cabelo Duro" (Rubens Soares/David Nasser), "Maracangalha" (Dorival Caymmi), all transformed into a heavy samba. An appealing record for samba-jazz and Tânia Maria fans.
© Alvaro Neder /TiVo

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