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Sublime|Sublime Acoustic: Bradley Nowell & Friends

Sublime Acoustic: Bradley Nowell & Friends

Sublime

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Between November 1997 and November 1998, the Bradley Nowell estate, MCA, and the surviving members of Sublime released no less than three albums of outtakes, rarities, and live tracks, culminating with Acoustic: Bradley Nowell & Friends. At first glance, this appears to be the least interesting of the three albums, since it doesn't have outtakes like Second Hand Smoke or document the band in its live prime, like Stand by Your Van. Strangely enough, that's the reason why it's the most engaging of any of the posthumous Sublime releases. Throughout all these recordings, many of which are decidedly lo-fi, Nowell and a variety of supporting musicians run through Sublime favorites, toss-offs, and covers. It's relaxed, funny, and, funnily enough, quite moving, because it captures a human, touching side of Nowell that only surfaced in glimpses on Sublime's official albums. Of course, this is something that will be of interest primarily to hardcore fans, not fellow travelers who only owned Sublime, but that's the reason why Acoustic is the best of all the Sublime records released after Nowell's death.
© Stephen Thomas Erlewine /TiVo

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Sublime Acoustic: Bradley Nowell & Friends

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1
Wrong Way (Live / Acoustic Version)
00:00:49

Bradley Nowell, ComposerLyricist - Eric Wilson, ComposerLyricist - Sublime, MainArtist - Floyd Gaugh, ComposerLyricist - Michael Happoldt, Producer - Dave Zlacket, Recording Engineer, StudioPersonnel

℗ 1998 Gasoline Alley, J.V.

2
Saw Red (Acoustic Version)
00:02:47

Bradley Nowell, ComposerLyricist - Barrington Levy, ComposerLyricist - Paul Leary, Producer, Mixer, StudioPersonnel - Stuart Sullivan, Engineer, StudioPersonnel - Sublime, MainArtist - Brad Nowell, Acoustic Guitar, Vocals, AssociatedPerformer

℗ 1998 UMG Recordings, Inc.

3
Foolish Fool (Acoustic Version)
00:02:17

Bradley Nowell, ComposerLyricist - Sublime, MainArtist - Michael Happoldt, Producer - Laurie Daniels, Recording Engineer, StudioPersonnel

℗ 1998 Gasoline Alley, J.V.

4
Don't Push (Acoustic Version)
00:02:58

Bradley Nowell, ComposerLyricist - Marshall Goodman, ComposerLyricist - Sublime, MainArtist - Michael Happoldt, Producer, Mixer, Engineer, StudioPersonnel

℗ 1998 Gasoline Alley, J.V.

5
Mary / Big Salty Tears (Live / Acoustic Version)
00:04:56

Bradley Nowell, ComposerLyricist - Sublime, MainArtist - Michael Happoldt, Producer - Bert Susanka, ComposerLyricist - Dave Zlacket, Recording Engineer, StudioPersonnel

℗ 1998 Gasoline Alley, J.V.

6
Boss D.J. (Acoustic Version)
00:03:04

Bradley Nowell, ComposerLyricist - Dario Baldan Bembo, FeaturedArtist - Eric Wilson, FeaturedArtist - Sublime, MainArtist - Michael Happoldt, Producer, Mixer, Engineer, StudioPersonnel

℗ 1998 Gasoline Alley JV

7
Garden Grove (Live / Acoustic Version) Explicit
00:01:57

Bradley Nowell, ComposerLyricist - Eric Wilson, ComposerLyricist - Sublime, MainArtist - Floyd Gaugh, ComposerLyricist - Michael Happoldt, Producer - Dave Zlacket, Recording Engineer, StudioPersonnel

℗ 1998 Gasoline Alley, J.V.

8
Rivers Of Babylon (Acoustic Version)
00:02:38

Frank Farian, ComposerLyricist - George Reyam, ComposerLyricist - Brent Dowe, ComposerLyricist - Jack Maness, FeaturedArtist - Eric Wilson, FeaturedArtist - Sublime, MainArtist - Michael Happoldt, Producer, Mixer, Engineer, StudioPersonnel - James August McNaughton, ComposerLyricist

℗ 1998 Gasoline Alley, J.V.

9
Little District (Acoustic Version)
00:01:57

Bradley Nowell, ComposerLyricist - Paul Leary, Producer, Mixer, StudioPersonnel - Stuart Sullivan, Engineer, StudioPersonnel - Sublime, MainArtist - Brad Nowell, Acoustic Guitar, Vocals, AssociatedPerformer

℗ 1998 UMG Recordings, Inc.

10
KRS-One (Live / Acoustic Version) Explicit
00:03:38

Lawrence Parker, ComposerLyricist - Bradley Nowell, ComposerLyricist - Marshall Goodman, ComposerLyricist - Sublime, MainArtist - Michael Happoldt, Producer - Tyrone Armstrong, ComposerLyricist - Dave Zlacket, Recording Engineer, StudioPersonnel - Ray Anthony Smith, ComposerLyricist

℗ 1998 Gasoline Alley, J.V.

11
Marley Medley: Guava Jelly / This Train (Acoustic Version)
00:02:59

Traditional, ComposerLyricist - Bob Marley, Arranger, Work Arranger, ComposerLyricist - Eddie Ashworth, Mixer, Engineer, StudioPersonnel - Sublime, MainArtist - Michael Happoldt, Producer

℗ 1998 Gasoline Alley, J.V.

12
What Happened / Eye Of Fatima (Acoustic Version)
00:01:57

Victor Krummenacher, ComposerLyricist - David Lowery, ComposerLyricist - Jonathan Segel, ComposerLyricist - Bradley Nowell, ComposerLyricist - George Gershwin, ComposerLyricist - Marshall Goodman, ComposerLyricist - Sublime, MainArtist - Michael Happoldt, Producer - Greg Lisher, ComposerLyricist - Chris Pedersen, ComposerLyricist - Laurie Daniels, Recording Engineer, StudioPersonnel

℗ 1998 Gasoline Alley, J.V.

13
Freeway Time In L.A. County Jail (Acoustic Version)
00:04:23

Bradley Nowell, ComposerLyricist - Sublime, MainArtist - Michael Happoldt, Producer, Mixer, Engineer, StudioPersonnel

℗ 1998 Gasoline Alley, J.V.

14
Pool Shark (Acoustic Version)
00:01:25

Bradley Nowell, ComposerLyricist - Sublime, MainArtist - Michael Happoldt, Producer, Mixer, Engineer, StudioPersonnel

℗ 1993 Gasoline Alley, J.V.

15
It's Who You Know (Acoustic Version)
00:00:44

JOHN DOE, ComposerLyricist - Exene Cervenka, ComposerLyricist - Sublime, MainArtist - Michael Happoldt, Producer - Laurie Daniels, Recording Engineer, StudioPersonnel

℗ 1998 Gasoline Alley, J.V.

Album Description

Between November 1997 and November 1998, the Bradley Nowell estate, MCA, and the surviving members of Sublime released no less than three albums of outtakes, rarities, and live tracks, culminating with Acoustic: Bradley Nowell & Friends. At first glance, this appears to be the least interesting of the three albums, since it doesn't have outtakes like Second Hand Smoke or document the band in its live prime, like Stand by Your Van. Strangely enough, that's the reason why it's the most engaging of any of the posthumous Sublime releases. Throughout all these recordings, many of which are decidedly lo-fi, Nowell and a variety of supporting musicians run through Sublime favorites, toss-offs, and covers. It's relaxed, funny, and, funnily enough, quite moving, because it captures a human, touching side of Nowell that only surfaced in glimpses on Sublime's official albums. Of course, this is something that will be of interest primarily to hardcore fans, not fellow travelers who only owned Sublime, but that's the reason why Acoustic is the best of all the Sublime records released after Nowell's death.
© Stephen Thomas Erlewine /TiVo

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