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William Shakespeare|Rosenblum, J.: Sonnets To Sundry Notes of Music / 5 X 4 = 20 / Triple Delights With Scallions / 6 Little Pieces

Rosenblum, J.: Sonnets To Sundry Notes of Music / 5 X 4 = 20 / Triple Delights With Scallions / 6 Little Pieces

Various Artists

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Joshua Rosenblum reported, "I don't think any of my teachers in music school ever actually said 'Will you please be serious?' in exactly those words, but the strong implication was frequently there," and the assortment of vocal and chamber music collected here bear out his non-serious bent. The composer accurately described his music as a melding of classical and popular styles. Most frequently, the popular influence is the Broadway musical, and the vocal pieces in particular show the composer's indebtedness to the musical in the text setting and the conventionally patterned melodies and harmonies. Rosenblum deploys enough complexity and unexpected twists, though, to keep them from ever falling over the precipice into cliché. Will you please be serious, written for the amplified string quartet Ethel, is a polystylistic romp through a variety of idioms, with quotations from numerous popular songs thrown in. The jaunty suite 5 X 4 = 20, for piano four-hands, is full of allusions to various popular dance forms, similar in spirit to Prokofiev's take on waltzes in his Waltz Suite, but with somewhat more tongue in cheek. The pieces sound like they were a blast to write and perform, but their whimsicality can wear thin over the course of an hour. Taken individually, any one of these pieces would be utterly charming, but they would benefit from being heard in the context of some music that wasn't so doggedly determined to be goofy. The album should appeal to listeners who appreciate genuine musical humor, with the caveat that the pieces might most profitably be listened to one at a time, with a palate-cleansing sorbet of works by Corelli or Schubert or Webern -- your choice -- interpolated between them.

© TiVo

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Rosenblum, J.: Sonnets To Sundry Notes of Music / 5 X 4 = 20 / Triple Delights With Scallions / 6 Little Pieces

William Shakespeare

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Sonnets to Sundry Notes of Music (Joshua Rosenblum)

1
No. 1, It was a Lording's Daughter
William Shakespeare
00:04:36

William Shakespeare , Lyricist, MainArtist - Joshua Rosenblum, Composer - Ofra Yitzhaki, Artist - Misa Ann Iwama, Artist - James Worley, Artist - Lora Tchekoratova, Artist - Roosevelt Andre Credit, Artist - Joanne Lessner, Artist

(C) 2008 Albany (P) 2008 Albany

2
No. 2, Alack the Day
William Shakespeare
00:04:30

William Shakespeare , Lyricist, MainArtist - Joshua Rosenblum, Composer - Ofra Yitzhaki, Artist - Misa Ann Iwama, Artist - James Worley, Artist - Lora Tchekoratova, Artist - Roosevelt Andre Credit, Artist - Joanne Lessner, Artist

(C) 2008 Albany (P) 2008 Albany

3
No. 3, My Flocks Feed Not
William Shakespeare
00:05:54

William Shakespeare , Lyricist, MainArtist - Joshua Rosenblum, Composer - Ofra Yitzhaki, Artist - Misa Ann Iwama, Artist - James Worley, Artist - Lora Tchekoratova, Artist - Roosevelt Andre Credit, Artist - Joanne Lessner, Artist

(C) 2008 Albany (P) 2008 Albany

4
No. 4, Whenas Thine Eye
William Shakespeare
00:03:51

William Shakespeare , Lyricist, MainArtist - Joshua Rosenblum, Composer - Ofra Yitzhaki, Artist - Misa Ann Iwama, Artist - James Worley, Artist - Lora Tchekoratova, Artist - Roosevelt Andre Credit, Artist - Joanne Lessner, Artist

(C) 2008 Albany (P) 2008 Albany

5
No. 5, Live with Me
William Shakespeare
00:04:11

William Shakespeare , Lyricist, MainArtist - Joshua Rosenblum, Composer - Ofra Yitzhaki, Artist - Misa Ann Iwama, Artist - James Worley, Artist - Lora Tchekoratova, Artist - Roosevelt Andre Credit, Artist - Joanne Lessner, Artist

(C) 2008 Albany (P) 2008 Albany

6
No. 6, Beasts did Leap
William Shakespeare
00:04:44

William Shakespeare , Lyricist, MainArtist - Joshua Rosenblum, Composer - Ofra Yitzhaki, Artist - Misa Ann Iwama, Artist - James Worley, Artist - Lora Tchekoratova, Artist - Roosevelt Andre Credit, Artist - Joanne Lessner, Artist

(C) 2008 Albany (P) 2008 Albany

Will You Please Be Serious (Joshua Rosenblum)

7
Will You Please Be Serious
Ethel
00:06:05

Ethel, Ensemble, MainArtist - Joshua Rosenblum, Composer

(C) 2008 Albany (P) 2008 Albany

5 x 4 = 20 (Joshua Rosenblum)

8
I. Much Ado About Nothing
Lora Tchekoratova
00:02:06

Joshua Rosenblum, Composer - Ofra Yitzhaki, Artist - Lora Tchekoratova, Artist, MainArtist

(C) 2008 Albany (P) 2008 Albany

9
II. With stately triumphs
Lora Tchekoratova
00:02:35

Joshua Rosenblum, Composer - Ofra Yitzhaki, Artist - Lora Tchekoratova, Artist, MainArtist

(C) 2008 Albany (P) 2008 Albany

10
III. Love hath twenty pair of eyes
Lora Tchekoratova
00:04:22

Joshua Rosenblum, Composer - Ofra Yitzhaki, Artist - Lora Tchekoratova, Artist, MainArtist

(C) 2008 Albany (P) 2008 Albany

11
IV. Measure for Measure
Lora Tchekoratova
00:03:05

Joshua Rosenblum, Composer - Ofra Yitzhaki, Artist - Lora Tchekoratova, Artist, MainArtist

(C) 2008 Albany (P) 2008 Albany

12
V. All's Well That Ends Well
Lora Tchekoratova
00:02:23

Joshua Rosenblum, Composer - Ofra Yitzhaki, Artist - Lora Tchekoratova, Artist, MainArtist

(C) 2008 Albany (P) 2008 Albany

Triple Delights with Scallions (Joshua Rosenblum)

13
I. Sprightly
Single Tree
00:01:37

Joshua Rosenblum, Composer - Single Tree, Ensemble, MainArtist

(C) 2008 Albany (P) 2008 Albany

14
II. Largo con moto
Single Tree
00:03:34

Joshua Rosenblum, Composer - Single Tree, Ensemble, MainArtist

(C) 2008 Albany (P) 2008 Albany

15
III. Giocoso
Single Tree
00:01:29

Joshua Rosenblum, Composer - Single Tree, Ensemble, MainArtist

(C) 2008 Albany (P) 2008 Albany

16
IV. Scallions
Single Tree
00:02:06

Joshua Rosenblum, Composer - Single Tree, Ensemble, MainArtist

(C) 2008 Albany (P) 2008 Albany

Excursion (Joshua Rosenblum)

17
Excursion
Lora Tchekoratova
00:04:10

Joshua Rosenblum, Composer - Lora Tchekoratova, Artist, MainArtist

(C) 2008 Albany (P) 2008 Albany

6 Little Pieces (Joshua Rosenblum)

18
I. Allegro giocoso
Herrick Trio
00:01:11

Joshua Rosenblum, Composer - Herrick Trio, Ensemble, MainArtist

(C) 2008 Albany (P) 2008 Albany

19
II. Alla marcia
Herrick Trio
00:00:54

Joshua Rosenblum, Composer - Herrick Trio, Ensemble, MainArtist

(C) 2008 Albany (P) 2008 Albany

20
III. Largo
Herrick Trio
00:02:20

Joshua Rosenblum, Composer - Herrick Trio, Ensemble, MainArtist

(C) 2008 Albany (P) 2008 Albany

21
IV. With a swing
Herrick Trio
00:00:56

Joshua Rosenblum, Composer - Herrick Trio, Ensemble, MainArtist

(C) 2008 Albany (P) 2008 Albany

22
V. Nostalgically
Herrick Trio
00:01:25

Joshua Rosenblum, Composer - Herrick Trio, Ensemble, MainArtist

(C) 2008 Albany (P) 2008 Albany

23
VI. Vigoroso
Herrick Trio
00:02:12

Joshua Rosenblum, Composer - Herrick Trio, Ensemble, MainArtist

(C) 2008 Albany (P) 2008 Albany

Toccata and Blues (Joshua Rosenblum)

24
Toccata and Blues
Haim Avitsur
00:06:55

Joshua Rosenblum, Composer, Artist - Haim Avitsur, Artist, MainArtist

(C) 2008 Albany (P) 2008 Albany

Album review

Joshua Rosenblum reported, "I don't think any of my teachers in music school ever actually said 'Will you please be serious?' in exactly those words, but the strong implication was frequently there," and the assortment of vocal and chamber music collected here bear out his non-serious bent. The composer accurately described his music as a melding of classical and popular styles. Most frequently, the popular influence is the Broadway musical, and the vocal pieces in particular show the composer's indebtedness to the musical in the text setting and the conventionally patterned melodies and harmonies. Rosenblum deploys enough complexity and unexpected twists, though, to keep them from ever falling over the precipice into cliché. Will you please be serious, written for the amplified string quartet Ethel, is a polystylistic romp through a variety of idioms, with quotations from numerous popular songs thrown in. The jaunty suite 5 X 4 = 20, for piano four-hands, is full of allusions to various popular dance forms, similar in spirit to Prokofiev's take on waltzes in his Waltz Suite, but with somewhat more tongue in cheek. The pieces sound like they were a blast to write and perform, but their whimsicality can wear thin over the course of an hour. Taken individually, any one of these pieces would be utterly charming, but they would benefit from being heard in the context of some music that wasn't so doggedly determined to be goofy. The album should appeal to listeners who appreciate genuine musical humor, with the caveat that the pieces might most profitably be listened to one at a time, with a palate-cleansing sorbet of works by Corelli or Schubert or Webern -- your choice -- interpolated between them.

© TiVo

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