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WDR Sinfonieorchester Köln|Prokofiev: The Steel Step, Op. 41 & The Prodigal Son, Op. 46

Prokofiev: The Steel Step, Op. 41 & The Prodigal Son, Op. 46

WDR Sinfonieorchester Köln, Michail Jurowski

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Prokofiev's 1927 ballet Le Pas d'Acier (The Step of Steel), given here in its rarely encountered complete form, is known for its motoric character and colorful scoring. Its sketchy story concerns the industrialization of the fledgling Soviet Union. Michail Jurowski's reading of the score is fairly straightforward and features excellent sound and fine playing by the WDR Sinfonie Orchester Köln. But occasionally the pacing is a bit deliberate and the phrasing bland, as in the opening number "Entrée des personages" and in the closing pair "Les Marteaux" (No. 10) and Finale (No. 11). The mechanistic qualities of the music -- so essential to any good performance of this work -- certainly come through with power in these numbers, and the epic and festive character of "Changement de décors" (No. 7) is brilliantly realized. Overall, it's a strong, if slightly flawed effort. The same might be said of L'enfant prodigue (The Prodigal Son), also performed complete here. The work, inspired by the Biblical story, is more simply constructed (the writing is mostly two-part) and more tuneful. Jurowski draws out a generally fine performance, with exceptional orchestral balances. But, again, some of his tempo choices and phrasing can seem a tad lackluster, as in "L'enjóleuse," where the playing is only smooth and lively, not bouncy and spirited. Rozhdestvensky, who was a teacher of Jurowski, recorded both ballets with fine results in the mid-'80s for Melodiya. Järvi (Chandos) and Kuchar (Naxos) followed with strong recordings of The Prodigal Son. Jurowski's CPO account features better sound than any of these three and a fairly strong reading, too, though Rozhdestvensky is interpretively a rung or two higher in both works.
© TiVo

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Prokofiev: The Steel Step, Op. 41 & The Prodigal Son, Op. 46

WDR Sinfonieorchester Köln

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The Steel Step, Op. 41 (Sergei Prokofiev)

1
I. Appearance of the Participants
00:02:52

Sergei Prokofiev, Composer - WDR Sinfonieorchester Köln, Orchestra, MainArtist - Michail Jurowski, Conductor

(C) 2003 CPO (P) 2003 CPO

2
II. The Train of Trading Peasants
00:02:42

Sergei Prokofiev, Composer - WDR Sinfonieorchester Köln, Orchestra, MainArtist - Michail Jurowski, Conductor

(C) 2003 CPO (P) 2003 CPO

3
III. Commissars
00:01:58

Sergei Prokofiev, Composer - WDR Sinfonieorchester Köln, Orchestra, MainArtist - Michail Jurowski, Conductor

(C) 2003 CPO (P) 2003 CPO

4
IV. Toffee and Cigarette Vendors
00:02:16

Sergei Prokofiev, Composer - WDR Sinfonieorchester Köln, Orchestra, MainArtist - Michail Jurowski, Conductor

(C) 2003 CPO (P) 2003 CPO

5
V. Orator
00:02:39

Sergei Prokofiev, Composer - WDR Sinfonieorchester Köln, Orchestra, MainArtist - Michail Jurowski, Conductor

(C) 2003 CPO (P) 2003 CPO

6
VI. Sailor with a Bracelet and the Worker Girl
00:04:31

Sergei Prokofiev, Composer - WDR Sinfonieorchester Köln, Orchestra, MainArtist - Michail Jurowski, Conductor

(C) 2003 CPO (P) 2003 CPO

7
VII. Change of the Scenery
00:02:59

Sergei Prokofiev, Composer - WDR Sinfonieorchester Köln, Orchestra, MainArtist - Michail Jurowski, Conductor

(C) 2003 CPO (P) 2003 CPO

8
VIII. Sailor's Transformation into a Worker
00:02:19

Sergei Prokofiev, Composer - WDR Sinfonieorchester Köln, Orchestra, MainArtist - Michail Jurowski, Conductor

(C) 2003 CPO (P) 2003 CPO

9
IX. Factory
00:03:30

Sergei Prokofiev, Composer - WDR Sinfonieorchester Köln, Orchestra, MainArtist - Michail Jurowski, Conductor

(C) 2003 CPO (P) 2003 CPO

10
X. Hammers
00:04:58

Sergei Prokofiev, Composer - WDR Sinfonieorchester Köln, Orchestra, MainArtist - Michail Jurowski, Conductor

(C) 2003 CPO (P) 2003 CPO

11
XI. Closing Scene
00:03:39

Sergei Prokofiev, Composer - WDR Sinfonieorchester Köln, Orchestra, MainArtist - Michail Jurowski, Conductor

(C) 2003 CPO (P) 2003 CPO

The Prodigal Son, Op. 46 (Sergei Prokofiev)

12
I. The Departure
00:06:07

Sergei Prokofiev, Composer - WDR Sinfonieorchester Köln, Orchestra, MainArtist - Michail Jurowski, Conductor

(C) 2003 CPO (P) 2003 CPO

13
II. Meeting with Friends
00:04:37

Sergei Prokofiev, Composer - WDR Sinfonieorchester Köln, Orchestra, MainArtist - Michail Jurowski, Conductor

(C) 2003 CPO (P) 2003 CPO

14
III. The Temptress
00:03:55

Sergei Prokofiev, Composer - WDR Sinfonieorchester Köln, Orchestra, MainArtist - Michail Jurowski, Conductor

(C) 2003 CPO (P) 2003 CPO

15
IV. The Dancers
00:02:58

Sergei Prokofiev, Composer - WDR Sinfonieorchester Köln, Orchestra, MainArtist - Michail Jurowski, Conductor

(C) 2003 CPO (P) 2003 CPO

16
V. The Prodigal Son and the Temptress
00:03:43

Sergei Prokofiev, Composer - WDR Sinfonieorchester Köln, Orchestra, MainArtist - Michail Jurowski, Conductor

(C) 2003 CPO (P) 2003 CPO

17
VI. Drinking Bout
00:02:29

Sergei Prokofiev, Composer - WDR Sinfonieorchester Köln, Orchestra, MainArtist - Michail Jurowski, Conductor

(C) 2003 CPO (P) 2003 CPO

18
VII. The Robbery
00:02:21

Sergei Prokofiev, Composer - WDR Sinfonieorchester Köln, Orchestra, MainArtist - Michail Jurowski, Conductor

(C) 2003 CPO (P) 2003 CPO

19
VIII. Awakening and Remorse
00:03:06

Sergei Prokofiev, Composer - WDR Sinfonieorchester Köln, Orchestra, MainArtist - Michail Jurowski, Conductor

(C) 2003 CPO (P) 2003 CPO

20
IX. Sharing the Loot
00:02:43

Sergei Prokofiev, Composer - WDR Sinfonieorchester Köln, Orchestra, MainArtist - Michail Jurowski, Conductor

(C) 2003 CPO (P) 2003 CPO

21
X. The Return
00:06:24

Sergei Prokofiev, Composer - WDR Sinfonieorchester Köln, Orchestra, MainArtist - Michail Jurowski, Conductor

(C) 2003 CPO (P) 2003 CPO

Album review

Prokofiev's 1927 ballet Le Pas d'Acier (The Step of Steel), given here in its rarely encountered complete form, is known for its motoric character and colorful scoring. Its sketchy story concerns the industrialization of the fledgling Soviet Union. Michail Jurowski's reading of the score is fairly straightforward and features excellent sound and fine playing by the WDR Sinfonie Orchester Köln. But occasionally the pacing is a bit deliberate and the phrasing bland, as in the opening number "Entrée des personages" and in the closing pair "Les Marteaux" (No. 10) and Finale (No. 11). The mechanistic qualities of the music -- so essential to any good performance of this work -- certainly come through with power in these numbers, and the epic and festive character of "Changement de décors" (No. 7) is brilliantly realized. Overall, it's a strong, if slightly flawed effort. The same might be said of L'enfant prodigue (The Prodigal Son), also performed complete here. The work, inspired by the Biblical story, is more simply constructed (the writing is mostly two-part) and more tuneful. Jurowski draws out a generally fine performance, with exceptional orchestral balances. But, again, some of his tempo choices and phrasing can seem a tad lackluster, as in "L'enjóleuse," where the playing is only smooth and lively, not bouncy and spirited. Rozhdestvensky, who was a teacher of Jurowski, recorded both ballets with fine results in the mid-'80s for Melodiya. Järvi (Chandos) and Kuchar (Naxos) followed with strong recordings of The Prodigal Son. Jurowski's CPO account features better sound than any of these three and a fairly strong reading, too, though Rozhdestvensky is interpretively a rung or two higher in both works.
© TiVo

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