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Norah Jones|Pick Me Up Off The Floor

Pick Me Up Off The Floor

Norah Jones

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A misconception has sometimes been associate with Norah Jones: that the Texan is little more than a pleasant light-jazz singer whose albums serve as harmless background music for high-brow and proper evening dinners. Though her writing, playing and eclectic collaborations, she has clearly proved that she is far more interesting than this cliché. And this 2020 offering is a new illustration of her complexity. As is often the case with Norah Jones, Pick Me Up Off the Floor is not quite jazz, not quite blues, not quite country, etc… Her genre-defying music works primarily to suit the song being played. Here we find what has been left behind after sessions with Wilco’s Jeff Tweedy, Thomas Bartlett, Mavis Staples, Rodrigo Amarante and several others.


But for all that the result is not simply a contrived mishmash of collaborations but a collection of songs that hold the same silky groove (present on six out of 11 tracks on the record in which Brian Blade’s drums work delicate miracles) and calm sound which increasingly suits the artist, somewhere between pure poetry and realism. “Every session I’ve done, there’ve been extra songs I didn’t release, and they’ve sort of been collecting for the last two years. I became really enamoured with them, having the rough mixes on my phone, listening while I walk the dog. The songs stayed stuck in my head and I realised that they had this surreal thread running through them. It feels like a fever dream taking place somewhere between God, the Devil, the heart, the Country, the planet, and me.” Rarely has Norah Jones sang with such strength, like on I’m Alive where she sings of women’s resilience, or on How I Weep in which she tackles love and exasperation with unequalled grace. © Marc Zisman/Qobuz

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Pick Me Up Off The Floor

Norah Jones

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1
How I Weep
00:04:42

Greg Calbi, Mastering Engineer, StudioPersonnel - Steve Fallone, Mastering Engineer, StudioPersonnel - Norah Jones, Producer, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Marinelli, Recording Engineer, Mix Engineer, StudioPersonnel - Paul Wiancko, Cello, Recording Engineer, AssociatedPerformer, StudioPersonnel - Ayane Kozasa, Viola, AssociatedPerformer

℗ 2020 Capitol Records, LLC

2
Flame Twin
00:03:21

Greg Calbi, Mastering Engineer, StudioPersonnel - Steve Fallone, Mastering Engineer, StudioPersonnel - John Patitucci, Electric Bass, AssociatedPerformer - Andy Taub, Recording Engineer, StudioPersonnel - Norah Jones, Producer, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Marinelli, Mixer, Recording Engineer, StudioPersonnel - Brian Blade, Drums, AssociatedPerformer - Pete Remm, Electric Guitar, Hammond B3, AssociatedPerformer - Samuel Wahl, Asst. Recording Engineer, StudioPersonnel

℗ 2020 Capitol Records, LLC

3
Hurts To Be Alone
00:03:25

Ruby Amanfu, Background Vocalist, AssociatedPerformer - Mauro Refosco, Shaker, AssociatedPerformer - Jake Owen, Recording Engineer, StudioPersonnel - Patrick Dillett, Recording Engineer, StudioPersonnel - Greg Calbi, Mastering Engineer, StudioPersonnel - Steve Fallone, Mastering Engineer, StudioPersonnel - Norah Jones, Producer, Piano, Vocals, Hammond B3, Wurlitzer Electric Piano, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Marinelli, Recording Engineer, StudioPersonnel - Brian Blade, Drums, AssociatedPerformer - Christopher Thomas, Upright Bass, AssociatedPerformer - Sam Ashworth, Background Vocalist, AssociatedPerformer - Pete Remm, Hammond B3, AssociatedPerformer - James Yost, Asst. Recording Engineer, StudioPersonnel - John Muller, Assistant Mixer, StudioPersonnel - Jamie Landry, Mixer, StudioPersonnel - Joey Wunsch, Assistant Mixer, StudioPersonnel

℗ 2020 Capitol Records, LLC

4
Heartbroken, Day After
00:04:12

Ruby Amanfu, Background Vocalist, AssociatedPerformer - Patrick Dillett, Recording Engineer, StudioPersonnel - Greg Calbi, Mastering Engineer, StudioPersonnel - Steve Fallone, Mastering Engineer, StudioPersonnel - Norah Jones, Producer, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Marinelli, Recording Engineer, StudioPersonnel - Brian Blade, Drums, AssociatedPerformer - Christopher Thomas, Upright Bass, AssociatedPerformer - Sam Ashworth, Background Vocalist, AssociatedPerformer - James Yost, Asst. Recording Engineer, StudioPersonnel - John Muller, Assistant Mixer, StudioPersonnel - Jamie Landry, Mixer, StudioPersonnel - Joey Wunsch, Assistant Mixer, StudioPersonnel

℗ 2020 Capitol Records, LLC

5
Say No More
00:04:58

Homer Steinweiss, Recording Engineer, StudioPersonnel - Greg Calbi, Mastering Engineer, StudioPersonnel - Leon Michels, Tenor Saxophone, AssociatedPerformer - Steve Fallone, Mastering Engineer, StudioPersonnel - Dave Guy, Trumpet, AssociatedPerformer - Andy Taub, Recording Engineer, StudioPersonnel - Norah Jones, Producer, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Brian Blade, Drums, AssociatedPerformer - Jesse Murphy, Upright Bass, AssociatedPerformer - Sarah Oda, ComposerLyricist - John Muller, Assistant Mixer, StudioPersonnel - Samuel Wahl, Asst. Recording Engineer, StudioPersonnel - Jamie Landry, Mixer, StudioPersonnel - Joey Wunsch, Assistant Mixer, StudioPersonnel

℗ 2020 Capitol Records, LLC

6
This Life
00:02:38

Greg Calbi, Mastering Engineer, StudioPersonnel - Steve Fallone, Mastering Engineer, StudioPersonnel - Andy Taub, Recording Engineer, StudioPersonnel - Norah Jones, Producer, Drums, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Marinelli, Recording Engineer, StudioPersonnel - Brian Blade, Drums, AssociatedPerformer - Jesse Murphy, Upright Bass, AssociatedPerformer - John Muller, Assistant Mixer, StudioPersonnel - Samuel Wahl, Asst. Recording Engineer, StudioPersonnel - Jamie Landry, Mixer, StudioPersonnel - Joey Wunsch, Assistant Mixer, StudioPersonnel

℗ 2020 Capitol Records, LLC

7
To Live
00:04:28

Homer Steinweiss, Recording Engineer, StudioPersonnel - Nate Smith, Drums, AssociatedPerformer - Greg Calbi, Mastering Engineer, StudioPersonnel - Leon Michels, Tenor Saxophone, AssociatedPerformer - Steve Fallone, Mastering Engineer, StudioPersonnel - Dave Guy, Trumpet, AssociatedPerformer - Andy Taub, Recording Engineer, StudioPersonnel - Norah Jones, Producer, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Jesse Murphy, Upright Bass, AssociatedPerformer - John Muller, Assistant Mixer, StudioPersonnel - Samuel Wahl, Asst. Recording Engineer, StudioPersonnel - Jamie Landry, Mixer, StudioPersonnel - Joey Wunsch, Assistant Mixer, StudioPersonnel

℗ 2020 Capitol Records, LLC

8
I'm Alive
00:04:16

Jeff Tweedy, Producer, Acoustic Guitar, Electric Guitar, Electric Bass, AssociatedPerformer, ComposerLyricist - Greg Calbi, Mastering Engineer, StudioPersonnel - Steve Fallone, Mastering Engineer, StudioPersonnel - TOM SCHICK, Mixer, Recording Engineer, StudioPersonnel - Norah Jones, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Spencer Tweedy, Drums, AssociatedPerformer - Mark Greenberg, Asst. Recording Engineer, StudioPersonnel

℗ 2020 Capitol Records, LLC

9
Were You Watching?
00:05:16

Ruby Amanfu, Background Vocalist, AssociatedPerformer - Patrick Dillett, Recording Engineer, StudioPersonnel - Greg Calbi, Mastering Engineer, StudioPersonnel - Steve Fallone, Mastering Engineer, StudioPersonnel - Norah Jones, Producer, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Marinelli, Recording Engineer, StudioPersonnel - Brian Blade, Drums, AssociatedPerformer - Christopher Thomas, Upright Bass, AssociatedPerformer - Sam Ashworth, Background Vocalist, AssociatedPerformer - James Yost, Asst. Recording Engineer, StudioPersonnel - John Muller, Assistant Mixer, StudioPersonnel - Mazz Swift, Violin, Background Vocalist, AssociatedPerformer - Jamie Landry, Mixer, StudioPersonnel - Joey Wunsch, Assistant Mixer, StudioPersonnel - Emily Fiskio, ComposerLyricist

℗ 2020 Capitol Records, LLC

10
Stumble On My Way
00:03:53

Greg Calbi, Mastering Engineer, StudioPersonnel - Steve Fallone, Mastering Engineer, StudioPersonnel - Andy Taub, Recording Engineer, StudioPersonnel - Norah Jones, Producer, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Dan Rieser, Drums, AssociatedPerformer - Matt Marinelli, Mixer, Recording Engineer, StudioPersonnel - Josh Lattanzi, Electric Bass, AssociatedPerformer - Josh Adams, Drums, AssociatedPerformer - Dan Iead, Pedal Steel, AssociatedPerformer - Samuel Wahl, Asst. Recording Engineer, StudioPersonnel

℗ 2020 Capitol Records, LLC

11
Heaven Above
00:04:15

Jeff Tweedy, Producer, Acoustic Guitar, Electric Guitar, AssociatedPerformer, ComposerLyricist - Greg Calbi, Mastering Engineer, StudioPersonnel - Steve Fallone, Mastering Engineer, StudioPersonnel - Tom, Recording Engineer, StudioPersonnel - TOM SCHICK, Mixer, StudioPersonnel - Norah Jones, Piano, Vocals, Celesta, MainArtist, AssociatedPerformer, ComposerLyricist - Mark Greenberg, Asst. Recording Engineer, StudioPersonnel

℗ 2020 Capitol Records, LLC

Album Description

A misconception has sometimes been associate with Norah Jones: that the Texan is little more than a pleasant light-jazz singer whose albums serve as harmless background music for high-brow and proper evening dinners. Though her writing, playing and eclectic collaborations, she has clearly proved that she is far more interesting than this cliché. And this 2020 offering is a new illustration of her complexity. As is often the case with Norah Jones, Pick Me Up Off the Floor is not quite jazz, not quite blues, not quite country, etc… Her genre-defying music works primarily to suit the song being played. Here we find what has been left behind after sessions with Wilco’s Jeff Tweedy, Thomas Bartlett, Mavis Staples, Rodrigo Amarante and several others.


But for all that the result is not simply a contrived mishmash of collaborations but a collection of songs that hold the same silky groove (present on six out of 11 tracks on the record in which Brian Blade’s drums work delicate miracles) and calm sound which increasingly suits the artist, somewhere between pure poetry and realism. “Every session I’ve done, there’ve been extra songs I didn’t release, and they’ve sort of been collecting for the last two years. I became really enamoured with them, having the rough mixes on my phone, listening while I walk the dog. The songs stayed stuck in my head and I realised that they had this surreal thread running through them. It feels like a fever dream taking place somewhere between God, the Devil, the heart, the Country, the planet, and me.” Rarely has Norah Jones sang with such strength, like on I’m Alive where she sings of women’s resilience, or on How I Weep in which she tackles love and exasperation with unequalled grace. © Marc Zisman/Qobuz

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