Penelope Two

Album review

2017 saw the release of the Golden Filter's Penelope Trappes' first solo effort, Penelope One, via Optimo Music. Here, esteemed London electronic label Houndstooth have put out her sophomore release. The record's hypnotic and atmospheric soundscapes further cement the label's mission statement to put out an eclectic array of unique and original electronic music. Much like its predecessor, the album is composed of swirling ambience and gorgeous, reverb-laden songs. Album-opener "Silence" delivers Trappes' crooning vocal melodies amidst a cloud of ambience before giving way to lead single "Connector." The latter features thudding, crunchy percussion with overdriven David Lynch-esque guitars while Trappes' forlorn vocals ache through the rest of the mix before the latter half of the song delivers rich, warm synth pads carrying listeners out to the end. Another highlight is "Carry Me," a sinister and powerful track made up of unwavering minor chords that bubble atop bluesy percussion, with creepy vocal harmonies carrying the track verse to verse. The follow-up "Maeve" recalls the angelic and warm vocal work of Julee Cruise, panning out among celestial and ethereal bursts of synthesized chords. Just like her first release, Penelope Two exemplifies Trappes' ability to craft arresting and magnetic songs that feature minimal composition. She manages to say a lot while never overdoing things or cluttering up the mix. The album is another solid outing for this unique and talented musician.
© Rob Wacey /TiVo