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John Grant|Pale Green Ghosts

Pale Green Ghosts

John Grant

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The title track from the ex Czars' frontman's second solo outing, the chilly, electro-kissed Pale Green Ghosts, sounds like a Brendan Perry (of Dead Can Dance)-fronted Kraftwerk taking on a James Bond theme. Like much of the album, it's icy, stylish, pompous, and self-obsessed, which is the direct antithesis, at least sonically, of his previous album, the maudlin, confessional Queen of Denmark, which was made with the help of wistful Texas folk-rockers Midlake. Pale Green Ghosts, on the other hand, was recorded in Reykjavik, Iceland with the help of GusGus' Birgir Þórarinsson (Biggi Veira) and while Grant keeps the microscope firmly on himself throughout the 11-track set, he does so with more wit and panache than he did on the record's predecessor. Populated by slinky electro-pop cuts ("Sensitive New Age Guy" and "Black Belt"), saucy, Harry Nilsson-esque, chamber pop fight songs (the saucy "GMF," one of two tracks to feature backing vocals from Sinéad O'Connor), and melodramatic "Return to Oz"-era, Scissor Sisters-inspired ballads ("Vietnam," "I Hate This Town," and "Glacier"), Pale Green Ghosts has a little something for everyone, and while all of the over-sharing can be a little overbearing, Grant's huge, expressive, and oddly comforting voice acts as a sedative, turning even the saddest, raunchiest, and most uncomfortable turn of phrase into a caress.

© James Christopher Monger /TiVo

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Pale Green Ghosts

John Grant

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1
Pale Green Ghosts
00:06:04

John Grant, Composer, MainArtist - BIGGI VEIRA, Producer, MixingEngineer

2013 Bella Union 2013 Bella Union

2
Black Belt
00:04:19

John Grant, Composer, MainArtist

2013 Bella Union 2013 Bella Union

3
GMF Explicit
00:05:14

John Grant, Composer, MainArtist - Sinéad O'Connor, FeaturedArtist

2013 Bella Union 2013 Bella Union

4
Vietnam
00:05:29

John Grant, Producer, MainArtist, MixingEngineer - BIGGI VEIRA, Producer, MixingEngineer

2013 Bella Union 2013 Bella Union

5
It Doesn't Matter to Him
00:06:27

John Grant, Composer, MainArtist - Sinéad O'Connor, FeaturedArtist

2013 Bella Union 2013 Bella Union

6
Why Don't You Love Me Anymore
00:06:12

John Grant, Producer, MainArtist, MixingEngineer - Sinéad O'Connor, FeaturedArtist - BIGGI VEIRA, Producer, MixingEngineer

2013 Bella Union 2013 Bella Union

7
You Don't Have To
00:05:54

John Grant, Producer, MainArtist, MixingEngineer - BIGGI VEIRA, Producer, MixingEngineer

2013 Bella Union 2013 Bella Union

8
Sensitive New Age Guy
00:04:42

John Grant, Producer, MainArtist, MixingEngineer - BIGGI VEIRA, Producer, MixingEngineer

2013 Bella Union 2013 Bella Union

9
Ernest Borgnine
00:04:54

John Grant, Producer, MainArtist, MixingEngineer - BIGGI VEIRA, Producer, MixingEngineer

2013 Bella Union 2013 Bella Union

10
I Hate This Town
00:04:04

John Grant, Producer, MainArtist, MixingEngineer - BIGGI VEIRA, Producer, MixingEngineer

2013 Bella Union 2013 Bella Union

11
Glacier
00:07:38

John Grant, Producer, MainArtist, MixingEngineer - BIGGI VEIRA, Producer, MixingEngineer

2013 Bella Union 2013 Bella Union

Album review

The title track from the ex Czars' frontman's second solo outing, the chilly, electro-kissed Pale Green Ghosts, sounds like a Brendan Perry (of Dead Can Dance)-fronted Kraftwerk taking on a James Bond theme. Like much of the album, it's icy, stylish, pompous, and self-obsessed, which is the direct antithesis, at least sonically, of his previous album, the maudlin, confessional Queen of Denmark, which was made with the help of wistful Texas folk-rockers Midlake. Pale Green Ghosts, on the other hand, was recorded in Reykjavik, Iceland with the help of GusGus' Birgir Þórarinsson (Biggi Veira) and while Grant keeps the microscope firmly on himself throughout the 11-track set, he does so with more wit and panache than he did on the record's predecessor. Populated by slinky electro-pop cuts ("Sensitive New Age Guy" and "Black Belt"), saucy, Harry Nilsson-esque, chamber pop fight songs (the saucy "GMF," one of two tracks to feature backing vocals from Sinéad O'Connor), and melodramatic "Return to Oz"-era, Scissor Sisters-inspired ballads ("Vietnam," "I Hate This Town," and "Glacier"), Pale Green Ghosts has a little something for everyone, and while all of the over-sharing can be a little overbearing, Grant's huge, expressive, and oddly comforting voice acts as a sedative, turning even the saddest, raunchiest, and most uncomfortable turn of phrase into a caress.

© James Christopher Monger /TiVo

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