Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
The title track from the ex Czars' frontman's second solo outing, the chilly, electro-kissed Pale Green Ghosts, sounds like a Brendan Perry (of Dead Can Dance)-fronted Kraftwerk taking on a James Bond theme. Like much of the album, it's icy, stylish, pompous, and self-obsessed, which is the direct antithesis, at least sonically, of his previous album, the maudlin, confessional Queen of Denmark, which was made with the help of wistful Texas folk-rockers Midlake. Pale Green Ghosts, on the other hand, was recorded in Reykjavik, Iceland with the help of GusGus' Birgir Þórarinsson (Biggi Veira) and while Grant keeps the microscope firmly on himself throughout the 11-track set, he does so with more wit and panache than he did on the record's predecessor. Populated by slinky electro-pop cuts ("Sensitive New Age Guy" and "Black Belt"), saucy, Harry Nilsson-esque, chamber pop fight songs (the saucy "GMF," one of two tracks to feature backing vocals from Sinéad O'Connor), and melodramatic "Return to Oz"-era, Scissor Sisters-inspired ballads ("Vietnam," "I Hate This Town," and "Glacier"), Pale Green Ghosts has a little something for everyone, and while all of the over-sharing can be a little overbearing, Grant's huge, expressive, and oddly comforting voice acts as a sedative, turning even the saddest, raunchiest, and most uncomfortable turn of phrase into a caress.
© James Christopher Monger /TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From kr133,33/month
John Grant, Composer, MainArtist - BIGGI VEIRA, Producer, MixingEngineer
2013 Bella Union 2013 Bella Union
John Grant, Composer, MainArtist
2013 Bella Union 2013 Bella Union
John Grant, Composer, MainArtist - Sinéad O'Connor, FeaturedArtist
2013 Bella Union 2013 Bella Union
John Grant, Producer, MainArtist, MixingEngineer - BIGGI VEIRA, Producer, MixingEngineer
2013 Bella Union 2013 Bella Union
John Grant, Composer, MainArtist - Sinéad O'Connor, FeaturedArtist
2013 Bella Union 2013 Bella Union
John Grant, Producer, MainArtist, MixingEngineer - Sinéad O'Connor, FeaturedArtist - BIGGI VEIRA, Producer, MixingEngineer
2013 Bella Union 2013 Bella Union
John Grant, Producer, MainArtist, MixingEngineer - BIGGI VEIRA, Producer, MixingEngineer
2013 Bella Union 2013 Bella Union
John Grant, Producer, MainArtist, MixingEngineer - BIGGI VEIRA, Producer, MixingEngineer
2013 Bella Union 2013 Bella Union
John Grant, Producer, MainArtist, MixingEngineer - BIGGI VEIRA, Producer, MixingEngineer
2013 Bella Union 2013 Bella Union
John Grant, Producer, MainArtist, MixingEngineer - BIGGI VEIRA, Producer, MixingEngineer
2013 Bella Union 2013 Bella Union
John Grant, Producer, MainArtist, MixingEngineer - BIGGI VEIRA, Producer, MixingEngineer
2013 Bella Union 2013 Bella Union
Album review
The title track from the ex Czars' frontman's second solo outing, the chilly, electro-kissed Pale Green Ghosts, sounds like a Brendan Perry (of Dead Can Dance)-fronted Kraftwerk taking on a James Bond theme. Like much of the album, it's icy, stylish, pompous, and self-obsessed, which is the direct antithesis, at least sonically, of his previous album, the maudlin, confessional Queen of Denmark, which was made with the help of wistful Texas folk-rockers Midlake. Pale Green Ghosts, on the other hand, was recorded in Reykjavik, Iceland with the help of GusGus' Birgir Þórarinsson (Biggi Veira) and while Grant keeps the microscope firmly on himself throughout the 11-track set, he does so with more wit and panache than he did on the record's predecessor. Populated by slinky electro-pop cuts ("Sensitive New Age Guy" and "Black Belt"), saucy, Harry Nilsson-esque, chamber pop fight songs (the saucy "GMF," one of two tracks to feature backing vocals from Sinéad O'Connor), and melodramatic "Return to Oz"-era, Scissor Sisters-inspired ballads ("Vietnam," "I Hate This Town," and "Glacier"), Pale Green Ghosts has a little something for everyone, and while all of the over-sharing can be a little overbearing, Grant's huge, expressive, and oddly comforting voice acts as a sedative, turning even the saddest, raunchiest, and most uncomfortable turn of phrase into a caress.
© James Christopher Monger /TiVo
About the album
- 1 disc(s) - 11 track(s)
- Total length: 01:00:57
- Main artists: John Grant
- Composer: John Grant
- Label: Bella Union
- Genre: Pop/Rock Rock Alternative & Indie
2013 Bella Union 2013 Bella Union
Improve album informationWhy buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.