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Jean Michel Jarre|Metamorphoses

Metamorphoses

Jean-Michel Jarre

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The title gave us fair warning, but the world wasn't ready. In the year 2000, three years after he gave us a follow-up to his masterpiece Oxygène, Jean-Michel Jarre, now basking in the glory of a gigantic concert in Moscow's Red Square, brought out Métamorphose, which stunned fans because it contained vocals! The record opens with a collaboration with American singer Laurie Anderson, Je me souviens, over an Eighties electro instrumental, before Natacha Atlas comes in for the next piece. On C’est la vie, the diva of Transglobal Underground does what she does best, with her Near-Eastern vocal sallies, which producer Joachim Garraud, matches with percussion from the same climes, and trancey beats and keyboards with a slightly kitsch effect.


 


Next up, Rendez-vous à Paris, in the hypnotic voice of Jarre himself, filtered through a vocoder against a glitchy, aquatic background, and accompanied by the Irish violinist Sharon Corr of the Corrs; Bells, one of the only completely instrumental tracks, while Tout est bleu and its techno beat marks a little departure from good taste. Despite a fine cast list, the record, which would not win the expected commercial success, was simply not understood by Jean-Michel Jarre's hardcore fans. Twenty years on, perhaps they'll give it another chance. © Smaël Bouaici/Qobuz


 

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Metamorphoses

Jean Michel Jarre

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1
Je me souviens
00:04:25

Laurie Anderson, Vocal - Jean-Michel Jarre, Composer, Lyricist, MainArtist, AssociatedPerformer

(P) 2000 Jean-Michel Jarre

2
C'est la vie
00:07:11

Joachim Garraud, Producer - Natacha Atlas, Vocal - Jean-Michel Jarre, Composer, Lyricist, Producer, MainArtist, AssociatedPerformer

(P) 1999 Disques Dreyfus

3
Rendez-vous à Paris
00:04:19

Jean-Michel Jarre, Composer, Lyricist, MainArtist, AssociatedPerformer

(P) 2000 Jean-Michel Jarre

4
Hey Gagarin
00:06:19

Jean-Michel Jarre, Composer, Lyricist, MainArtist, AssociatedPerformer

(P) 2000 Jean-Michel Jarre

5
Millions of Stars
00:05:42

Jean-Michel Jarre, Composer, Lyricist, MainArtist, AssociatedPerformer - Veronique Bossa, Vocal - Lisa Jacobs, Vocal

(P) 2000 Jean-Michel Jarre under exclusive license to Sony Music Entertainment Germany GmbH

6
Tout est bleu
00:06:01

Olivier Constantin, Vocal - Jean-Michel Jarre, Composer, Lyricist, MainArtist, AssociatedPerformer - Olivier Houlez, Vocal - Franck Noel, Vocal

(P) 2000 Jean-Michel Jarre

7
Love Love Love
00:04:26

Jean-Michel Jarre, Composer, Lyricist, MainArtist, AssociatedPerformer

(P) 2000 Jean-Michel Jarre

8
Bells
00:03:49

Jean-Michel Jarre, Composer, Lyricist, Producer, MainArtist, AssociatedPerformer

(P) 2000 Jean-Michel Jarre

9
Miss Moon
00:06:09

Jean-Michel Jarre, Composer, Lyricist, MainArtist, AssociatedPerformer - Deirdre Dubois, Vocal

(P) 2000 Jean-Michel Jarre

10
Give Me a Sign
00:03:49

Jean-Michel Jarre, Composer, Lyricist, MainArtist, AssociatedPerformer - Veronique Bossa, Vocal

(P) 2000 Jean-Michel Jarre

11
Gloria, Lonely Boy
00:05:31

Jean-Michel Jarre, Composer, MainArtist, AssociatedPerformer

(P) 2000 Jean-Michel Jarre

12
Silhouette
00:02:29

Jean-Michel Jarre, Composer, Lyricist, MainArtist, AssociatedPerformer - Özlem Cetin, Vocal

(P) 2000 Jean-Michel Jarre

Album Description

The title gave us fair warning, but the world wasn't ready. In the year 2000, three years after he gave us a follow-up to his masterpiece Oxygène, Jean-Michel Jarre, now basking in the glory of a gigantic concert in Moscow's Red Square, brought out Métamorphose, which stunned fans because it contained vocals! The record opens with a collaboration with American singer Laurie Anderson, Je me souviens, over an Eighties electro instrumental, before Natacha Atlas comes in for the next piece. On C’est la vie, the diva of Transglobal Underground does what she does best, with her Near-Eastern vocal sallies, which producer Joachim Garraud, matches with percussion from the same climes, and trancey beats and keyboards with a slightly kitsch effect.


 


Next up, Rendez-vous à Paris, in the hypnotic voice of Jarre himself, filtered through a vocoder against a glitchy, aquatic background, and accompanied by the Irish violinist Sharon Corr of the Corrs; Bells, one of the only completely instrumental tracks, while Tout est bleu and its techno beat marks a little departure from good taste. Despite a fine cast list, the record, which would not win the expected commercial success, was simply not understood by Jean-Michel Jarre's hardcore fans. Twenty years on, perhaps they'll give it another chance. © Smaël Bouaici/Qobuz


 

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