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Ali Akbar Khan|Journey

Journey

Ali Akbar Khan

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At 67, veteran Indian music master Ali Akbar Khan successfully blends tradition and technology on Journey, a moving CD produced by his protege and student Jai Uttal. Journey, however, isn't modern secular Indian pop, but rather is best described as traditional Indian spiritual and devotional music using high-tech elements. Under Uttal's direction, Khan's sarod and other acoustic Indian instruments like the sitar, the tabla and the dholak successfully interact with electronic synthesizers (none of which sound forced or mechanical). Uttal had learned a lot from Khan, and showed his appreciation by seeing to it that technology was used soulfully throughout this album.
© Alex Henderson /TiVo

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Journey

Ali Akbar Khan

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1
Come Back My Love
00:05:36

Ali Akbar Khan, MainArtist

2002 Triloka Records 2002 Triloka Records

2
Fantasy
00:03:22

Ali Akbar Khan, MainArtist

2002 Triloka Records 2002 Triloka Records

3
Lullaby
00:04:28

Ali Akbar Khan, MainArtist

2002 Triloka Records 2002 Triloka Records

4
Anticipation
00:03:24

Ali Akbar Khan, MainArtist

2002 Triloka Records 2002 Triloka Records

5
Farewell
00:07:17

Ali Akbar Khan, MainArtist

2002 Triloka Records 2002 Triloka Records

6
Journey
00:03:34

Ali Akbar Khan, MainArtist

2002 Triloka Records 2002 Triloka Records

7
Carnival of Mother Kali
00:05:24

Ali Akbar Khan, MainArtist

2002 Triloka Records 2002 Triloka Records

8
Temple Music
00:05:39

Ali Akbar Khan, MainArtist

2002 Triloka Records 2002 Triloka Records

9
Morning Meditation
00:14:52

Ali Akbar Khan, MainArtist

2002 Triloka Records 2002 Triloka Records

Album Description

At 67, veteran Indian music master Ali Akbar Khan successfully blends tradition and technology on Journey, a moving CD produced by his protege and student Jai Uttal. Journey, however, isn't modern secular Indian pop, but rather is best described as traditional Indian spiritual and devotional music using high-tech elements. Under Uttal's direction, Khan's sarod and other acoustic Indian instruments like the sitar, the tabla and the dholak successfully interact with electronic synthesizers (none of which sound forced or mechanical). Uttal had learned a lot from Khan, and showed his appreciation by seeing to it that technology was used soulfully throughout this album.
© Alex Henderson /TiVo

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