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Dean Martin|Cha Cha De Amor

Cha Cha De Amor

Dean Martin

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Dean Martin's final sessions for Capitol Records before his switch to Frank Sinatra's Reprise label produced this curious LP, which sought to take advantage of the long-subsided craze for cha-cha music. It was Martin's second album under the baton of Nelson Riddle, who must also have been itching to join Reprise (as he did by 1963). In any case, both artists turned in competent but uninspired performances. Martin could sing as easily over charts filled with peppy horns and Latin percussion as he could over anything else, but the music did not especially move him, and the result was an odd coda to the Capitol years.

© William Ruhlmann /TiVo

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Cha Cha De Amor

Dean Martin

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1
Somebody Loves You
00:02:36

Charlie Tobias, Composer - NELSON RIDDLE, Conductor - Lee Gillette, Producer - Peter De Rose, Composer - Dean Martin, MainArtist - Duncan Cowell, Mastering Engineer, StudioPersonnel

℗ 1998 Capitol Records, LLC

2
My One And Only Love (1998 Remaster)
00:02:31

NELSON RIDDLE, Conductor - Dean Martin, MainArtist - Robert Mellin, ComposerLyricist - Guy Wood, ComposerLyricist - Duncan Cowell, Mastering Engineer, StudioPersonnel

℗ 1998 Capitol Records, LLC

3
Love (Your Spell Is Everywhere)
00:02:26

Edmund Goulding, ComposerLyricist - NELSON RIDDLE, Conductor - Dean Martin, MainArtist - Duncan Cowell, Mastering Engineer, StudioPersonnel - Elsie Janis, ComposerLyricist

℗ 1998 Capitol Records Inc.

4
I Wish You Love
00:02:23

Albert Beach, ComposerLyricist - LEE HERSCHBERG, Mastering Engineer, Remixer, StudioPersonnel - Charles Trenet, ComposerLyricist - NELSON RIDDLE, Conductor - Dean Martin, MainArtist

℗ 1999 Capitol Records, LLC

5
Cha Cha Cha d´Amour
00:02:18

MARC LANJEAN, Author - Dean Martin, MainArtist - Leona Gabriel, ComposerLyricist

℗ 1961 Capitol Records, LLC

6
A Hundred Years From Today (1998 Digital Remaster)
00:02:42

Ned Washington, Composer - NELSON RIDDLE, Conductor - Victor P. Young, Composer - Dean Martin, MainArtist - Joseph Young, Composer - Duncan Cowell, Mastering Engineer, StudioPersonnel

℗ 1998 Capitol Records, LLC

7
I Love You Much Too Much (Digitally Remastered 98)
00:02:34

Chaim Towber, ComposerLyricist - NELSON RIDDLE, Conductor - Dean Martin, MainArtist - Don Raye, ComposerLyricist - Duncan Cowell, Mastering Engineer, StudioPersonnel - Alexander Olshanetsky, ComposerLyricist

℗ 1998 Capitol Records Inc.

8
(I Love You) For Sentimental Reasons (1998 Digital Remaster)
00:02:21

Deek Watson, ComposerLyricist - NELSON RIDDLE, Conductor - Dean Martin, MainArtist - William Best, ComposerLyricist - Duncan Cowell, Mastering Engineer, StudioPersonnel

℗ 1998 Capitol Records, LLC

9
Let Me Love You Tonight
00:02:23

Rene Touzet, ComposerLyricist - LEE HERSCHBERG, Mastering Engineer, Remixer, StudioPersonnel - Mitchell Parish, ComposerLyricist - NELSON RIDDLE, Conductor - Dean Martin, MainArtist

℗ 1999 Capitol Records, LLC

10
Amor (Remastered 1998)
00:03:11

Sunny Skylar, ComposerLyricist - Gabriel Ruíz, ComposerLyricist - NELSON RIDDLE, Conductor - Lee Gillette, Producer - Dean Martin, MainArtist - Duncan Cowell, Mastering Engineer, StudioPersonnel - Ricardol Mendez, ComposerLyricist

℗ 1998 Capitol Records Inc.

11
Two Loves Have I (Remastered 1998)
00:02:10

George Koger, ComposerLyricist - Vincent Scotto, ComposerLyricist - NELSON RIDDLE, Conductor - Lee Gillette, Producer - Dean Martin, MainArtist - Duncan Cowell, Mastering Engineer, StudioPersonnel

℗ 1998 Capitol Records, LLC

12
If Love Is Good To Me (Digitally Remastered 98)
00:03:05

NELSON RIDDLE, Conductor - Dean Martin, MainArtist - Fred Spielman, ComposerLyricist - REDD EVANS, ComposerLyricist - Duncan Cowell, Mastering Engineer, StudioPersonnel

℗ 1998 Capitol Records Inc.

Album review

Dean Martin's final sessions for Capitol Records before his switch to Frank Sinatra's Reprise label produced this curious LP, which sought to take advantage of the long-subsided craze for cha-cha music. It was Martin's second album under the baton of Nelson Riddle, who must also have been itching to join Reprise (as he did by 1963). In any case, both artists turned in competent but uninspired performances. Martin could sing as easily over charts filled with peppy horns and Latin percussion as he could over anything else, but the music did not especially move him, and the result was an odd coda to the Capitol years.

© William Ruhlmann /TiVo

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