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Quincy Jones|Back On The Block

Back On The Block

Quincy Jones

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Having let eight years pass since his last A&M album, Quincy Jones made his debut on his own label with his most extravagant, most star-studded, most brilliantly sequenced pop album to date -- which could have only been assembled by the man who put together "We Are the World." Jones was one of the first establishment musicians to embrace rap, and one of the first to link rap with his jazz heritage; it's hard not to be moved by the likes of Miles Davis, Dizzy Gillespie, James Moody, Ella Fitzgerald, Joe Zawinul, Sarah Vaughan, and George Benson electronically appearing on "Birdland" and trading brief licks with the likes of Kool Moe Dee and Big Daddy Kane on "Jazz Corner of the World." Later, jazz buffs would vilify Jones for not taking fuller advantage of this one-time constellation of jazz stars, but at the time, it seemed like a marvelous dialogue between the old and the new. Of course, as he well knew, celebrating jazz history is not the surest route to a blockbuster hit record, so there are plenty of radio-friendly urban pop productions here, with Herbie Hancock and George Duke on keyboards, and Siedah Garrett and 12-year-old Tevin Campbell on vocals. Despite the presence of an enthused Ray Charles, Chaka Khan, and the Brothers Johnson, the overly busy techno remake of "I'll Be Good to You" doesn't cut the Johnsons' original -- nor does "Tomorrow." Ultimately the most popular track would be the most tedious for the jazz listener, "The Secret Garden," with a parade of smooth soul balladeers producing make-out music at length. Yet Back on the Block remains a strikingly durable piece of entertainment, and in hindsight, a poignant signpost of the changing of the guard.

© Richard S. Ginell /TiVo

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Back On The Block

Quincy Jones

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1
Prologue (2 Q's Rap)
00:01:04

Bruce Swedien, Mixer, StudioPersonnel - Rod Temperton, Producer - Quincy Jones, Producer, MainArtist, ComposerLyricist - Big Daddy Kane, ComposerLyricist - QD III, MainArtist

℗ 1989 Qwest Records, Inc. under exclusive license to UMG Recordings, Inc.

2
Back On The Block
00:06:34

Ice-T, FeaturedArtist - Andrae Crouch, FeaturedArtist - Bruce Swedien, Mixer, StudioPersonnel - Tevin Campbell, FeaturedArtist - Rod Temperton, Producer, ComposerLyricist - Quincy Jones, Producer, MainArtist, ComposerLyricist - SIEDAH GARRETT, ComposerLyricist - Melle Mel, FeaturedArtist, ComposerLyricist - Big Daddy Kane, FeaturedArtist, ComposerLyricist - Ice T, ComposerLyricist - Caiphus Semenya, ComposerLyricist - Kool Moe Dee, FeaturedArtist, ComposerLyricist

℗ 1989 Qwest Records, Inc. under exclusive license to UMG Recordings, Inc.

3
I Don't Go For That
00:05:11

Ian Prince, ComposerLyricist - Bruce Swedien, Mixer, StudioPersonnel - Rod Temperton, Producer - Quincy Jones, Producer, MainArtist - SIEDAH GARRETT, FeaturedArtist

℗ 1989 Qwest Records, Inc. under exclusive license to UMG Recordings, Inc.

4
I'll Be Good To You (Album Version)
00:04:54

Bruce Swedien, Mixer, StudioPersonnel - George Johnson, ComposerLyricist - Ray Charles, FeaturedArtist - Rod Temperton, Producer - Louis Johnson, ComposerLyricist - Quincy Jones, Producer, MainArtist - CHAKA KHAN, FeaturedArtist - Sonora Sam, ComposerLyricist

℗ 1989 Qwest Records, Inc., under exclusive license to UMG Recordings, Inc.

5
The Verb To Be
00:00:29

Bruce Swedien, Mixer, StudioPersonnel - Rod Temperton, Producer - Quincy Jones, Producer, MainArtist - MERVYN WARREN, Author, Vocals, FeaturedArtist, AssociatedPerformer

℗ 1989 Qwest Records, Inc. under exclusive license to UMG Recordings, Inc.

6
Wee B. Dooinit (Acapella Party) (Acappella Party)
00:03:34

Ian Prince, ComposerLyricist - Bruce Swedien, Mixer, StudioPersonnel - Rod Temperton, Producer - Ella Fitzgerald, FeaturedArtist - Quincy Jones, Producer, MainArtist, ComposerLyricist - Bobby Mcferrin, FeaturedArtist - SIEDAH GARRETT, FeaturedArtist, ComposerLyricist - Sarah Vaughan, FeaturedArtist - Take 6, FeaturedArtist - Al Jarreau, FeaturedArtist

℗ 1989 Qwest Records, Inc. under exclusive license to UMG Recordings, Inc.

7
The Places You Find Love (Album Version)
00:06:25

Bruce Swedien, Mixer, StudioPersonnel - Jerry Hey, Keyboards, AssociatedPerformer - GLEN BALLARD, ComposerLyricist - Rod Temperton, Producer - DAVID PAICH, Keyboards, AssociatedPerformer - Quincy Jones, Producer, MainArtist - HERBIE HANCOCK, Keyboards, AssociatedPerformer - SIEDAH GARRETT, MainArtist - CHAKA KHAN, MainArtist - Cliff Magness, ComposerLyricist - Caiphus Semenya, ComposerLyricist

℗ 1989 Qwest Records, Inc., under exclusive license to UMG Recordings, Inc.

8
Jazz Corner Of The Word
00:02:54

Bruce Swedien, Mixer, StudioPersonnel - Rod Temperton, Producer - Ella Fitzgerald, Vocals, AssociatedPerformer - Quincy Jones, Producer, MainArtist - Miles Davis, Trumpet, AssociatedPerformer - George Benson, Guitar, AssociatedPerformer - Big Daddy Kane, Author, FeaturedArtist - Sarah Vaughan, Vocals, AssociatedPerformer - Dizzy Gillespie, Trumpet, AssociatedPerformer - James Moody, Saxophone, AssociatedPerformer - Joe Zawinul, Organ, AssociatedPerformer - Kool Moe Dee, Author, FeaturedArtist

℗ 1989 Qwest Records, Inc. under exclusive license to UMG Recordings, Inc.

9
Birdland
00:05:33

Bruce Swedien, Mixer, StudioPersonnel - Rod Temperton, Producer - Ella Fitzgerald, Vocals, AssociatedPerformer - Quincy Jones, Producer, MainArtist - Miles Davis, Trumpet, AssociatedPerformer - George Benson, Guitar, AssociatedPerformer - Sarah Vaughan, Vocals, AssociatedPerformer - Dizzy Gillespie, Trumpet, AssociatedPerformer - James Moody, Saxophone, AssociatedPerformer - Joe Zawinul, Composer

℗ 1989 Qwest Records, Inc. under exclusive license to UMG Recordings, Inc.

10
Setembro (Brazilian Wedding Song)
00:05:05

Bruce Swedien, Mixer, StudioPersonnel - Gilson Peranzzetta, Composer - Rod Temperton, Producer - Quincy Jones, Producer, MainArtist - IVAN LINS, ComposerLyricist

℗ 1989 Qwest Records, Inc.

11
One Man Woman
00:03:44

Ian Prince, ComposerLyricist - Bruce Swedien, Mixer, StudioPersonnel - Harriet Roberts, ComposerLyricist - Rod Temperton, Producer - Quincy Jones, Producer, MainArtist - SIEDAH GARRETT, FeaturedArtist, ComposerLyricist

℗ 1989 Qwest Records, Inc. under exclusive license to UMG Recordings, Inc.

12
Tomorrow (A Better You, Better Me) (Album Version)
00:04:46

Bruce Swedien, Mixer, StudioPersonnel - Jerry Hey, Producer - Tevin Campbell, FeaturedArtist - George Johnson, ComposerLyricist - Rod Temperton, Producer - Louis Johnson, ComposerLyricist - Quincy Jones, Producer, MainArtist - SIEDAH GARRETT, ComposerLyricist

℗ 1989 Qwest Records, Inc., under exclusive license to UMG Recordings, Inc.

13
Prelude To The Garden (Album Version)
00:00:54

Bruce Swedien, Mixer, StudioPersonnel - Rod Temperton, Producer - Quincy Jones, Producer, MainArtist - Jorge Calandrelli, ComposerLyricist

℗ 1989 Qwest Records, Inc., under exclusive license to UMG Recordings, Inc.

14
The Secret Garden (Sweet Seduction Suite) (Album Version)
00:06:41

Bruce Swedien, Mixer, StudioPersonnel - James Ingram, Vocals, FeaturedArtist, AssociatedPerformer - Rod Temperton, Producer, ComposerLyricist - Barry White, Vocals, FeaturedArtist, AssociatedPerformer - Quincy Jones, Producer, MainArtist, ComposerLyricist - SIEDAH GARRETT, ComposerLyricist - Al B. Sure!, Vocals, FeaturedArtist, AssociatedPerformer - EL DEBARGE, Vocals, FeaturedArtist, AssociatedPerformer, ComposerLyricist

℗ 1989 Qwest Records, Inc.

Album review

Having let eight years pass since his last A&M album, Quincy Jones made his debut on his own label with his most extravagant, most star-studded, most brilliantly sequenced pop album to date -- which could have only been assembled by the man who put together "We Are the World." Jones was one of the first establishment musicians to embrace rap, and one of the first to link rap with his jazz heritage; it's hard not to be moved by the likes of Miles Davis, Dizzy Gillespie, James Moody, Ella Fitzgerald, Joe Zawinul, Sarah Vaughan, and George Benson electronically appearing on "Birdland" and trading brief licks with the likes of Kool Moe Dee and Big Daddy Kane on "Jazz Corner of the World." Later, jazz buffs would vilify Jones for not taking fuller advantage of this one-time constellation of jazz stars, but at the time, it seemed like a marvelous dialogue between the old and the new. Of course, as he well knew, celebrating jazz history is not the surest route to a blockbuster hit record, so there are plenty of radio-friendly urban pop productions here, with Herbie Hancock and George Duke on keyboards, and Siedah Garrett and 12-year-old Tevin Campbell on vocals. Despite the presence of an enthused Ray Charles, Chaka Khan, and the Brothers Johnson, the overly busy techno remake of "I'll Be Good to You" doesn't cut the Johnsons' original -- nor does "Tomorrow." Ultimately the most popular track would be the most tedious for the jazz listener, "The Secret Garden," with a parade of smooth soul balladeers producing make-out music at length. Yet Back on the Block remains a strikingly durable piece of entertainment, and in hindsight, a poignant signpost of the changing of the guard.

© Richard S. Ginell /TiVo

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