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Alexandre Kantorow|À la russe (Tchaikovski, Rachmaninov, Balakirev)

À la russe (Tchaikovski, Rachmaninov, Balakirev)

Alexandre Kantorow

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All kinds of hype have attended the rise of French pianist Alexandre Kantorow (son of violinist-conductor Jean-Jacques Kantorow), not yet 21 when this album was recorded in 2016 and released the following year, with one critic going so far as to call him Liszt reincarnated. One of the less splashy, but more significant developments was his signing at 17 to Sweden's BIS, not a label given to phenomena of the moment. The label does Kantorow proud with the wide dynamic range of its production at the absurdly named 4'33'' Studio in suburban Paris. You get warhorses here, with the Guido Agosti transcription of three pieces from Stravinsky's The Firebird the only pieces that could be considered remotely unusual. And you get an idea of how these pieces became warhorses in the first place. Sample the final Islamey, Op. 18, of Balakirev, of which Ravel said that his goal in composing Gaspard de la Nuit was to exceed it in difficulty. Perhaps he did, but Kantorow gets the feeling of the work's being at the edge of playability without losing its roots in the folk music of Central Asia. The Rachmaninov Piano Sonata No. 1 in D minor, Op. 28, has breadth and power, and the two Tchaikovsky pieces from 18 Morceax, Op. 72, breathe and rock. It would appear from this recital of Russian music that Kantorow is doing just fine apart from the baton of his famous father, and that he is indeed one to watch.
© TiVo

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À la russe (Tchaikovski, Rachmaninov, Balakirev)

Alexandre Kantorow

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Piano Sonata No. 1 in D minor, Op. 28 (Serge Rachmaninoff)

1
I. Allegro moderato
00:15:19

Alexandre Kantorow, Piano - Sergei Rachmaninoff, Composer

(C) 2017 BIS (P) 2017 BIS

2
II. Lento
00:09:30

Alexandre Kantorow, Piano - Sergei Rachmaninoff, Composer

(C) 2017 BIS (P) 2017 BIS

3
III. Allegro molto
00:14:12

Alexandre Kantorow, Piano - Sergei Rachmaninoff, Composer

(C) 2017 BIS (P) 2017 BIS

18 Pieces, Op. 72, TH 151 (Pyotr Illitch Tchaïkovski)

4
No. 5. Méditation
00:05:17

Alexandre Kantorow, Piano - Piotr Ilyich Tchaikovsky, Composer

(C) 2017 BIS (P) 2017 BIS

5
No. 17. Passé lointain
00:04:30

Alexandre Kantorow, Piano - Piotr Ilyich Tchaikovsky, Composer

(C) 2017 BIS (P) 2017 BIS

The Firebird (Arr. G. Agosti for Piano)

6
II. Dance infernal du roi Kastchei
00:04:46

Alexandre Kantorow, Piano - Igor Stravinsky, Composer - Guido Agosti, Arranger

(C) 2017 BIS (P) 2017 BIS

7
VI. Berceuse (Lullaby)
00:04:04

Alexandre Kantorow, Piano - Igor Stravinsky, Composer - Guido Agosti, Arranger

(C) 2017 BIS (P) 2017 BIS

8
VII. Finale
00:03:31

Alexandre Kantorow, Piano - Igor Stravinsky, Composer - Guido Agosti, Arranger

(C) 2017 BIS (P) 2017 BIS

2 Pieces, Op. 1 (Pyotr Illitch Tchaïkovski)

9
No. 1. Scherzo à la russe
00:06:46

Alexandre Kantorow, Piano - Piotr Ilyich Tchaikovsky, Composer

(C) 2017 BIS (P) 2017 BIS

Islamey, Op. 18 (Mily Balakirev)

10
Islamey, Op. 18
00:08:34

Alexandre Kantorow, Piano - Mily Alexeyevich Balakirev, Composer

(C) 2017 BIS (P) 2017 BIS

Album Description

All kinds of hype have attended the rise of French pianist Alexandre Kantorow (son of violinist-conductor Jean-Jacques Kantorow), not yet 21 when this album was recorded in 2016 and released the following year, with one critic going so far as to call him Liszt reincarnated. One of the less splashy, but more significant developments was his signing at 17 to Sweden's BIS, not a label given to phenomena of the moment. The label does Kantorow proud with the wide dynamic range of its production at the absurdly named 4'33'' Studio in suburban Paris. You get warhorses here, with the Guido Agosti transcription of three pieces from Stravinsky's The Firebird the only pieces that could be considered remotely unusual. And you get an idea of how these pieces became warhorses in the first place. Sample the final Islamey, Op. 18, of Balakirev, of which Ravel said that his goal in composing Gaspard de la Nuit was to exceed it in difficulty. Perhaps he did, but Kantorow gets the feeling of the work's being at the edge of playability without losing its roots in the folk music of Central Asia. The Rachmaninov Piano Sonata No. 1 in D minor, Op. 28, has breadth and power, and the two Tchaikovsky pieces from 18 Morceax, Op. 72, breathe and rock. It would appear from this recital of Russian music that Kantorow is doing just fine apart from the baton of his famous father, and that he is indeed one to watch.
© TiVo

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