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The The

Idioma disponível: inglês
The The is the guise of Matt Johnson, a mercurial singer/songwriter whose music has run the gamut from new wave and post-punk to dance-pop and country. Emerging in 1979, The The found commercial success in the 1980s with the albums Soul Mining, Infected, and Mind Bomb, which skillfully fused melodic synth-pop with heady, socio-political alternative rock – 1993's more guitar-forward Dusk also drew accolades. The reclusive Johnson spent the next fourteen years concentrating on soundtrack work for documentaries, films, and art installations, before returning to The The in 2017 for a series of live performances. In 2021 the group issued the concert LP The Comeback Special on Johnson's own Cinéola label. Born August 15, 1961, in London, Johnson was raised in the flat above his father's pub, the Two Puddings, a haven for well-known celebrities and criminals; he also became exposed to music at the nightclubs and dancehalls owned by his uncle, where he saw performers like Howlin' Wolf, the Kinks, and Muddy Waters. Johnson formed his first band, Roadstar, when he was 11; at the age of 15, he was hired as a tea boy for the DeWolfe music publishing company, and within three years, he was working in their recording studio as an assistant engineer. After the demise of the duo the Marble Index in 1979, Johnson formed the first incarnation of The The with synth player Keith Laws; after playing their debut gig opening for Scritti Politti, the group issued its first single, "Controversial Subject," on the 4AD label in 1980. A year later, contractual obligations forced Johnson to issue the LP Burning Blue Soul under his own name; that year, he also recorded as a guitarist with the band the Gadgets, and The The contributed a track to the Some Bizzare Album compilation. In 1982, The The -- now essentially a Johnson solo project, backed by a revolving coterie of musicians -- recorded the album The Pornography of Despair, which a dissatisfied Johnson chose not to release; a 1983 single recorded with Orange Juice's Zeke Manyika, "This Is the Day," formed the centerpiece of The The's proper debut, 1983's Soul Mining, an excursion into dance-flavored pop. Illness sidelined Johnson for much of the following year, and The The did not return until 1986's Infected, an eclectic commentary on the state of Britain in the modern world. Recorded with the aid of talents like Neneh Cherry, Art of Noise's Anne Dudley, and Swans' Roli Mosimann, Infected was also accompanied by an ambitious album-length video. When The The returned with the dissonant Mind Bomb in 1989, they were once again a true band, with Johnson joined by ex-Smiths guitarist Johnny Marr as well as bassist James Eller and former ABC drummer Dave Palmer. The same lineup remained for 1993's pared-down Dusk, but 1995's Hanky Panky marked yet another new direction when Johnson was joined by guitarist Eric Schermerhorn, keyboardist D.C. Collard, harmonica player Jim Fitting, and drummer Brian MacLeod on a brooding covers collection honoring the music of country great Hank Williams. Despite recording some material in 1997, Johnson didn't return with a new album until 2000's NakedSelf, which included Schermerhorn plus a new rhythm section of Spencer Campbell and Earl Harvin. Despite some touring during 2000 and much of 2001, the band dissolved. Johnson continued to be busy, forming his own independent film soundtrack company Cineola, scoring several films over the subsequent ten years (including 2009's Tony, 2010's Moonbug, and 2014's Hyena), forming a publishing company to issue his father Eddie's memoir of life running a notorious pub in East London, and occasionally releasing one-off singles. Johnson also commenced his Radio Cineola, a "shortwave radio" broadcast in 2010 with previews of upcoming releases, works in progress, chats with collaborators previously unheard material, political and social debate, etc. Broadcasts are helmed by Johnson and/or guests. In the spring of 2017, on Record Store Day, The The issued the single "We Can't Stop What's Coming" (with guitarist Johnny Marr), and played its first tour dates in 17 years. After two shows in London, Johnson released a triple album titled Radio Cineola Trilogy, comprised of the albums End of the Day (first discussed in 2007, it offered collaborations on The The songs with some of Johnson's favorite singers and musicians from around the world), The Inertia Variations (with Johnson narrating John Tottenham's epic poetic cycle on the subjects of work, avoidance, procrastination, and the wasting of time over an atmospheric soundtrack), and Midnight to Midnight (comprised of interviews and soundscapes taken from Johnson's 12-hour U.K. Election Day Radio Cineola shortwave broadcast and the electronic score from The Inertia Variations documentary directed by Johanna St. Michaels). A string of tour dates followed in 2018, which were captured as a part of a multi-media release titled The Comeback Special, including a live album, a book, and a short film directed by Tim Pope. Recorded at The Royal Albert Hall in 2018, The Comeback Special was issued in 2021
© Jason Ankeny /TiVo
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Discografia

30 álbum(ns) • Ordenado por Mais vendidos

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  • The The

    Rock - Lançado por earMUSIC em 01/10/2021

    The Comeback Special documents The The's 2018 live show at The Royal Albert Hall, one of their first live performances in 16 years. This release as pa ...

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  • The The

    Rock - Lançado por earMUSIC em 04/02/2022

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  • The The

    Pop/Rock - Lançado por Epic em 01/05/1989

    With the addition of former Smiths guitarist Johnny Marr, The The attempted their most ambitious album yet with Mind Bomb. Instead of the darkly polis ...

    Qualidade de CD de 16 bits 44.1 kHz - Stereo
  • The The

    Pop/Rock - Lançado por Epic em 13/03/1983

    Although The The's first album barely hinted at the experimentalism of later records like Infected and Mind Bomb, Matt Johnson crafted a pleasant set ...

    Qualidade de CD de 16 bits 44.1 kHz - Stereo
  • The The

    Pop - Lançado por Epic em 22/01/1992

    As the follow-up to the much acclaimed Mind Bomb LP, The The's sixth studio effort, Dusk, found Matt Johnson (and his varying crew of marauders) carvi ...

    Qualidade de CD de 16 bits 44.1 kHz - Stereo
  • The The

    Pop - Lançado por Epic em 01/01/1986

    Infected's sound still suggests dance-pop, especially on the title track. But don't get the impression that it's made for dancing. Instead of the ligh ...

    Qualidade de CD de 16 bits 44.1 kHz - Stereo
  • The The

    Pop - Lançado por Epic em 01/05/1989

    With the addition of former Smiths guitarist Johnny Marr, The The attempted their most ambitious album yet with Mind Bomb. Instead of the darkly polis ...

    Qualidade de CD de 16 bits 44.1 kHz - Stereo
  • The The

    Pop/Rock - Lançado por Epic em 07/05/2002

    Matt Johnson's idiosyncratic series of records has been matched over time with an equally in-its-own-place collection of singles, and 45 RPM is a hand ...

    Qualidade de CD de 16 bits 44.1 kHz - Stereo
  • The The

    Alternative & Indie - Lançado por 4AD em 01/08/1981

    Matt Johnson's work thrives on the tension between accessible pop and dissonant experimentation; between joyful wonder and despairing bleakness. Burni ...

    Qualidade de CD de 16 bits 44.1 kHz - Stereo
  • The The

    Pop - Lançado por Epic em 01/02/1983

    Although The The's first album barely hinted at the experimentalism of later records like Infected and Mind Bomb, Matt Johnson crafted a pleasant set ...

    Qualidade de CD de 16 bits 44.1 kHz - Stereo
  • The The

    Pop - Lançado por Epic em 13/03/1983

    Although The The's first album barely hinted at the experimentalism of later records like Infected and Mind Bomb, Matt Johnson crafted a pleasant set ...

    Qualidade de CD de 16 bits 44.1 kHz - Stereo
  • The The

    Pop/Rock - Lançado por Epic em 22/01/1992

    As the follow-up to the much acclaimed Mind Bomb LP, The The's sixth studio effort, Dusk, found Matt Johnson (and his varying crew of marauders) carvi ...

    Qualidade de CD de 16 bits 44.1 kHz - Stereo
  • The The

    Pop/Rock - Lançado por Epic em 01/01/1986

    Infected's sound still suggests dance-pop, especially on the title track. But don't get the impression that it's made for dancing. Instead of the ligh ...

    Qualidade de CD de 16 bits 44.1 kHz - Stereo
  • The The

    Pop/Rock - Lançado por Epic em 22/11/2001

    Qualidade de CD de 16 bits 44.1 kHz - Stereo
  • The The

    Pop - Lançado por Epic em 01/02/1983

    Although The The's first album barely hinted at the experimentalism of later records like Infected and Mind Bomb, Matt Johnson crafted a pleasant set ...

    Qualidade de CD de 16 bits 44.1 kHz - Stereo
  • The The

    Pop - Lançado por Epic em 01/05/1989

    With the addition of former Smiths guitarist Johnny Marr, The The attempted their most ambitious album yet with Mind Bomb. Instead of the darkly polis ...

    Qualidade de CD de 16 bits 44.1 kHz - Stereo
  • The The

    Pop - Lançado por Epic em 01/05/1989

    With the addition of former Smiths guitarist Johnny Marr, The The attempted their most ambitious album yet with Mind Bomb. Instead of the darkly polis ...

    Qualidade de CD de 16 bits 44.1 kHz - Stereo
  • The The

    Rock - Lançado por TVT Records em 01/01/2000

    It's never been easy to pin Matt Johnson down. He's always come across as intense and dark, but much of his music is melodic and airy. He managed to t ...

    Qualidade de CD de 16 bits 44.1 kHz - Stereo
  • The The

    Pop/Rock - Lançado por 550 Music - Epic em 08/02/1995

    It is true that Matt Johnson offers some startingly original interpretations of Hank Williams songs on Hanky Panky -- he makes them sound like The The ...

    Qualidade de CD de 16 bits 44.1 kHz - Stereo
  • The The

    Pop/Rock - Lançado por Epic em 07/05/2002

    Qualidade de CD de 16 bits 44.1 kHz - Stereo
  • The The

    Pop - Lançado por Epic em 01/01/1993

    Solitude collects alternate versions and remixes of songs from The The's back catalog as well as a couple of tracks from the Shades of Blue EP. For th ...

    Qualidade de CD de 16 bits 44.1 kHz - Stereo
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