Red Garland
Idioma disponível: inglêsRed Garland mixed together the usual influences of his generation (Nat Cole, Bud Powell, and Ahmad Jamal) into his own distinctive approach; Garland's block chords themselves became influential on the players of the 1960s. He started out playing clarinet and alto, switching to piano when he was 18. During 1946-1955, he worked steadily in New York and Philadelphia, backing such major players as Charlie Parker, Coleman Hawkins, Lester Young, and Roy Eldridge, but still remaining fairly obscure. That changed when he became a member of the classic Miles Davis Quintet (1955-1958), heading a rhythm section that also included Paul Chambers and Philly Joe Jones. After leaving Miles, Garland had his own popular trio and recorded very frequently for Prestige, Jazzland, and Moodsville during 1956-1962 (the majority of which are available in the Original Jazz Classics series). The pianist eventually returned to Texas and was in semi-retirement, but came back gradually in the 1970s, recording for MPS (1971) and Galaxy (1977-1979) before retiring again.
© Scott Yanow /TiVo Ler mais
Red Garland mixed together the usual influences of his generation (Nat Cole, Bud Powell, and Ahmad Jamal) into his own distinctive approach; Garland's block chords themselves became influential on the players of the 1960s. He started out playing clarinet and alto, switching to piano when he was 18. During 1946-1955, he worked steadily in New York and Philadelphia, backing such major players as Charlie Parker, Coleman Hawkins, Lester Young, and Roy Eldridge, but still remaining fairly obscure. That changed when he became a member of the classic Miles Davis Quintet (1955-1958), heading a rhythm section that also included Paul Chambers and Philly Joe Jones. After leaving Miles, Garland had his own popular trio and recorded very frequently for Prestige, Jazzland, and Moodsville during 1956-1962 (the majority of which are available in the Original Jazz Classics series). The pianist eventually returned to Texas and was in semi-retirement, but came back gradually in the 1970s, recording for MPS (1971) and Galaxy (1977-1979) before retiring again.
© Scott Yanow /TiVo
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Red Garland's Piano (Rudy Van Gelder Remasters) (Rudy Van Gelder Remaster)
Pop - Lançado por Prestige em 01/01/1987
24-Bit 44.1 kHz - Stereo -
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12 Classic Albums: 1956-1960
Jazz - Lançado por Playtime em 06/01/2014
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Blues In the Night (Album Version)
Jazz - Lançado por Prestige em 01/01/1960
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Red Alone (Album Version)
Jazz - Lançado por Prestige em 01/04/1960
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Red Garland Revisited! (Album of 1957)
Jazz - Lançado por Jazz Classics em 30/11/2018
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
12 Classic Albums: 1960-1962
Jazz - Lançado por Playtime em 06/01/2014
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Can't See for Lookin' (Album of 1958)
Jazz - Lançado por Jazz Classics em 27/06/1958
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Red Garland's Piano
Jazz - Lançado por Prestige em 01/01/1987
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Red Garland Revisited!
Jazz - Lançado por Fantasy Records em 24/05/1957
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Red In Bluesville (Album Version)
Jazz - Lançado por Fantasy Records em 17/04/1959
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The Nearness Of You
Jazz - Lançado por Fantasy Records em 01/01/2000
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Red Garland's Piano
Jazz - Lançado por Prestige em 01/01/1987
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When There Are Grey Skies
Jazz - Lançado por Fantasy Records em 09/10/1962
A discografia ideal da QobuzQualidade de CD de 16 bits 44.1 kHz - Stereo -
Moodsville Vol 1
Jazz - Lançado por CoolNote em 01/01/2000
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Groovy
Jazz - Lançado por Firefly Entertainment em 01/01/1957
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
At The Prelude, Vol. 1
Jazz - Lançado por Prestige em 01/01/1960
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Red's Blues
Jazz - Lançado por Fantasy Records em 01/01/1998
Qualidade de CD de 16 bits 44.1 kHz - Stereo