Paula Cole
Paula Cole's earnest, lilting melodies sit gracefully on her folk-inflected adult-alternative songs. Her rise to stardom in 1997 was sudden and substantial, an overnight success story with deep roots and lasting echoes. This Fire, her second album, arrived just prior to Sarah McLachlan launching the first Lilith Fair, which featured Cole on the main stage. Soon, her plaint "Where Have All the Cowboys Gone" climbed into the Billboard Top Ten with "I Don't Want to Wait" peaking at 11; the latter also gained fame as the theme song to Dawson's Creek. The success helped Cole win the Grammy for Best New Artist in 1998, but framing her career entirely through the prism of This Fire erases the sense of adventure within her body of work. That yen for experimentalism was apparent in the early '90s, when she replaced Sinéad O'Connor on Peter Gabriel's Real World tour, and it also surfaced on 1999's Amen, an album that defiantly broke from the warm, enveloping sounds of This Fire. Cole took an extended hiatus to raise children after Amen, re-emerging in the late 2000s with a pair of albums for Decca before launching her own 675 Records for 2013's Raven. Reaching the Top Ten on Billboard's Jazz Albums chart, 2017's Ballads inaugurated a streak of explorations of the American songbook that also encompassed 2019's Revolution and 2021's blues-heavy American Quilt. With 2024's more personal Lo, she offered her first all-original set of songs in nearly a decade.
The daughter of an amateur musician and a visual artist, Cole was born and raised in Rockport, Massachusetts. Following her high school graduation, she went to the Berklee College of Music to study jazz singing and improvisation. After she graduated from Berklee, Cole became a professional musician in order to make a living; she continued to write original material on the side.
Her first big break arrived when Peter Gabriel invited her to perform on his 1992-1993 world tour. Shortly afterward, she signed to Imago Records, where she released her debut album, Harbinger, in 1994. Imago went out of business within a year of the record's release, though, which prevented the set from getting exposure on radio and in the press. In 1995, she signed a contract with Warner Bros., which reissued Harbinger in the fall of that year. Cole returned with her second long-player, This Fire, in October 1996. The album and its accompanying single, "Where Have All the Cowboys Gone?," became word-of-mouth hits and eventually broke into the mainstream during the first half of 1997. That summer, she participated in the first Lilith Fair, a traveling festival that had been designed by Sarah McLachlan to showcase female artists. Cole was one of the performers to receive a significant boost in profile from the tour, and was the subject of many articles in the mainstream press.
In 1998, Cole won the Grammy for Best New Artist, despite the fact that she released her debut album in 1994 and, therefore, was technically ineligible. That same year, she scored another hit with the single "I Don't Want to Wait," popularized as the theme to the television hit Dawson's Creek. Her third album, Amen, followed in 1999 and broadened Cole's sound with electronica and hip-hop textures. It wasn't nearly as popular as This Fire, though, prompting her to drop out of the limelight and focus on raising her daughter.
Eight years passed before she returned with a fresh single, "14," and her fourth album, 2007's Courage. Although only modestly popular, the record represented something of a stylistic return for Cole, who had settled into an eclectic, jazz-influenced adult contemporary vein. She began recording and touring on a more regular basis, releasing her fifth album, Ithaca, on Decca in 2010.
Cole undertook a crowdfunding project to complete and self-release her next recording, Raven, which she issued in 2013 on her own label, 675 Records. Recorded live in the studio as an acoustic quartet, 7 arrived in 2015 and was followed a year later by the live LP This Bright Red Feeling. She relied again on crowdfunding for the covers album Ballads. Released in 2017, it debuted at number ten on Billboard's jazz albums chart. With a cover of Marvin Gaye's "Mercy Mercy Me (The Ecology)" among its track list, the human rights-fueled Revolution followed in 2019. Two years later, Cole released American Quilt, a covers album that found common threads between country, blues, pop, rock, and jazz. Consisting entirely of very personal original songs, the self-produced Lo appeared on 675 Records in 2024.
© Stephen Thomas Erlewine /TiVo
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This Fire
Rock - Lançado por Rhino - Warner Records em 15/10/1996
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I Don't Want to Wait (Artist Preferred Version)
Pop - Lançado por 675 Records em 30/12/2021
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Courage
Pop - Lançado por Decca Crossover em 01/01/2007
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Ballads
Vocal Jazz - Lançado por 675 Records em 11/08/2017
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
This Bright Red Feeling (Live in New York City)
Rock - Lançado por 675 Records em 01/07/2016
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Wayfaring Stranger
Pop - Lançado por BMG Rights Management (US) LLC em 19/03/2021
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
I Don't Want to Wait (Dawson's Creek Theme)
Rock - Lançado por 675 Records em 30/12/2021
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Invisible Armor
Alternative & Indie - Lançado por 675 Records em 07/02/2024
24-Bit 96.0 kHz - Stereo -
Ravenesque
Rock - Lançado por 675 Records em 14/12/2013
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Greatest Hits - Postcards From East Oceanside
Rock - Lançado por Rhino - Warner Records em 06/06/2006
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
American Quilt
Pop - Lançado por BMG Rights Management (US) LLC em 21/05/2021
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Amen
Rock - Lançado por Rhino - Warner Records em 28/09/1999
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For the Birds
Paula Cole, Jason Isbell, John Paul White
Alternative & Indie - Lançado por 675 Records em 21/09/2022
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Harbinger
Pop - Lançado por Warner Records em 19/07/1994
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Where Have All The Cowboys Gone
Rock - Lançado por Rhino - Warner Records em 01/04/1997
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Raven
Alternative & Indie - Lançado por 675 Records em 23/04/2013
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Black Mountain Blues
Pop - Lançado por BMG Rights Management (US) LLC em 23/04/2021
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Revolution
Alternative & Indie - Lançado por 675 Records em 13/09/2019
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Ode to Billy Joe
Folk - Lançado por 675 Records em 07/07/2017
Qualidade de CD de 16 bits 44.1 kHz - Stereo