UR FUN

Resenha do Álbum

The album cover, which doesn’t resemble any previous covers from the group, is a nod to an obsession of different eras, from the 50s to the 80s. This band from Athens, Georgia progresses further in its artistic line (with ten albums to their name since 1997), by mixing different genres and eras together while moving a step away from the kaleidoscopic psychedelics of their previous work. The album cover perfectly reflects the aesthetic of the music, within which you can recognise the creative extravagance which is inherent to the band’s leader Kevin Barnes (particularly on wacky tracks like Peace To All Freaks and Gypsy That Remains), but also a certain level of serenity, sometimes crossed with saccharine tones and melodies (You’ve Had Me Everywhere and the catchy chorus of Polyaneurysm). On the whole, Of Montreal’s album is a sunny extravaganza of synthetic pop, with occasional rock and psych tendencies (Don’t Let Me Die In America, 20th Century Schizofriendic Revenge-man). If you observe this project superficially, you could easily say that UR FUN does its name justice. But it is worth remembering that this fun sometimes masks certain melancholic and tortured echos, like the song St. Sebastian: here, the use of the minor key beneath the bouncing rhythm is heartbreaking. © Nicolas Magenham/Qobuz