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Tanya Savory|Town To Town

Town To Town

Tanya Savory

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Idioma disponível: inglês

Strange as it sounds, Tanya Savory loves America. She communicates an abiding affection for the land, the people, town and county histories and bits of imbedded culture that we tend to find only in our most reverent occasional literature. Unlike countless folk-rock bands and artists who claim to write from the "heartland," Savory seems to intend to write for the heartland, tapping into valves and arteries that help her identify the source of her inspiration, the figurative location of her audience and her predominating sense of American self. Pop confessionals and laments about wayfaring loves gone awry have little to do with the concerns on this record: on "Big Town," for example, the singer takes on the persona of a grieving elderly woman whose former city of promise and security has shriveled and disappeared into the ether of modern American promise and forget. "When the River Rose" is another ballad, sung in the wake of a wasting flood by a farmer in his empty field, expecting reprieve from nowhere. These songs are portraiture, simple and reverberating, with little pretense or forced intensity. Subjects like lost time, technology and the unraveling of family color the sentiments within without abusing the testimonial language of simple loss and revocable faith in the earth. The stylings are arguably folk in the bluegrass, rather than country-western, tradition, and Savory's voice has a clarity and strength reminiscent of revolutionary mid-century folk singers. Savory's message is one of urging and remembrance, and her songs are valuable cultural parcels that should be tended as carefully as moments that might otherwise disappear.
© Becky Byrkit /TiVo

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Town To Town

Tanya Savory

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1
When The River Rose
00:03:49

Wanda Vick, Dobro, AssociatedPerformer - Randy Gardner, Mixer, Recording Engineer, StudioPersonnel - Toby Mountain, Mastering Engineer, StudioPersonnel - Tanya Savory, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Susan Charnley, Bass Guitar, AssociatedPerformer - Nancy Given Gardner, Producer, Drums, Percussion, Background Vocalist, Recording Producer, AssociatedPerformer - Terri Corker, Background Vocalist, AssociatedPerformer - Kim House, Producer, Recording Producer

℗ 1999 Rounder Records, a division of Concord Music Group, Inc.

2
Big Town
00:05:31

Randy Gardner, Mixer, Recording Engineer, StudioPersonnel - Toby Mountain, Mastering Engineer, StudioPersonnel - Tanya Savory, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Susan Charnley, Bass Guitar, AssociatedPerformer - Nancy Given Gardner, Producer, Drums, Recording Producer, AssociatedPerformer - Terri Corker, Background Vocalist, AssociatedPerformer - Kim House, Piano, AssociatedPerformer - Gary Tussing, Cello, AssociatedPerformer

℗ 1999 Rounder Records Corp.

3
Different Shores
00:03:33

JOHN MOCK, Tin Whistle, Concertina, AssociatedPerformer - Randy Gardner, Mixer, Recording Engineer, StudioPersonnel - Toby Mountain, Mastering Engineer, StudioPersonnel - Tanya Savory, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Susan Charnley, Bass Guitar, AssociatedPerformer - Nancy Given Gardner, Producer, Percussion, Background Vocalist, Recording Producer, AssociatedPerformer - Kim House, Producer, Piano, Recording Producer, AssociatedPerformer

℗ 1999 Rounder Records, a division of Concord Music Group, Inc.

4
Reason Enough
00:04:06

Wanda Vick, Acoustic Guitar, Mandolin, Fiddle, AssociatedPerformer - Mark Burchfield, Upright Bass, AssociatedPerformer - Randy Gardner, Mixer, Recording Engineer, StudioPersonnel - Darrin Vincent, Background Vocalist, AssociatedPerformer - Toby Mountain, Mastering Engineer, StudioPersonnel - Tanya Savory, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Nancy Given Gardner, Producer, Recording Producer - Terri Corker, Background Vocalist, AssociatedPerformer - Kim House, Producer, Recording Producer - Kristin Scott, Banjo, AssociatedPerformer

℗ 1999 Rounder Records, a division of Concord Music Group, Inc.

5
Passed Him By
00:04:35

Randy Gardner, Mixer, Recording Engineer, StudioPersonnel - Toby Mountain, Mastering Engineer, StudioPersonnel - Tanya Savory, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Susan Charnley, Bass Guitar, AssociatedPerformer - Nancy Given Gardner, Producer, Percussion, Recording Producer, AssociatedPerformer - Kim House, Producer, Organ, Background Vocalist, Recording Producer, AssociatedPerformer

℗ 1999 Rounder Records, a division of Concord Music Group, Inc.

6
I Don't Hear That Train
00:03:49

Wanda Vick, Guitar, AssociatedPerformer - Randy Gardner, Mixer, Recording Engineer, StudioPersonnel - Toby Mountain, Mastering Engineer, StudioPersonnel - Tanya Savory, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Susan Charnley, Bass Guitar, AssociatedPerformer - Nancy Given Gardner, Producer, Drums, Percussion, Recording Producer, AssociatedPerformer - Kim House, Producer, Piano, Background Vocalist, Recording Producer, AssociatedPerformer

℗ 1999 Rounder Records, a division of Concord Music Group, Inc.

7
Reuben Brown
00:04:40

Wanda Vick, Fiddle, AssociatedPerformer - Randy Gardner, Mixer, Recording Engineer, StudioPersonnel - Toby Mountain, Mastering Engineer, StudioPersonnel - Tanya Savory, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Susan Charnley, Bass Guitar, AssociatedPerformer - Nancy Given Gardner, Producer, Recording Producer - Kim House, Producer, Piano, Recording Producer, AssociatedPerformer

℗ 1999 Rounder Records, a division of Concord Music Group, Inc.

8
Back To Tucson
00:03:00

Wanda Vick, Fiddle, AssociatedPerformer - Randy Gardner, Mixer, Recording Engineer, StudioPersonnel - Toby Mountain, Mastering Engineer, StudioPersonnel - Tanya Savory, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Susan Charnley, Bass Guitar, AssociatedPerformer - Nancy Given Gardner, Producer, Drums, Percussion, Recording Producer, AssociatedPerformer - Kim House, Producer, Background Vocalist, Recording Producer, AssociatedPerformer - Cindy Finkle, Acoustic Guitar, AssociatedPerformer

℗ 1999 Rounder Records, a division of Concord Music Group, Inc.

9
Bluegrass
00:03:29

Pam Gadd, Banjo, AssociatedPerformer - Randy Gardner, Mixer, Recording Engineer, StudioPersonnel - Catherine Styron, Piano, AssociatedPerformer - Toby Mountain, Mastering Engineer, StudioPersonnel - Tanya Savory, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Nancy Given Gardner, Producer, Recording Producer - Kim House, Producer, Recording Producer - Gary Tussing, Cello, AssociatedPerformer

℗ 1999 Rounder Records, a division of Concord Music Group, Inc.

10
40, 80, Or 10
00:04:13

Wanda Vick, Fiddle, AssociatedPerformer - Randy Gardner, Mixer, Recording Engineer, StudioPersonnel - Catherine Styron, Accordion, AssociatedPerformer - Toby Mountain, Mastering Engineer, StudioPersonnel - Tanya Savory, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Susan Charnley, Bass Guitar, AssociatedPerformer - Nancy Given Gardner, Producer, Drums, Background Vocalist, Recording Producer, AssociatedPerformer - Terri Corker, Background Vocalist, AssociatedPerformer - Kim House, Producer, Piano, Recording Producer, AssociatedPerformer

℗ 1999 Rounder Records, a division of Concord Music Group, Inc.

11
Time Was
00:03:48

Randy Gardner, Mixer, Recording Engineer, StudioPersonnel - Marianne Osiel, Oboe, AssociatedPerformer - Toby Mountain, Mastering Engineer, StudioPersonnel - Tanya Savory, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Nancy Given Gardner, Producer, Background Vocalist, Recording Producer, AssociatedPerformer - Kim House, Producer, Recording Producer

℗ 1999 Rounder Records, a division of Concord Music Group, Inc.

Descrição do álbum

Strange as it sounds, Tanya Savory loves America. She communicates an abiding affection for the land, the people, town and county histories and bits of imbedded culture that we tend to find only in our most reverent occasional literature. Unlike countless folk-rock bands and artists who claim to write from the "heartland," Savory seems to intend to write for the heartland, tapping into valves and arteries that help her identify the source of her inspiration, the figurative location of her audience and her predominating sense of American self. Pop confessionals and laments about wayfaring loves gone awry have little to do with the concerns on this record: on "Big Town," for example, the singer takes on the persona of a grieving elderly woman whose former city of promise and security has shriveled and disappeared into the ether of modern American promise and forget. "When the River Rose" is another ballad, sung in the wake of a wasting flood by a farmer in his empty field, expecting reprieve from nowhere. These songs are portraiture, simple and reverberating, with little pretense or forced intensity. Subjects like lost time, technology and the unraveling of family color the sentiments within without abusing the testimonial language of simple loss and revocable faith in the earth. The stylings are arguably folk in the bluegrass, rather than country-western, tradition, and Savory's voice has a clarity and strength reminiscent of revolutionary mid-century folk singers. Savory's message is one of urging and remembrance, and her songs are valuable cultural parcels that should be tended as carefully as moments that might otherwise disappear.
© Becky Byrkit /TiVo

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