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Patsy Cline|The Last Sessions

The Last Sessions

Patsy Cline

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Patsy Cline's last sessions took place over four nights in February of 1963. Like the rest of her recordings, these were produced by Owen Bradley in Nashville with some A-list pickers of the time. Bradley himself played bass on the majority of the cuts, with Floyd Cramer on piano, Grady Martin on guitar, and the Jordanaires on vocals throughout. After eight years with Bradley and three with Decca, a label that allowed her and Bradley more freedom over song selection than her earlier Four Star contract, Cline was going at the pop market full-tilt.

Gone are the crying steel guitars, the raw fiddles, the clanging rockabilly sound that often surfaced on her '50s work. While her voice sails effortlessly through "Blue Moon of Kentucky," for example, the band sounds like they've been cleaned up and put in sober blue suits for the occasion. But by 1963, that wasn't the point anyway; the point was the kind of delicious agony Cline could fill her voice with on tunes like the shivery "Sweet Dreams (Of You)." Two of the 12 tunes from these four final sessions are not included here: "Faded Love" and "I'll Sail My Ship Alone."

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The Last Sessions

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1
Someday You’ll Want Me To Want You (Single Version)
00:02:52

Grady Martin, Electric Guitar, AssociatedPerformer - Bill McElhiney, Recording Arranger, AssociatedPerformer - Jimmie Hodges, ComposerLyricist - FLOYD CRAMER, Piano, AssociatedPerformer - Ray Edenton, Guitar, AssociatedPerformer - Owen Bradley, Producer - Harold Bradley, Bass Guitar, AssociatedPerformer - Patsy Cline, MainArtist - Bob Moore, Bass Guitar, AssociatedPerformer - Randy Hughes, Acoustic Guitar, AssociatedPerformer - Gary Williams, Violin, AssociatedPerformer - Cecil Brower, Violin, AssociatedPerformer - George Binkley III, Violin, AssociatedPerformer - Brenton Banks, Violin, AssociatedPerformer - Solie Fott, Violin, AssociatedPerformer - Howard Carpenter, Violin, AssociatedPerformer - Lillian Hunt, Violin, AssociatedPerformer - Byron Bach, Violin, AssociatedPerformer - Martin Katahn, Violin, AssociatedPerformer - Murrey "Buddy" Harman, Drums, AssociatedPerformer - Verne Richardson, Violin, AssociatedPerformer

℗ 1964 MCA Nashville, a Division of UMG Recordings, Inc.

2
Love Letters In The Sand (Single Version)
00:02:25

Grady Martin, Electric Guitar, AssociatedPerformer - Bill McElhiney, Recording Arranger, AssociatedPerformer - Charles F. Kenny, ComposerLyricist - Nick A. Kenny, ComposerLyricist - FLOYD CRAMER, Piano, AssociatedPerformer - Ray Edenton, Guitar, AssociatedPerformer - J. Fred Coots, ComposerLyricist - Owen Bradley, Producer - The Jordanaires, FeaturedArtist - Harold Bradley, Bass Guitar, AssociatedPerformer - Patsy Cline, MainArtist - Bob Moore, Bass Guitar, AssociatedPerformer - Randy Hughes, Acoustic Guitar, AssociatedPerformer - Gary Williams, Violin, AssociatedPerformer - Cecil Brower, Violin, AssociatedPerformer - George Binkley III, Violin, AssociatedPerformer - Brenton Banks, Violin, AssociatedPerformer - Solie Fott, Violin, AssociatedPerformer - Howard Carpenter, Violin, AssociatedPerformer - Lillian Hunt, Violin, AssociatedPerformer - Byron Bach, Violin, AssociatedPerformer - Martin Katahn, Violin, AssociatedPerformer - Murrey "Buddy" Harman, Drums, AssociatedPerformer - Verne Richardson, Violin, AssociatedPerformer

℗ 1964 MCA Nashville

3
Blue Moon Of Kentucky (Single Version)
00:02:10

Grady Martin, Electric Guitar, AssociatedPerformer - Bill McElhiney, Recording Arranger, AssociatedPerformer - FLOYD CRAMER, Piano, AssociatedPerformer - Ray Edenton, Guitar, AssociatedPerformer - Bill Monroe, ComposerLyricist - Owen Bradley, Producer - Harold Bradley, Bass Guitar, AssociatedPerformer - Patsy Cline, MainArtist - Bob Moore, Bass Guitar, AssociatedPerformer - Bill Pursell, Vibraphone, AssociatedPerformer - Randy Hughes, Acoustic Guitar, AssociatedPerformer - Gary Williams, Violin, AssociatedPerformer - Cecil Brower, Violin, AssociatedPerformer - George Binkley III, Violin, AssociatedPerformer - Brenton Banks, Violin, AssociatedPerformer - Solie Fott, Violin, AssociatedPerformer - Howard Carpenter, Violin, AssociatedPerformer - Wilda Tinsley, Violin, AssociatedPerformer - Lillian Hunt, Violin, AssociatedPerformer - Byron Bach, Violin, AssociatedPerformer - Murrey "Buddy" Harman, Drums, AssociatedPerformer - Verne Richardson, Violin, AssociatedPerformer

℗ 1963 MCA Nashville

4
Sweet Dreams (Of You) (Single Version)
00:02:35

Grady Martin, Electric Guitar, AssociatedPerformer - Bill McElhiney, Recording Arranger, AssociatedPerformer - Don Gibson, ComposerLyricist - FLOYD CRAMER, Piano, AssociatedPerformer - Ray Edenton, Guitar, AssociatedPerformer - Owen Bradley, Producer - The Jordanaires, Background Vocalist, AssociatedPerformer - Harold Bradley, Bass Guitar, AssociatedPerformer - Patsy Cline, MainArtist - Bob Moore, Bass Guitar, AssociatedPerformer - Bill Pursell, Vibraphone, AssociatedPerformer - Randy Hughes, Acoustic Guitar, AssociatedPerformer - Gary Williams, Violin, AssociatedPerformer - Cecil Brower, Violin, AssociatedPerformer - George Binkley III, Violin, AssociatedPerformer - Brenton Banks, Violin, AssociatedPerformer - Solie Fott, Violin, AssociatedPerformer - Howard Carpenter, Violin, AssociatedPerformer - Wilda Tinsley, Violin, AssociatedPerformer - Lillian Hunt, Violin, AssociatedPerformer - Byron Bach, Violin, AssociatedPerformer - Murrey "Buddy" Harman, Drums, AssociatedPerformer - Verne Richardson, Violin, AssociatedPerformer

℗ 1963 UMG Recordings, Inc.

5
Always (Album Version)
00:02:41

Grady Martin, Electric Guitar, AssociatedPerformer - Bill McElhiney, Recording Arranger, AssociatedPerformer - FLOYD CRAMER, Piano, AssociatedPerformer - Ray Edenton, Guitar, AssociatedPerformer - Irving Berlin, ComposerLyricist - Owen Bradley, Producer - Harold Bradley, Bass Guitar, AssociatedPerformer - Patsy Cline, MainArtist - Bob Moore, Bass Guitar, AssociatedPerformer - Bill Pursell, Vibraphone, AssociatedPerformer - Randy Hughes, Acoustic Guitar, AssociatedPerformer - Gary Williams, Violin, AssociatedPerformer - Cecil Brower, Violin, AssociatedPerformer - George Binkley III, Violin, AssociatedPerformer - Brenton Banks, Violin, AssociatedPerformer - Solie Fott, Violin, AssociatedPerformer - Howard Carpenter, Violin, AssociatedPerformer - Wilda Tinsley, Violin, AssociatedPerformer - Lillian Hunt, Violin, AssociatedPerformer - Byron Bach, Violin, AssociatedPerformer - Murrey "Buddy" Harman, Drums, AssociatedPerformer - Verne Richardson, Violin, AssociatedPerformer

℗ 1964 MCA Nashville

6
Does Your Heart Beat For Me (Album Version)
00:02:38

Grady Martin, Electric Guitar, AssociatedPerformer - Bill McElhiney, Recording Arranger, AssociatedPerformer - Mitchell Parish, ComposerLyricist - FLOYD CRAMER, Piano, AssociatedPerformer - Ray Edenton, Guitar, AssociatedPerformer - Owen Bradley, Producer - RUSS MORGAN, Composer - Harold Bradley, Bass Guitar, AssociatedPerformer - Patsy Cline, MainArtist - Bob Moore, Bass Guitar, AssociatedPerformer - Arnold Johnson, Composer - Randy Hughes, Acoustic Guitar, AssociatedPerformer - Gary Williams, Violin, AssociatedPerformer - Cecil Brower, Violin, AssociatedPerformer - George Binkley III, Violin, AssociatedPerformer - Brenton Banks, Violin, AssociatedPerformer - Solie Fott, Violin, AssociatedPerformer - Howard Carpenter, Violin, AssociatedPerformer - Wilda Tinsley, Violin, AssociatedPerformer - Lillian Hunt, Violin, AssociatedPerformer - Byron Bach, Violin, AssociatedPerformer - Murrey "Buddy" Harman, Drums, AssociatedPerformer - Verne Richardson, Violin, AssociatedPerformer

℗ 1964 MCA Nashville, a Division of UMG Recordings, Inc.

7
Bill Bailey, Won't You Please Come Home (Single Version)
00:02:47

Grady Martin, Electric Guitar, AssociatedPerformer - Bill McElhiney, Recording Arranger, AssociatedPerformer - FLOYD CRAMER, Piano, AssociatedPerformer - Ray Edenton, Guitar, AssociatedPerformer - Owen Bradley, Producer - The Jordanaires, FeaturedArtist - Harold Bradley, Bass Guitar, AssociatedPerformer - Patsy Cline, MainArtist - Bob Moore, Bass Guitar, AssociatedPerformer - Hughie Cannon, ComposerLyricist - Randy Hughes, Acoustic Guitar, AssociatedPerformer - Gary Williams, Violin, AssociatedPerformer - Cecil Brower, Violin, AssociatedPerformer - George Binkley III, Violin, AssociatedPerformer - Brenton Banks, Violin, AssociatedPerformer - Solie Fott, Violin, AssociatedPerformer - Howard Carpenter, Violin, AssociatedPerformer - Wilda Tinsley, Violin, AssociatedPerformer - Lillian Hunt, Violin, AssociatedPerformer - Byron Bach, Violin, AssociatedPerformer - Murrey "Buddy" Harman, Drums, AssociatedPerformer - Verne Richardson, Violin, AssociatedPerformer

℗ 1964 MCA Nashville

8
He Called Me Baby (Single Version)
00:02:42

Grady Martin, Electric Guitar, AssociatedPerformer - Bill McElhiney, Recording Arranger, AssociatedPerformer - FLOYD CRAMER, Piano, AssociatedPerformer - Ray Edenton, Guitar, AssociatedPerformer - Harlan Howard, ComposerLyricist - Owen Bradley, Producer - The Jordanaires, FeaturedArtist - Patsy Cline, MainArtist - Wayne Moss, Electric Bass, AssociatedPerformer - Bob Moore, Bass Guitar, AssociatedPerformer - Randy Hughes, Acoustic Guitar, AssociatedPerformer - Gary Williams, Violin, AssociatedPerformer - George Binkley III, Violin, AssociatedPerformer - Brenton Banks, Violin, AssociatedPerformer - Solie Fott, Violin, AssociatedPerformer - Howard Carpenter, Violin, AssociatedPerformer - Lillian Hunt, Violin, AssociatedPerformer - Byron Bach, Violin, AssociatedPerformer - Martin Katahn, Violin, AssociatedPerformer - Murrey "Buddy" Harman, Drums, AssociatedPerformer - Verne Richardson, Violin, AssociatedPerformer - Mildred Onk, Violin, AssociatedPerformer

℗ 1964 MCA Nashville, a Division of UMG Recordings, Inc.

9
Crazy Arms (Album Version)
00:02:25

Ralph Mooney, ComposerLyricist - Grady Martin, Electric Guitar, AssociatedPerformer - Bill McElhiney, Recording Arranger, AssociatedPerformer - Charles Seals, ComposerLyricist - FLOYD CRAMER, Piano, AssociatedPerformer - Ray Edenton, Guitar, AssociatedPerformer - Owen Bradley, Producer - Patsy Cline, MainArtist - Wayne Moss, Electric Bass, AssociatedPerformer - Bob Moore, Bass Guitar, AssociatedPerformer - Randy Hughes, Acoustic Guitar, AssociatedPerformer - Gary Williams, Violin, AssociatedPerformer - George Binkley III, Violin, AssociatedPerformer - Brenton Banks, Violin, AssociatedPerformer - Solie Fott, Violin, AssociatedPerformer - Howard Carpenter, Violin, AssociatedPerformer - Lillian Hunt, Violin, AssociatedPerformer - Byron Bach, Violin, AssociatedPerformer - Martin Katahn, Violin, AssociatedPerformer - Murrey "Buddy" Harman, Drums, AssociatedPerformer - Verne Richardson, Violin, AssociatedPerformer - Mildred Onk, Violin, AssociatedPerformer

℗ 1964 MCA Nashville

10
You Took Him Off My Hands (Album Version)
00:02:58

Grady Martin, Electric Guitar, AssociatedPerformer - Bill McElhiney, Recording Arranger, AssociatedPerformer - Wynn Stewart, ComposerLyricist - FLOYD CRAMER, Piano, AssociatedPerformer - Ray Edenton, Guitar, AssociatedPerformer - Harlan Howard, ComposerLyricist - Owen Bradley, Producer - Patsy Cline, MainArtist - Skeets Mcdonald, ComposerLyricist - Wayne Moss, Electric Bass, AssociatedPerformer - Bob Moore, Bass Guitar, AssociatedPerformer - Randy Hughes, Acoustic Guitar, AssociatedPerformer - Gary Williams, Violin, AssociatedPerformer - George Binkley III, Violin, AssociatedPerformer - Brenton Banks, Violin, AssociatedPerformer - Solie Fott, Violin, AssociatedPerformer - Howard Carpenter, Violin, AssociatedPerformer - Lillian Hunt, Violin, AssociatedPerformer - Byron Bach, Violin, AssociatedPerformer - Martin Katahn, Violin, AssociatedPerformer - Murrey "Buddy" Harman, Drums, AssociatedPerformer - Verne Richardson, Violin, AssociatedPerformer - Mildred Onk, Violin, AssociatedPerformer

℗ 1964 MCA Nashville

Resenha do Álbum

Patsy Cline's last sessions took place over four nights in February of 1963. Like the rest of her recordings, these were produced by Owen Bradley in Nashville with some A-list pickers of the time. Bradley himself played bass on the majority of the cuts, with Floyd Cramer on piano, Grady Martin on guitar, and the Jordanaires on vocals throughout. After eight years with Bradley and three with Decca, a label that allowed her and Bradley more freedom over song selection than her earlier Four Star contract, Cline was going at the pop market full-tilt.

Gone are the crying steel guitars, the raw fiddles, the clanging rockabilly sound that often surfaced on her '50s work. While her voice sails effortlessly through "Blue Moon of Kentucky," for example, the band sounds like they've been cleaned up and put in sober blue suits for the occasion. But by 1963, that wasn't the point anyway; the point was the kind of delicious agony Cline could fill her voice with on tunes like the shivery "Sweet Dreams (Of You)." Two of the 12 tunes from these four final sessions are not included here: "Faded Love" and "I'll Sail My Ship Alone."

© TiVo

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