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J.J. Johnson|The Brass Orchestra

The Brass Orchestra

J.J. Johnson

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J.J. Johnson finds himself at the helm of a dream band here -- a full brass orchestra with French horns, euphoniums, tubas, and a harp -- and gets to exploit its possibilities wherever they might lead. The results are beyond category, where the veteran trombonist's writing has a feathery richness, urbanity, and a depth charge in the bass reminiscent of, but not really indebted to, Gil Evans. There is plenty of straight-ahead jazz grooving but also several episodes of formal, almost classical writing, as in the suitably joyous "If I Hit the Lottery," and rigorous combinations of both, like the angular tribute to Béla Bartók, "Canonn for Bela." The generous Johnson doesn't even appear on a piece he commissioned from Robin Eubanks called "Cross Currents" -- Eubanks performs the sputtering trombone solo -- nor on Slide Hampton's blazing "Comfort Zone." He also revisits some of his early third stream experiments from the '50s and '60s; "Ballad for Joe" derives from his "Poem for Brass" and "Horn of Plenty" and "Ballade" from the Perceptions album (the latter two sound a bit staid under the current light). Johnson's own trombone solos are always imaginative, authoritative, and irresistibly swinging; at 72, he plays as well here as he ever did. This is a must-buy for all J.J. fans and those who thought that the third stream could never rise again.

© Richard S. Ginell /TiVo

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The Brass Orchestra

J.J. Johnson

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1
El Camino Real
00:06:10

J.J. Johnson, MainArtist, ComposerLyricist

℗ 1997 The Verve Music Group, a Division of UMG Recordings, Inc.

2
Enigma
00:06:28

Slide Hampton, Arranger, Work Arranger - J.J. Johnson, MainArtist, ComposerLyricist

℗ 1997 The Verve Music Group, a Division of UMG Recordings, Inc.

3
Gingerbread Boy
00:05:22

Jimmy Heath, ComposerLyricist - J.J. Johnson, Arranger, Work Arranger, MainArtist

℗ 1997 The Verve Music Group, a Division of UMG Recordings, Inc.

4
Cannon For Bela
00:03:24

J.J. Johnson, MainArtist, ComposerLyricist

℗ 1997 The Verve Music Group, a Division of UMG Recordings, Inc.

5
Comfort Zone
00:07:49

Slide Hampton, ComposerLyricist - J.J. Johnson, MainArtist

℗ 1997 The Verve Music Group, a Division of UMG Recordings, Inc.

6
Wild Is The Wind
00:05:03

Dimitri Tiomkin, ComposerLyricist - Ned Washington, ComposerLyricist - J.J. Johnson, MainArtist - Robert Farnon, Arranger, Work Arranger

℗ 1997 The Verve Music Group, a Division of UMG Recordings, Inc.

7
If I Hit The Lottery
00:04:09

J.J. Johnson, MainArtist, ComposerLyricist

℗ 1997 The Verve Music Group, a Division of UMG Recordings, Inc.

8
Cross Currents
00:06:55

J.J. Johnson, MainArtist - Robin Eubanks, ComposerLyricist

℗ 1997 The Verve Music Group, a Division of UMG Recordings, Inc.

9
Ballad For Joe
00:04:27

J.J. Johnson, MainArtist, ComposerLyricist

℗ 1997 The Verve Music Group, a Division of UMG Recordings, Inc.

10
Cadenza
00:01:41

J.J. Johnson, MainArtist, ComposerLyricist

℗ 1997 The Verve Music Group, a Division of UMG Recordings, Inc.

11
Why Indianapolis, Why Not Indianapolis?
00:05:53

J.J. Johnson, MainArtist, ComposerLyricist

℗ 1997 The Verve Music Group, a Division of UMG Recordings, Inc.

12
Horn Of Plenty
00:03:33

J.J. Johnson, MainArtist, ComposerLyricist

℗ 1997 The Verve Music Group, a Division of UMG Recordings, Inc.

13
Ballad
00:06:34

J.J. Johnson, MainArtist, ComposerLyricist

℗ 1997 The Verve Music Group, a Division of UMG Recordings, Inc.

14
Swing Spring
00:03:21

Miles Davis, ComposerLyricist - J.J. Johnson, Arranger, Work Arranger, MainArtist

℗ 1997 The Verve Music Group, a Division of UMG Recordings, Inc.

Resenha do Álbum

J.J. Johnson finds himself at the helm of a dream band here -- a full brass orchestra with French horns, euphoniums, tubas, and a harp -- and gets to exploit its possibilities wherever they might lead. The results are beyond category, where the veteran trombonist's writing has a feathery richness, urbanity, and a depth charge in the bass reminiscent of, but not really indebted to, Gil Evans. There is plenty of straight-ahead jazz grooving but also several episodes of formal, almost classical writing, as in the suitably joyous "If I Hit the Lottery," and rigorous combinations of both, like the angular tribute to Béla Bartók, "Canonn for Bela." The generous Johnson doesn't even appear on a piece he commissioned from Robin Eubanks called "Cross Currents" -- Eubanks performs the sputtering trombone solo -- nor on Slide Hampton's blazing "Comfort Zone." He also revisits some of his early third stream experiments from the '50s and '60s; "Ballad for Joe" derives from his "Poem for Brass" and "Horn of Plenty" and "Ballade" from the Perceptions album (the latter two sound a bit staid under the current light). Johnson's own trombone solos are always imaginative, authoritative, and irresistibly swinging; at 72, he plays as well here as he ever did. This is a must-buy for all J.J. fans and those who thought that the third stream could never rise again.

© Richard S. Ginell /TiVo

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