Categorias:
Carrinho de compras 0

Serviço indisponível no momento.

Björk|Post

Post

Bjork

Disponível em
Qualidade de CD de 16 bits 44.1 kHz - Stereo

Streaming ilimitado

Escute agora este álbum em alta qualidade nos nossos aplicativos

Começar meu período de teste e começar a escutar este álbum

Curta este álbum nos aplicativos Qobuz com a sua assinatura

Assinar

Curta este álbum nos aplicativos Qobuz com a sua assinatura

After Debut's success, the pressure was on Björk to surpass that album's creative, tantalizing electronic pop. She more than delivered with 1995's Post; from the menacing, industrial-tinged opener, "Army of Me," it's clear that this album is not simply Debut redux. The songs' production and arrangements -- especially those of the epic, modern fairy tale "Isobel" -- all aim for, and accomplish, more. Post also features Debut producer Nellee Hooper, 808 State's Graham Massey, Howie B, and Tricky, who help Björk incorporate a spectrum of electronic and orchestral styles into songs like "Hyperballad," which sounds like a love song penned by Aphex Twin. Meanwhile, the bristling beats on the volatile, sensual "Enjoy" and the fragile, weightless ballad "Possibly Maybe" nod to trip-hop without being overwhelmed by it. As on Debut, Björk finds new ways of expressing timeworn emotions like love, lust, and yearning in abstractly precise lyrics like "Since you went away/I'm wearing lipstick again/I suck my tongue in remembrance of you," from "Possibly Maybe." But Post's emotional peaks and valleys are more extreme than Debut's. "I Miss You"'s exuberance is so animated, it makes perfect sense that Ren & Stimpy's John Kricfalusi directed the song's video. Likewise, "It's Oh So Quiet" -- which eventually led to Björk's award-winning turn as Selma in Dancer in the Dark -- is so cartoonishly vibrant, it could have been arranged by Warner Bros. musical director Carl Stalling. Yet Björk sounds equally comfortable with an understated string section on "You've Been Flirting Again." "Headphones" ends the album on an experimental, hypnotic note, layering Björk's vocals over and over till they circle each other atop a bubbling, minimal beat. The work of a constantly changing artist, Post proves that as Björk moves toward more ambitious, complex music, she always surpasses herself.
© Heather Phares /TiVo

Mais informações

Post

Björk

launch qobuz app Já baixei o Qobuz para Windows / MacOS Abrir

download qobuz app Ainda não baixei o Qobuz para Windows / MacOS Baixar o aplicativo Qobuz

Você está escutando amostras.

Escute mais de 90 milhões de músicas com um plano de streaming ilimitado.

Escute esta playlist e mais de 90 milhões de músicas com os nossos planos de streaming ilimitado.

A partir de 10,50€/mês

1
Army Of Me (From Tank Girl OST)
00:03:54

NELLEE HOOPER, Producer - Bjork, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Graham Massey, Producer, ComposerLyricist

℗ 1995 Bjork Overseas Ltd. / One Little Independent Records

2
Hyper-ballad
00:05:21

NELLEE HOOPER, Producer - Bjork, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1995 Bjork Overseas Ltd. / One Little Independent Records

3
The Modern Things
00:04:09

NELLEE HOOPER, Producer - Bjork, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Graham Massey, Producer, ComposerLyricist

℗ 1995 Bjork Overseas Ltd. / One Little Independent Records

4
It's Oh So Quiet
00:03:37

NELLEE HOOPER, Producer - Hans Lang, ComposerLyricist - Bjork, Producer, Vocals, MainArtist, AssociatedPerformer - Bert Reisfeld, ComposerLyricist

℗ 1995 Bjork Overseas Ltd. / One Little Independent Records

5
Enjoy
00:03:56

Bjork, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Tricky, Producer - Adrian Nicholas Matthews Thaws, ComposerLyricist

℗ 1995 Bjork Overseas Ltd. / One Little Independent Records

6
You've Been Flirting Again
00:02:29

Bjork, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1995 Bjork Overseas Ltd. / One Little Independent Records

7
Isobel
00:05:46

Marius de Vries, ComposerLyricist - NELLEE HOOPER, Producer, ComposerLyricist - Bjork, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Sjon, ComposerLyricist

℗ 1995 Bjork Overseas Ltd. / One Little Independent Records

8
Possibly Maybe
00:05:05

Marius de Vries, ComposerLyricist - NELLEE HOOPER, Producer, ComposerLyricist - Bjork, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1995 Bjork Overseas Ltd. / One Little Independent Records

9
I Miss You
00:04:02

HOWIE B, Producer - Bjork, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Howard Bernstein, ComposerLyricist

℗ 1995 Bjork Overseas Ltd. / One Little Independent Records

10
Cover Me
00:02:06

Bjork, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1995 Bjork Overseas Ltd. / One Little Independent Records

11
Headphones
00:05:39

Bjork, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Tricky, Producer - Adrian Nicholas Matthews Thaws, ComposerLyricist

℗ 1995 Bjork Overseas Ltd. / One Little Independent Records

Descrição do álbum

After Debut's success, the pressure was on Björk to surpass that album's creative, tantalizing electronic pop. She more than delivered with 1995's Post; from the menacing, industrial-tinged opener, "Army of Me," it's clear that this album is not simply Debut redux. The songs' production and arrangements -- especially those of the epic, modern fairy tale "Isobel" -- all aim for, and accomplish, more. Post also features Debut producer Nellee Hooper, 808 State's Graham Massey, Howie B, and Tricky, who help Björk incorporate a spectrum of electronic and orchestral styles into songs like "Hyperballad," which sounds like a love song penned by Aphex Twin. Meanwhile, the bristling beats on the volatile, sensual "Enjoy" and the fragile, weightless ballad "Possibly Maybe" nod to trip-hop without being overwhelmed by it. As on Debut, Björk finds new ways of expressing timeworn emotions like love, lust, and yearning in abstractly precise lyrics like "Since you went away/I'm wearing lipstick again/I suck my tongue in remembrance of you," from "Possibly Maybe." But Post's emotional peaks and valleys are more extreme than Debut's. "I Miss You"'s exuberance is so animated, it makes perfect sense that Ren & Stimpy's John Kricfalusi directed the song's video. Likewise, "It's Oh So Quiet" -- which eventually led to Björk's award-winning turn as Selma in Dancer in the Dark -- is so cartoonishly vibrant, it could have been arranged by Warner Bros. musical director Carl Stalling. Yet Björk sounds equally comfortable with an understated string section on "You've Been Flirting Again." "Headphones" ends the album on an experimental, hypnotic note, layering Björk's vocals over and over till they circle each other atop a bubbling, minimal beat. The work of a constantly changing artist, Post proves that as Björk moves toward more ambitious, complex music, she always surpasses herself.
© Heather Phares /TiVo

Sobre o álbum

Melhorar as informações do álbum
Mais sobre o Qobuz
Por Björk

Atopos

Björk

Atopos Björk

Fossora

Björk

Fossora Björk

Atopos

Björk

Atopos Björk

Debut

Björk

Debut Björk

Homogenic

Björk

Homogenic Björk

Playlists

Você também pode gostar...

And In The Darkness, Hearts Aglow

Weyes Blood

Unlimited Love

Red Hot Chili Peppers

Unlimited Love Red Hot Chili Peppers

Will Of The People

Muse

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish

Happier Than Ever (Explicit)

Billie Eilish

Na sua visão global...
Arctic Monkeys, um roubo à inglesa

O quarteto de Sheffield deixou suas terras do norte para chegar às paradas com riffs incisivos e quadris lascivos. Depois de White Stripes, Libertines e Strokes, os ex-adolescentes colocaram o rock em infusão e depois o mundo em sintonia, impondo-se álbum após álbum como um grupo que ocupa todos os espaços, tão confortáveis no soul quanto no pop.

As cores e o som da psicodelia no Brasil

Um panorama que coloca luz sobre a psicodelia no Brasil - estilo que foi tão influente para a música brasileira na segunda metade do século 20 - teve sua queda logo em seguida e ressurgiu nos anos 2000.

Novidades...