Categorias:
Carrinho de compras 0

Serviço indisponível no momento.

Avishai Cohen|Playing the Room

Playing the Room

Avishai Cohen - Yonathan Avishai

Folheto digital

Disponível em
16-Bit/44.1 kHz Estéreo

Streaming ilimitado

Escute agora este álbum em alta qualidade nos nossos aplicativos

Iniciar meu período de teste e começar a escutar este álbum

Curta este álbum nos aplicativos Qobuz com a sua assinatura

Assinar

Curta este álbum nos aplicativos Qobuz com a sua assinatura

Longtime bandmates in the expansive Third World Love quartet, Israeli-born duo trumpeter Avishai Cohen and pianist Yonathan Avishai display their vibrantly empathetic interplay on their 2019 ECM album Playing the Room. In many ways, the album is a continuation of the work the pair did on Cohen's 2016's ECM debut, Into the Silence, and 2017 follow-up Cross My Palm with Silver. As with those works, Playing the Room is an intensely lyrical album that finds the duo in thoughtful harmonic conversation. There's a symbiotic, teeter-totter-esque balance to Cohen's and Avishai's playing that goes far beyond their first name/last name connection. They clearly listen to each other, and play off each other's lines with a warm, almost intuitive empathy. They start things off slowly with Cohen's aptly titled "The Opening," a yearning ballad that evokes the classic standard "My One and Only Love." Similarly engaging, Avishai's rhapsodic "Two Lines" moves from focused, classical introspection to a buoyant mid-section in which Cohen dances with glassy elan over Avishai's ringing chords. There are also several deftly rendered covers here, including a heartfelt reading of John Coltrane's "Crescent," an urbane, Harmon-muted version of Duke Ellington's "Azalea," and a spritely take of Ornette Coleman's "Dee Dee." Also surprisingly affecting is the duo's delicately ornate reworking of Stevie Wonder's "Sir Duke." No less affecting is their burnished rendition of the Israeli lullaby "Shir Eres." While Playing the Room fits nicely into the atmospheric and gentle ECM aesthetic, it's never cold or too spare. These are colorful, organic performances that move between ruminative balladry and moments of bright, swinging exuberance.

© Matt Collar /TiVo

Mais informações

Playing the Room

Avishai Cohen

launch qobuz app Já baixei o Qobuz para Windows / MacOS Abrir

download qobuz app Ainda não baixei o Qobuz para Windows / MacOS Baixar o aplicativo Qobuz

Você está escutando amostras.

Escute mais de 100 milhões de músicas com um plano de streaming ilimitado.

Escute esta playlist e mais de 100 milhões de músicas com os nossos planos de streaming ilimitado.

A partir de 8,99€/mês

1
The Opening
00:04:32

Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer - Yonathan Avishai, Piano, MainArtist, AssociatedPerformer - Stefano Amerio, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Composer, Trumpet, MainArtist, AssociatedPerformer

℗ 2019 ECM Records GmbH

2
Two Lines
00:06:25

Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer - Yonathan Avishai, Composer, Piano, MainArtist, AssociatedPerformer - Stefano Amerio, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Trumpet, MainArtist, AssociatedPerformer

℗ 2019 ECM Records GmbH

3
Crescent
00:08:28

John Coltrane, Composer - Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer - Yonathan Avishai, Piano, MainArtist, AssociatedPerformer - Stefano Amerio, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Trumpet, MainArtist, AssociatedPerformer

℗ 2019 ECM Records GmbH

4
Azalea
00:03:41

Duke Ellington, ComposerLyricist - Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer - Yonathan Avishai, Piano, MainArtist, AssociatedPerformer - Stefano Amerio, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Trumpet, MainArtist, AssociatedPerformer

℗ 2019 ECM Records GmbH

5
Kofifi Blue
00:06:29

ABDULLAH IBRAHIM, Composer - Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer - Yonathan Avishai, Piano, MainArtist, AssociatedPerformer - Stefano Amerio, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Trumpet, MainArtist, AssociatedPerformer

℗ 2019 ECM Records GmbH

6
Dee Dee
00:03:28

Ornette Coleman, Composer - Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer - Yonathan Avishai, Piano, MainArtist, AssociatedPerformer - Stefano Amerio, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Trumpet, MainArtist, AssociatedPerformer

℗ 2019 ECM Records GmbH

7
Ralph's New Blues
00:04:33

Milt Jackson, ComposerLyricist - Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer - Yonathan Avishai, Piano, MainArtist, AssociatedPerformer - Stefano Amerio, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Trumpet, MainArtist, AssociatedPerformer

℗ 2019 ECM Records GmbH

8
Sir Duke
00:03:41

Stevie Wonder, Composer - Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer - Yonathan Avishai, Piano, MainArtist, AssociatedPerformer - Stefano Amerio, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Trumpet, MainArtist, AssociatedPerformer

℗ 2019 ECM Records GmbH

9
Shir Eres (Lullaby)
00:04:35

Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer - Yonathan Avishai, Piano, MainArtist, AssociatedPerformer - Nathan Alterman, Author - Stefano Amerio, Mixer, Recording Engineer, StudioPersonnel - Alexander Argov, Composer - Avishai Cohen, Trumpet, MainArtist, AssociatedPerformer

℗ 2019 ECM Records GmbH

Resenha do Álbum

Longtime bandmates in the expansive Third World Love quartet, Israeli-born duo trumpeter Avishai Cohen and pianist Yonathan Avishai display their vibrantly empathetic interplay on their 2019 ECM album Playing the Room. In many ways, the album is a continuation of the work the pair did on Cohen's 2016's ECM debut, Into the Silence, and 2017 follow-up Cross My Palm with Silver. As with those works, Playing the Room is an intensely lyrical album that finds the duo in thoughtful harmonic conversation. There's a symbiotic, teeter-totter-esque balance to Cohen's and Avishai's playing that goes far beyond their first name/last name connection. They clearly listen to each other, and play off each other's lines with a warm, almost intuitive empathy. They start things off slowly with Cohen's aptly titled "The Opening," a yearning ballad that evokes the classic standard "My One and Only Love." Similarly engaging, Avishai's rhapsodic "Two Lines" moves from focused, classical introspection to a buoyant mid-section in which Cohen dances with glassy elan over Avishai's ringing chords. There are also several deftly rendered covers here, including a heartfelt reading of John Coltrane's "Crescent," an urbane, Harmon-muted version of Duke Ellington's "Azalea," and a spritely take of Ornette Coleman's "Dee Dee." Also surprisingly affecting is the duo's delicately ornate reworking of Stevie Wonder's "Sir Duke." No less affecting is their burnished rendition of the Israeli lullaby "Shir Eres." While Playing the Room fits nicely into the atmospheric and gentle ECM aesthetic, it's never cold or too spare. These are colorful, organic performances that move between ruminative balladry and moments of bright, swinging exuberance.

© Matt Collar /TiVo

Sobre o álbum

Melhorar as informações do álbum
Mais sobre o Qobuz
Por Avishai Cohen

Big Vicious

Avishai Cohen

Big Vicious Avishai Cohen

Into The Silence

Avishai Cohen

Into The Silence Avishai Cohen

Playing the Room

Avishai Cohen

Playing the Room Avishai Cohen

Naked Truth

Avishai Cohen

Naked Truth Avishai Cohen

Cross My Palm With Silver

Avishai Cohen

Playlists

Você também pode gostar...

The Köln Concert (Live at the Opera, Köln, 1975)

Keith Jarrett

The Sky Will Still Be There Tomorrow

Charles Lloyd

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

We Get Requests

Oscar Peterson

We Get Requests Oscar Peterson

Kind Of Blue

Miles Davis

Kind Of Blue Miles Davis