Categorias:
Carrinho de compras 0

Serviço indisponível no momento.

Elina Duni|Partir

Partir

Elina Duni

Folheto digital

Disponível em
16-Bit/44.1 kHz Estéreo

Streaming ilimitado

Escute agora este álbum em alta qualidade nos nossos aplicativos

Iniciar meu período de teste e começar a escutar este álbum

Curta este álbum nos aplicativos Qobuz com a sua assinatura

Assinar

Curta este álbum nos aplicativos Qobuz com a sua assinatura

Personal circumstances underscore Elina Duni's fifth album and third for ECM. Unlike its predecessors, Partir finds the Albanian-Swiss singer/songwriter going it alone for the first time, apart -- perhaps permanently -- from her quartet due to the ending of a long-term relationship. In charting a new course, Duni accompanies herself on guitar, piano, and percussion, embracing these 12 songs in nine languages about love, loss, and leaving. It's a departure from the Albanian-only songs that comprised her two previous outings, and instead reflects the tenor of her solo concerts. In the short epigraph she provides in the liner notes, Duni writes, even before a word has been sung: "We are all departing, bound to be torn away, one day or another, from what we love."
She sets the stage in opener "Amara Terra Mia," an Italian waltz by 20th century icon Domenico Modugno and lyricist Enrica Bonaccorti. Duni's alternately strummed and fingerpicked guitar holds space for her vocal: "Endless skies and faces like stone/Calloused hands now hopeless. Goodbye, goodbye my love, I am leaving/Bitter land of mine, bitter and beautiful…" She follows it with her own "Let Us Dive In," a lilting ballad performed on piano where she portrays loss as a shared burden: "Let me look at you my love/As we dive under and above our 'whys'/It's been good til here/We made it through til here…." Even more powerful is the 19th century Egyptian song "Lamma Bada Yatathanna," by poet and musician Muhammad Abd al Rahim al Masloub. Duni plays a frame drum known as a daf. Her protagonist has been struck by a beauty so profound she is left confounded, desolate: "Who will alleviate my suffering of love and torment/except the King of Beauty…Mercy, mercy, mercy." She examines her themes in familial expressions, too, as in the Yiddish folk song "Oyfn Weg" and "Vishnja," a traditional song from Kosovo, about the bond that exists between mother and daughter. Both are leaving songs, but in the former, the leaving child may or may not be speaking from beyond the pale. In "Kanga e Kurbetit," another song from Kosovo, she sings as a mother and bereft lover raising a son alone. Its time frame spans more than 20 years. As it develops, her sense of loss deepens, not dissipates, as she alternates carving and cleaving meaning from her life. The totality of separation experienced through exile is rendered as ravaged beauty in her reading of Jacques Brel's "Je Nai Sais Pas."
In the music made with her quartet, Duni consistently blurred lines between jazz, folk, poetry, chanson, and other traditions. In performing solo, these already thin lines vanish; they're replaced by the intimate, authoritative weight of her voice writing a mapped, annotated language that juxtaposes tender abundance (the past) with the raw experience of lack (the present). On Partir, Duni enters the realm of the profound: Her voice does not hold within it the grain of separation, but is instead that grain personified.

© Thom Jurek /TiVo

Mais informações

Partir

Elina Duni

launch qobuz app Já baixei o Qobuz para Windows / MacOS Abrir

download qobuz app Ainda não baixei o Qobuz para Windows / MacOS Baixar o aplicativo Qobuz

Você está escutando amostras.

Escute mais de 100 milhões de músicas com um plano de streaming ilimitado.

Escute esta playlist e mais de 100 milhões de músicas com os nossos planos de streaming ilimitado.

A partir de 8,99€/mês

1
Amara Terra Mia
00:04:17

Domenico Modugno, Author - Gerard De Haro, Mixer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Elina Duni, Guitar, Voice, MainArtist, AssociatedPerformer - Enrica Bonaccorti, Composer - Nicolas Baillard, Mixer, Recording Engineer, StudioPersonnel

℗ 2018 ECM Records GmbH

2
Let Us Dive In
00:04:44

Gerard De Haro, Mixer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Elina Duni, Piano, Voice, MainArtist, AssociatedPerformer, ComposerLyricist - Nicolas Baillard, Mixer, Recording Engineer, StudioPersonnel

℗ 2018 ECM Records GmbH

3
Meu Amor
00:04:28

Gerard De Haro, Mixer, Recording Engineer, StudioPersonnel - Alain Oulman, Composer - José Carlos Ary dos Santos, Author - Manfred Eicher, Producer - Elina Duni, Guitar, Voice, MainArtist, AssociatedPerformer - Nicolas Baillard, Mixer, Recording Engineer, StudioPersonnel

℗ 2018 ECM Records GmbH

4
Lamma Bada Yatathanna
00:04:16

Traditional, ComposerLyricist - Gerard De Haro, Mixer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Elina Duni, Arranger, Percussion, Voice, Work Arranger, MainArtist, AssociatedPerformer - Nicolas Baillard, Mixer, Recording Engineer, StudioPersonnel

℗ 2018 ECM Records GmbH

5
Vishnja
00:04:07

Traditional, ComposerLyricist - Gerard De Haro, Mixer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Elina Duni, Arranger, Piano, Voice, Work Arranger, MainArtist, AssociatedPerformer - Nicolas Baillard, Mixer, Recording Engineer, StudioPersonnel

℗ 2018 ECM Records GmbH

6
Lusnak Gisher
00:02:46

Traditional, ComposerLyricist - Gerard De Haro, Mixer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Elina Duni, Arranger, Guitar, Voice, Work Arranger, MainArtist, AssociatedPerformer - Nicolas Baillard, Mixer, Recording Engineer, StudioPersonnel

℗ 2018 ECM Records GmbH

7
Oyfn Veg
00:06:19

Gerard De Haro, Mixer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Elina Duni, Piano, Voice, MainArtist, AssociatedPerformer - Itzik Manger, Author - Philip Laskowsky, Composer - Nicolas Baillard, Mixer, Recording Engineer, StudioPersonnel

℗ 2018 ECM Records GmbH

8
Kanga E Kurbetit
00:03:27

Traditional, ComposerLyricist - Gerard De Haro, Mixer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Elina Duni, Arranger, Voice, Work Arranger, MainArtist, AssociatedPerformer - Nicolas Baillard, Mixer, Recording Engineer, StudioPersonnel

℗ 2018 ECM Records GmbH

9
Ani Kaj Lulije
00:02:19

Traditional, ComposerLyricist - Gerard De Haro, Mixer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Elina Duni, Arranger, Percussion, Voice, Work Arranger, MainArtist, AssociatedPerformer - Nicolas Baillard, Mixer, Recording Engineer, StudioPersonnel

℗ 2018 ECM Records GmbH

10
Vaj Si Kenka
00:03:40

Traditional, ComposerLyricist - Gerard De Haro, Mixer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Elina Duni, Arranger, Guitar, Voice, Work Arranger, MainArtist, AssociatedPerformer - Nicolas Baillard, Mixer, Recording Engineer, StudioPersonnel

℗ 2018 ECM Records GmbH

11
Je ne sais pas
00:04:20

Jacques Brel, ComposerLyricist - Gerard De Haro, Mixer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Elina Duni, Piano, Voice, MainArtist, AssociatedPerformer - Nicolas Baillard, Mixer, Recording Engineer, StudioPersonnel

℗ 2018 ECM Records GmbH

12
Schönster Abestärn
00:02:56

Traditional, ComposerLyricist - Gerard De Haro, Mixer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Elina Duni, Contributor, Voice, Work Editor, MainArtist, AssociatedPerformer - Nicolas Baillard, Mixer, Recording Engineer, StudioPersonnel

℗ 2018 ECM Records GmbH

Resenha do Álbum

Personal circumstances underscore Elina Duni's fifth album and third for ECM. Unlike its predecessors, Partir finds the Albanian-Swiss singer/songwriter going it alone for the first time, apart -- perhaps permanently -- from her quartet due to the ending of a long-term relationship. In charting a new course, Duni accompanies herself on guitar, piano, and percussion, embracing these 12 songs in nine languages about love, loss, and leaving. It's a departure from the Albanian-only songs that comprised her two previous outings, and instead reflects the tenor of her solo concerts. In the short epigraph she provides in the liner notes, Duni writes, even before a word has been sung: "We are all departing, bound to be torn away, one day or another, from what we love."
She sets the stage in opener "Amara Terra Mia," an Italian waltz by 20th century icon Domenico Modugno and lyricist Enrica Bonaccorti. Duni's alternately strummed and fingerpicked guitar holds space for her vocal: "Endless skies and faces like stone/Calloused hands now hopeless. Goodbye, goodbye my love, I am leaving/Bitter land of mine, bitter and beautiful…" She follows it with her own "Let Us Dive In," a lilting ballad performed on piano where she portrays loss as a shared burden: "Let me look at you my love/As we dive under and above our 'whys'/It's been good til here/We made it through til here…." Even more powerful is the 19th century Egyptian song "Lamma Bada Yatathanna," by poet and musician Muhammad Abd al Rahim al Masloub. Duni plays a frame drum known as a daf. Her protagonist has been struck by a beauty so profound she is left confounded, desolate: "Who will alleviate my suffering of love and torment/except the King of Beauty…Mercy, mercy, mercy." She examines her themes in familial expressions, too, as in the Yiddish folk song "Oyfn Weg" and "Vishnja," a traditional song from Kosovo, about the bond that exists between mother and daughter. Both are leaving songs, but in the former, the leaving child may or may not be speaking from beyond the pale. In "Kanga e Kurbetit," another song from Kosovo, she sings as a mother and bereft lover raising a son alone. Its time frame spans more than 20 years. As it develops, her sense of loss deepens, not dissipates, as she alternates carving and cleaving meaning from her life. The totality of separation experienced through exile is rendered as ravaged beauty in her reading of Jacques Brel's "Je Nai Sais Pas."
In the music made with her quartet, Duni consistently blurred lines between jazz, folk, poetry, chanson, and other traditions. In performing solo, these already thin lines vanish; they're replaced by the intimate, authoritative weight of her voice writing a mapped, annotated language that juxtaposes tender abundance (the past) with the raw experience of lack (the present). On Partir, Duni enters the realm of the profound: Her voice does not hold within it the grain of separation, but is instead that grain personified.

© Thom Jurek /TiVo

Sobre o álbum

Melhorar as informações do álbum
Mais sobre o Qobuz
Por Elina Duni

Aksham

Elina Duni

Aksham Elina Duni

N'at Kodër

Elina Duni

N'at Kodër Elina Duni

A Time to Remember

Elina Duni

A Time to Remember Elina Duni

Lost Ships

Elina Duni

Lost Ships Elina Duni

Partir

Elina Duni

Partir Elina Duni
Você também pode gostar...

Elles

Youn Sun Nah

Elles Youn Sun Nah

The Girl In The Other Room

Diana Krall

Visions

Norah Jones

Visions Norah Jones

Live In Europe

Melody Gardot

Live In Europe Melody Gardot

The Look Of Love

Diana Krall

The Look Of Love Diana Krall