Streaming ilimitado
Escute agora este álbum em alta qualidade nos nossos aplicativos
Iniciar meu período de teste e começar a escutar este álbumCurta este álbum nos aplicativos Qobuz com a sua assinatura
AssinarCurta este álbum nos aplicativos Qobuz com a sua assinatura
Tori Amos has attempted conceptual recordings as far back as Boys for Pele in 1996. It worked beautifully there, and on Scarlet's Walk, less so on The Beekeeper and American Doll Posse. Night of Hunters was created because of a commission by Deutsche Grammophon, to create a 21st century song cycle that took into account classical works from the last 400 years. She built it around 14 songs from variations on Bach, Debussy, Granados, Alkan, Satie, Schubert, Schumann, Mendelssohn, Mussorgsky, and Gregorian chant. Its themes reflect the journey of a woman who finds herself in distress as a relationship dies, and must find inner strength to transcend her circumstances. Amos joined her voice and Bosendorfer piano with reeds, winds, and strings, arranged by John Philip Shenale. While her narrative can be frustratingly complex and her lyrics obscure, the work ultimately succeeds because she restrains herself from all excesses and employs her finest vocal and playing skills; the latter are, at this juncture, formidable. Shenale's arrangements take Amos' rhythmic playing into account in his charts; he complements them and never over-orchestrates. On "The Shattering Sea," based on an Alkan's "Madwoman on the Sea-Shore," strings by the Apollon Musagete Quartet pulse just behind her piano, creating drama underscored by reeds and winds. When she pronounces emphatically, "That is not my blood on the on the bedroom floor," the tension becomes unbearable. In "Snowblind" (based on a song by Granados), her character refuses to accept blame for the end of the relationship. Amos creates a mythical guide/Muse as balance: the fine vocals of her 11-year-old daughter Natasha as Anabelle the Fox make their initial appearance. "Battle of Tree," based on Satie's "Gnossienne No. 1," will demand attention from the listener who will be seduced by the interplay between voice, strings, reeds, and winds. "Cactus Practice," despite its ridiculous title, is one of the more beautiful pieces here; it's another vocal duet with Natasha, based on a Chopin nocturne. Likewise, their duet in "Job's Coffin," inspired by Mendelssohn's "Nautical Twilight." "Seven Sisters," the instrumental pairing of her piano and Andreas Ottensamer's clarinet -- inspired by a Bach prelude -- precedes "Carry," the most powerful (and accessible) cut. It's also the closer and is based on a prelude by Debussy. Night of Hunters is not a pop record and therefore claims a different place in her oeuvre. It contains the power and dynamics and splendor of her very best material, but because it is a work of classical crossover, any expectation of pop hooks or singalong choruses will be met with disappointment; consequently, its sophistication, elegance, and poetry will reward anyone who takes the proper time to absorb it.
© Thom Jurek /TiVo
Você está escutando amostras.
Escute mais de 100 milhões de músicas com um plano de streaming ilimitado.
Escute esta playlist e mais de 100 milhões de músicas com os nossos planos de streaming ilimitado.
A partir de 8,99€/mês
Tori Amos, Producer, MainArtist, ComposerLyricist - Marcel van Limbeek, Mixer, Recording Engineer, StudioPersonnel - Mark Hawley, Mixer, Recording Engineer, StudioPersonnel - Nigel Shore, Oboe, AssociatedPerformer - Andreas Ottensamer, Clarinet, AssociatedPerformer - Pawel Zalejski, Violin, AssociatedPerformer - Bartosz Zachlod, Violin, AssociatedPerformer - Piotr Szumiel, Viola, AssociatedPerformer - Piotr Skweres, Cello, AssociatedPerformer - Peter Whelan, Bassoon, AssociatedPerformer - Laura Lucas, Flute, AssociatedPerformer
℗ 2011 Deutsche Grammophon GmbH, Berlin
Tori Amos, Producer, MainArtist, ComposerLyricist - Marcel van Limbeek, Mixer, Recording Engineer, StudioPersonnel - Mark Hawley, Mixer, Recording Engineer, StudioPersonnel - Natashya Hawley, MainArtist - Nigel Shore, Oboe, English Horn, AssociatedPerformer
℗ 2011 Deutsche Grammophon GmbH, Berlin
Tori Amos, Producer, MainArtist, ComposerLyricist - Marcel van Limbeek, Mixer, Recording Engineer, StudioPersonnel - Mark Hawley, Mixer, Recording Engineer, StudioPersonnel - Nigel Shore, Oboe, AssociatedPerformer - Andreas Ottensamer, Clarinet, AssociatedPerformer - Pawel Zalejski, Violin, AssociatedPerformer - Bartosz Zachlod, Violin, AssociatedPerformer - Piotr Szumiel, Viola, AssociatedPerformer - Piotr Skweres, Cello, AssociatedPerformer - Peter Whelan, Bassoon, AssociatedPerformer - Laura Lucas, Flute, AssociatedPerformer
℗ 2011 Deutsche Grammophon GmbH, Berlin
Tori Amos, Producer, MainArtist, ComposerLyricist - Marcel van Limbeek, Mixer, Recording Engineer, StudioPersonnel - Mark Hawley, Mixer, Recording Engineer, StudioPersonnel - Nigel Shore, Oboe, English Horn, AssociatedPerformer - Andreas Ottensamer, Clarinet, AssociatedPerformer - Pawel Zalejski, Violin, AssociatedPerformer - Bartosz Zachlod, Violin, AssociatedPerformer - Piotr Szumiel, Viola, AssociatedPerformer - Piotr Skweres, Cello, AssociatedPerformer - Peter Whelan, Bassoon, AssociatedPerformer - Laura Lucas, Flute, AssociatedPerformer - Luke Whitehead, Contra Bassoon, AssociatedPerformer
℗ 2011 Deutsche Grammophon GmbH, Berlin
Tori Amos, Producer, MainArtist, ComposerLyricist - Marcel van Limbeek, Mixer, Recording Engineer, StudioPersonnel - Mark Hawley, Mixer, Recording Engineer, StudioPersonnel - Natashya Hawley, MainArtist - Nigel Shore, Oboe, AssociatedPerformer - Andreas Ottensamer, Clarinet, AssociatedPerformer - Peter Whelan, Bassoon, AssociatedPerformer - Laura Lucas, Flute, AssociatedPerformer
℗ 2011 Deutsche Grammophon GmbH, Berlin
Tori Amos, Producer, MainArtist, ComposerLyricist - Marcel van Limbeek, Mixer, Recording Engineer, StudioPersonnel - Mark Hawley, Mixer, Recording Engineer, StudioPersonnel - Nigel Shore, Oboe, English Horn, AssociatedPerformer - Andreas Ottensamer, Clarinet, AssociatedPerformer - Pawel Zalejski, Violin, AssociatedPerformer - Bartosz Zachlod, Violin, AssociatedPerformer - Piotr Szumiel, Viola, AssociatedPerformer - Piotr Skweres, Cello, AssociatedPerformer - Peter Whelan, Bassoon, AssociatedPerformer - Laura Lucas, Flute, Alto Flute, AssociatedPerformer - Luke Whitehead, Contra Bassoon, AssociatedPerformer
℗ 2011 Deutsche Grammophon GmbH, Berlin
Tori Amos, Producer, MainArtist, ComposerLyricist - Marcel van Limbeek, Mixer, Recording Engineer, StudioPersonnel - Mark Hawley, Mixer, Recording Engineer, StudioPersonnel - Natashya Hawley, MainArtist - Nigel Shore, English Horn, AssociatedPerformer - Andreas Ottensamer, Clarinet, AssociatedPerformer
℗ 2011 Deutsche Grammophon GmbH, Berlin
Tori Amos, Producer, MainArtist, ComposerLyricist - Marcel van Limbeek, Mixer, Recording Engineer, StudioPersonnel - Mark Hawley, Mixer, Recording Engineer, StudioPersonnel - Andreas Ottensamer, Clarinet, AssociatedPerformer - Pawel Zalejski, Violin, AssociatedPerformer - Bartosz Zachlod, Violin, AssociatedPerformer - Piotr Szumiel, Viola, AssociatedPerformer - Piotr Skweres, Cello, AssociatedPerformer
℗ 2011 Deutsche Grammophon GmbH, Berlin
Tori Amos, Producer, MainArtist, ComposerLyricist - Marcel van Limbeek, Mixer, Recording Engineer, StudioPersonnel - Mark Hawley, Mixer, Recording Engineer, StudioPersonnel - Nigel Shore, Oboe, AssociatedPerformer - Pawel Zalejski, Violin, AssociatedPerformer - Bartosz Zachlod, Violin, AssociatedPerformer - Piotr Szumiel, Viola, AssociatedPerformer - Piotr Skweres, Cello, AssociatedPerformer
℗ 2011 Deutsche Grammophon GmbH, Berlin
Tori Amos, Producer, MainArtist, ComposerLyricist - Marcel van Limbeek, Mixer, Recording Engineer, StudioPersonnel - Mark Hawley, Mixer, Recording Engineer, StudioPersonnel - Nigel Shore, English Horn, AssociatedPerformer - Andreas Ottensamer, Clarinet, AssociatedPerformer - Pawel Zalejski, Violin, AssociatedPerformer - Bartosz Zachlod, Violin, AssociatedPerformer - Piotr Szumiel, Viola, AssociatedPerformer - Piotr Skweres, Cello, AssociatedPerformer - Peter Whelan, Bassoon, AssociatedPerformer - Laura Lucas, Flute, Alto Flute, AssociatedPerformer
℗ 2011 Deutsche Grammophon GmbH, Berlin
Tori Amos, Producer, MainArtist, ComposerLyricist - Marcel van Limbeek, Mixer, Recording Engineer, StudioPersonnel - Mark Hawley, Mixer, Recording Engineer, StudioPersonnel - Natashya Hawley, MainArtist - Nigel Shore, Oboe, English Horn, AssociatedPerformer - Luke Whitehead, Contra Bassoon, AssociatedPerformer
℗ 2011 Deutsche Grammophon GmbH, Berlin
Tori Amos, Producer, MainArtist, ComposerLyricist - Marcel van Limbeek, Mixer, Recording Engineer, StudioPersonnel - Mark Hawley, Mixer, Recording Engineer, StudioPersonnel - Kelsey Dobyns, MainArtist - Nigel Shore, Oboe, AssociatedPerformer - Andreas Ottensamer, Clarinet, AssociatedPerformer - Pawel Zalejski, Violin, AssociatedPerformer - Bartosz Zachlod, Violin, AssociatedPerformer - Piotr Szumiel, Viola, AssociatedPerformer - Piotr Skweres, Cello, AssociatedPerformer - Peter Whelan, Bassoon, AssociatedPerformer - Laura Lucas, Flute, AssociatedPerformer
℗ 2011 Deutsche Grammophon GmbH, Berlin
Tori Amos, Producer, MainArtist, ComposerLyricist - Marcel van Limbeek, Mixer, Recording Engineer, StudioPersonnel - Mark Hawley, Mixer, Recording Engineer, StudioPersonnel - Andreas Ottensamer, Clarinet, AssociatedPerformer
℗ 2011 Deutsche Grammophon GmbH, Berlin
Tori Amos, Producer, MainArtist, ComposerLyricist - Marcel van Limbeek, Mixer, Recording Engineer, StudioPersonnel - Mark Hawley, Mixer, Recording Engineer, StudioPersonnel - Nigel Shore, Oboe, AssociatedPerformer - Andreas Ottensamer, Clarinet, AssociatedPerformer - Pawel Zalejski, Violin, AssociatedPerformer - Bartosz Zachlod, Violin, AssociatedPerformer - Piotr Szumiel, Viola, AssociatedPerformer - Piotr Skweres, Cello, AssociatedPerformer - Peter Whelan, Bassoon, AssociatedPerformer - Laura Lucas, Flute, AssociatedPerformer
℗ 2011 Deutsche Grammophon GmbH, Berlin
Resenha do Álbum
Tori Amos has attempted conceptual recordings as far back as Boys for Pele in 1996. It worked beautifully there, and on Scarlet's Walk, less so on The Beekeeper and American Doll Posse. Night of Hunters was created because of a commission by Deutsche Grammophon, to create a 21st century song cycle that took into account classical works from the last 400 years. She built it around 14 songs from variations on Bach, Debussy, Granados, Alkan, Satie, Schubert, Schumann, Mendelssohn, Mussorgsky, and Gregorian chant. Its themes reflect the journey of a woman who finds herself in distress as a relationship dies, and must find inner strength to transcend her circumstances. Amos joined her voice and Bosendorfer piano with reeds, winds, and strings, arranged by John Philip Shenale. While her narrative can be frustratingly complex and her lyrics obscure, the work ultimately succeeds because she restrains herself from all excesses and employs her finest vocal and playing skills; the latter are, at this juncture, formidable. Shenale's arrangements take Amos' rhythmic playing into account in his charts; he complements them and never over-orchestrates. On "The Shattering Sea," based on an Alkan's "Madwoman on the Sea-Shore," strings by the Apollon Musagete Quartet pulse just behind her piano, creating drama underscored by reeds and winds. When she pronounces emphatically, "That is not my blood on the on the bedroom floor," the tension becomes unbearable. In "Snowblind" (based on a song by Granados), her character refuses to accept blame for the end of the relationship. Amos creates a mythical guide/Muse as balance: the fine vocals of her 11-year-old daughter Natasha as Anabelle the Fox make their initial appearance. "Battle of Tree," based on Satie's "Gnossienne No. 1," will demand attention from the listener who will be seduced by the interplay between voice, strings, reeds, and winds. "Cactus Practice," despite its ridiculous title, is one of the more beautiful pieces here; it's another vocal duet with Natasha, based on a Chopin nocturne. Likewise, their duet in "Job's Coffin," inspired by Mendelssohn's "Nautical Twilight." "Seven Sisters," the instrumental pairing of her piano and Andreas Ottensamer's clarinet -- inspired by a Bach prelude -- precedes "Carry," the most powerful (and accessible) cut. It's also the closer and is based on a prelude by Debussy. Night of Hunters is not a pop record and therefore claims a different place in her oeuvre. It contains the power and dynamics and splendor of her very best material, but because it is a work of classical crossover, any expectation of pop hooks or singalong choruses will be met with disappointment; consequently, its sophistication, elegance, and poetry will reward anyone who takes the proper time to absorb it.
© Thom Jurek /TiVo
Sobre o álbum
- 1 disco(s) - 14 faixa(s)
- Duração total: 01:11:04
- Artistas principais: Tori Amos
- Compositor: Tori Amos
- Gravadora: Deutsche Grammophon (DG)
- Género: Pop
© 2011 Deutsche Grammophon GmbH, Berlin ℗ 2011 Deutsche Grammophon GmbH, Berlin
Melhorar as informações do álbum