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Bach Collegium Japan|J.S. Bach: Secular Cantatas, Vol. 9 – The Contest Between Phoebus and Pan

J.S. Bach: Secular Cantatas, Vol. 9 – The Contest Between Phoebus and Pan

Bach Collegium Japan and Masaaki Suzuki

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The complete Bach cantata cycle by Masaaki Suzuki rolls on with some of the secular cantatas, among the composer's least-known works. This is odd for several reasons. The two cantatas recorded here were designated "drama per musica," and the secular cantatas in general are as close as we have to operas by Bach. Further, the secular cantatas are often humorous and topical in nature in a way that Bach's other music is not. No stimulus, in fact, is known for the composition of Geschwinde, Ihr wirbelnden Winde, BWV 201, better known as Der Streit zwischen Phoebus und Pan, or The Dispute Between Phoebus and Pan. The text, by Bach's frequent collaborator Picander, is a little reflection on learned (Phoebus is the advocate here) vs. lighter, more popular music (embodied by Pan), and this was surely a topic on Bach's mind with the advent of new comic styles in the 1720s; in just a few years his music would be characterized as outmoded, and his supporters would pull this piece out of the closet in retort. Bach does not play up the rustic imagery included by Picander, but even so the interpretation by Suzuki and several of his regular stable of soloists is a bit on the cool side. They actually fare a bit better in the birthday-celebration cantata Auf, schmetternde Töne der muntern Trompeten, BWV 207a, a work in which Bach made use of twice-recycled material (the Brandenburg Concerto No. 1, BWV 1046, is involved). This too is intriguing for those interested in a deep dive into Bach's parody technique, and the performances are all clean, and the texts intelligible. Recommended.
© TiVo

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J.S. Bach: Secular Cantatas, Vol. 9 – The Contest Between Phoebus and Pan

Bach Collegium Japan

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Geschwinde, ihr wirbelnden Winde, BWV 201 (Johann Sebastian Bach)

1
No. 1, Geschwinde, ihr wirbelnden Winde
Bach Collegium Japan
00:05:34

Johann Sebastian Bach, Composer - Christian Friedrich Henrici, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Thore Brinkmann, SoundEngineer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

2
No. 2, Und du bist doch so unverschämt und frei
Christian Immler
00:01:41

Johann Sebastian Bach, Composer - Christian Immler, MainArtist, AssociatedPerformer - Christian Friedrich Henrici, Lyricist - Joanne Lunn, MainArtist, AssociatedPerformer - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Dominik Worner, MainArtist, AssociatedPerformer - Thore Brinkmann, SoundEngineer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

3
No. 3, Patron, das macht der Wind
Joanne Lunn
00:02:31

Johann Sebastian Bach, Composer - Christian Friedrich Henrici, Lyricist - Joanne Lunn, MainArtist, AssociatedPerformer - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Thore Brinkmann, SoundEngineer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

4
No. 4, Was braucht ihr euch zu zanken
Robin Blaze
00:00:53

Johann Sebastian Bach, Composer - Robin Blaze, MainArtist, AssociatedPerformer - Christian Immler, MainArtist, AssociatedPerformer - Christian Friedrich Henrici, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Dominik Worner, MainArtist, AssociatedPerformer - Thore Brinkmann, SoundEngineer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

5
No. 5, Mit Verlangen drück ich deine zarten Wangen
Christian Immler
00:09:00

Johann Sebastian Bach, Composer - Christian Immler, MainArtist, AssociatedPerformer - Christian Friedrich Henrici, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Thore Brinkmann, SoundEngineer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

6
No. 6, Pan, rücke deine Kehle nun
Joanne Lunn
00:00:20

Johann Sebastian Bach, Composer - Christian Friedrich Henrici, Lyricist - Joanne Lunn, MainArtist, AssociatedPerformer - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Dominik Worner, MainArtist, AssociatedPerformer - Thore Brinkmann, SoundEngineer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

7
No. 7, Zu Tanze, zu Sprunge, so wackelt das Herz
Dominik Wörner
00:05:23

Johann Sebastian Bach, Composer - Christian Friedrich Henrici, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Dominik Worner, MainArtist, AssociatedPerformer - Thore Brinkmann, SoundEngineer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

8
No. 8, Nunmehro Richter her
Robin Blaze
00:00:45

Johann Sebastian Bach, Composer - Robin Blaze, MainArtist, AssociatedPerformer - Christian Friedrich Henrici, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Thore Brinkmann, SoundEngineer - Katsuhiko Nakashima, MainArtist, AssociatedPerformer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

9
No. 9, Phoebus, deine Melodei
Katsuhiko Nakashima
00:05:50

Johann Sebastian Bach, Composer - Christian Friedrich Henrici, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Masamitsu Sannomiya, MainArtist, AssociatedPerformer - Thore Brinkmann, SoundEngineer - Katsuhiko Nakashima, MainArtist, AssociatedPerformer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

10
No. 10, Komm, Midas, sage du nun an
Dominik Wörner
00:00:41

Johann Sebastian Bach, Composer - Christian Friedrich Henrici, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Dominik Worner, MainArtist, AssociatedPerformer - Nicholas Phan, MainArtist, AssociatedPerformer - Thore Brinkmann, SoundEngineer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

11
No. 11, Pan ist Meister, lasst ihn gehen
Nicholas Phan
00:04:41

Johann Sebastian Bach, Composer - Christian Friedrich Henrici, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Nicholas Phan, MainArtist, AssociatedPerformer - Thore Brinkmann, SoundEngineer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

12
No. 12, Wie, Midas, bist du toll
Joanne Lunn
00:01:04

Johann Sebastian Bach, Composer - Robin Blaze, MainArtist, AssociatedPerformer - Christian Immler, MainArtist, AssociatedPerformer - Christian Friedrich Henrici, Lyricist - Joanne Lunn, MainArtist, AssociatedPerformer - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Dominik Worner, MainArtist, AssociatedPerformer - Nicholas Phan, MainArtist, AssociatedPerformer - Thore Brinkmann, SoundEngineer - Katsuhiko Nakashima, MainArtist, AssociatedPerformer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

13
No. 13, Aufgeblasne Hitze
Robin Blaze
00:05:39

Johann Sebastian Bach, Composer - Robin Blaze, MainArtist, AssociatedPerformer - Christian Friedrich Henrici, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Thore Brinkmann, SoundEngineer - Kiyomi Suga, MainArtist, AssociatedPerformer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

14
No. 14, Du guter Midas, geh nun hin
Joanne Lunn
00:01:05

Johann Sebastian Bach, Composer - Christian Friedrich Henrici, Lyricist - Joanne Lunn, MainArtist, AssociatedPerformer - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Thore Brinkmann, SoundEngineer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

15
No. 15, Labt das Herz, ihr holden Saiten
Bach Collegium Japan
00:02:40

Johann Sebastian Bach, Composer - Christian Friedrich Henrici, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Thore Brinkmann, SoundEngineer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

Auf, schmetternde Tone der muntern Trompeten, BWV 207a (Johann Sebastian Bach)

16
No. 1, Auf, schmetternde Töne der muntern Trompeten
Bach Collegium Japan
00:04:39

Johann Sebastian Bach, Composer - Anonymous, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Thore Brinkmann, SoundEngineer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

17
No. 2, Die stille Pleiße spielt
Nicholas Phan
00:01:59

Johann Sebastian Bach, Composer - Anonymous, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Nicholas Phan, MainArtist, AssociatedPerformer - Thore Brinkmann, SoundEngineer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

18
No. 3, Augustus' Namenstages Schimmer
Nicholas Phan
00:03:22

Johann Sebastian Bach, Composer - Anonymous, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Nicholas Phan, MainArtist, AssociatedPerformer - Thore Brinkmann, SoundEngineer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

19
No. 4, Augustus' Wohl ist der treuen Sachsen Wohlergehn
Joanne Lunn
00:02:00

Johann Sebastian Bach, Composer - Anonymous, Lyricist - Joanne Lunn, MainArtist, AssociatedPerformer - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Dominik Worner, MainArtist, AssociatedPerformer - Thore Brinkmann, SoundEngineer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

20
No. 5, Mich kann die süße Ruhe laben - Ich kann hier mein Vergnügen
Joanne Lunn
00:06:21

Johann Sebastian Bach, Composer - Anonymous, Lyricist - Joanne Lunn, MainArtist, AssociatedPerformer - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Dominik Worner, MainArtist, AssociatedPerformer - Thore Brinkmann, SoundEngineer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

21
No. 6, Augustus schützt die frohen Felder
Robin Blaze
00:00:53

Johann Sebastian Bach, Composer - Anonymous, Lyricist - Robin Blaze, MainArtist, AssociatedPerformer - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Thore Brinkmann, SoundEngineer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

22
No. 7, Preiset, späte Folgezeiten
Robin Blaze
00:05:25

Johann Sebastian Bach, Composer - Anonymous, Lyricist - Robin Blaze, MainArtist, AssociatedPerformer - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Thore Brinkmann, SoundEngineer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

23
No. 8, Ihr Fröhlichen, herbei
Joanne Lunn
00:02:46

Johann Sebastian Bach, Composer - Anonymous, Lyricist - Robin Blaze, MainArtist, AssociatedPerformer - Joanne Lunn, MainArtist, AssociatedPerformer - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Dominik Worner, MainArtist, AssociatedPerformer - Nicholas Phan, MainArtist, AssociatedPerformer - Thore Brinkmann, SoundEngineer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

24
No. 9, August lebe, lebe, König
Bach Collegium Japan
00:03:34

Johann Sebastian Bach, Composer - Anonymous, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Thore Brinkmann, SoundEngineer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

25
No. 10, Marche
Bach Collegium Japan
00:01:55

Johann Sebastian Bach, Composer - Anonymous, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Ensemble, MainArtist - Thore Brinkmann, SoundEngineer - Jens Braun, Producer

2018 BIS 2018 (P) BIS

Descrição do álbum

The complete Bach cantata cycle by Masaaki Suzuki rolls on with some of the secular cantatas, among the composer's least-known works. This is odd for several reasons. The two cantatas recorded here were designated "drama per musica," and the secular cantatas in general are as close as we have to operas by Bach. Further, the secular cantatas are often humorous and topical in nature in a way that Bach's other music is not. No stimulus, in fact, is known for the composition of Geschwinde, Ihr wirbelnden Winde, BWV 201, better known as Der Streit zwischen Phoebus und Pan, or The Dispute Between Phoebus and Pan. The text, by Bach's frequent collaborator Picander, is a little reflection on learned (Phoebus is the advocate here) vs. lighter, more popular music (embodied by Pan), and this was surely a topic on Bach's mind with the advent of new comic styles in the 1720s; in just a few years his music would be characterized as outmoded, and his supporters would pull this piece out of the closet in retort. Bach does not play up the rustic imagery included by Picander, but even so the interpretation by Suzuki and several of his regular stable of soloists is a bit on the cool side. They actually fare a bit better in the birthday-celebration cantata Auf, schmetternde Töne der muntern Trompeten, BWV 207a, a work in which Bach made use of twice-recycled material (the Brandenburg Concerto No. 1, BWV 1046, is involved). This too is intriguing for those interested in a deep dive into Bach's parody technique, and the performances are all clean, and the texts intelligible. Recommended.
© TiVo

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