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John Williams|John Williams: The Berlin Concert

John Williams: The Berlin Concert

John Williams - Berliner Philharmoniker

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It is heartening to see John Williams, the dean of film composers, recognized in his old age by invitations to lead the grand European orchestras, first the Vienna Philharmonic and then, here, the Berlin Philharmonic, in a concert recorded in October of 2021, just a few months in advance of Williams' 90th birthday. Williams fans will probably want both albums, for the contents do not overlap much. This is possible because he has written such an abundance of great music, and any hearer of these albums cannot help but reflect on how deeply his music is woven into the contemporary cinematic consciousness. One will also notice how much Williams owes to the grand tradition of Austrian-American film music, growing out of Wagner and Strauss. The Berlin Philharmonic does not have to master the tricky acquisition of American vernacular idioms, for Williams rarely uses these. When he departs from his central language, as in the score to Close Encounters of the Third Kind, it is in a modernist direction. One center of his music is the march, which is present in many pieces that are not explicitly designated as marches, and it is here that The Berlin Concert takes Williams to a new level. Are there American brass sections that could add the same level of snap to the Olympic Fanfare and Theme (written for the 1984 Olympic Games) or the "Raiders March" (from Indiana Jones and the Raiders of the Lost Ark)? Possibly a few. Would they necessarily be available for a high-profile survey of Williams' work like this one? Probably not. The album has been billed as a meeting between the greatest film composed in the world and the greatest orchestra in the world. Certainly, neither characterization is far off, and the combination results in a very special release indeed.
© James Manheim /TiVo

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John Williams: The Berlin Concert

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1
Olympic Fanfare and Theme
Berliner Philharmoniker
00:04:16

Berliner Philharmoniker, Orchestra, MainArtist - John Williams, Composer, Conductor, MainArtist - Christoph Franke, Producer, Editor, Recording Producer, StudioPersonnel - René Möller, Mixer, Engineer, Mastering Engineer, StudioPersonnel - Jupp Wegner, Mastering Engineer, Asst. Recording Engineer, StudioPersonnel - Erik Brauer, Editor, StudioPersonnel - Johannes Hartmuth, Asst. Recording Engineer, StudioPersonnel

℗ 2022 Deutsche Grammophon GmbH, Berlin

2
Excerpts (From "Close Encounters of the Third Kind")
Berliner Philharmoniker
00:08:00

Berliner Philharmoniker, Orchestra, MainArtist - John Williams, Composer, Conductor, MainArtist - Christoph Franke, Producer, Editor, Recording Producer, StudioPersonnel - René Möller, Mixer, Engineer, Mastering Engineer, StudioPersonnel - Jupp Wegner, Mastering Engineer, Asst. Recording Engineer, StudioPersonnel - Erik Brauer, Editor, StudioPersonnel - Johannes Hartmuth, Asst. Recording Engineer, StudioPersonnel

℗ 2022 Deutsche Grammophon GmbH, Berlin

3
Suite (From "Far and Away")
Berliner Philharmoniker
00:08:03

Berliner Philharmoniker, Orchestra, MainArtist - John Williams, Composer, Conductor, MainArtist - Christoph Franke, Producer, Editor, Recording Producer, StudioPersonnel - René Möller, Mixer, Engineer, Mastering Engineer, StudioPersonnel - Jupp Wegner, Mastering Engineer, Asst. Recording Engineer, StudioPersonnel - Erik Brauer, Editor, StudioPersonnel - Johannes Hartmuth, Asst. Recording Engineer, StudioPersonnel

℗ 2022 Deutsche Grammophon GmbH, Berlin

4
Hedwig's Theme (From "Harry Potter and the Philosopher's Stone")
Berliner Philharmoniker
00:05:05

Berliner Philharmoniker, Orchestra, MainArtist - John Williams, Composer, Conductor, MainArtist - Christoph Franke, Producer, Editor, Recording Producer, StudioPersonnel - René Möller, Mixer, Engineer, Mastering Engineer, StudioPersonnel - Jupp Wegner, Mastering Engineer, Asst. Recording Engineer, StudioPersonnel - Erik Brauer, Editor, StudioPersonnel - Johannes Hartmuth, Asst. Recording Engineer, StudioPersonnel

℗ 2022 Deutsche Grammophon GmbH, Berlin

5
Nimbus 2000 (From "Harry Potter and the Philosopher's Stone")
Berliner Philharmoniker
00:02:16

Berliner Philharmoniker, Orchestra, MainArtist - John Williams, Composer, Conductor, MainArtist - Christoph Franke, Producer, Editor, Recording Producer, StudioPersonnel - René Möller, Mixer, Engineer, Mastering Engineer, StudioPersonnel - Jupp Wegner, Mastering Engineer, Asst. Recording Engineer, StudioPersonnel - Erik Brauer, Editor, StudioPersonnel - Johannes Hartmuth, Asst. Recording Engineer, StudioPersonnel

℗ 2022 Deutsche Grammophon GmbH, Berlin

6
Harry's Wondrous World (From "Harry Potter and the Philosopher's Stone")
Berliner Philharmoniker
00:05:17

Berliner Philharmoniker, Orchestra, MainArtist - John Williams, Composer, Conductor, MainArtist - Christoph Franke, Producer, Editor, Recording Producer, StudioPersonnel - René Möller, Mixer, Engineer, Mastering Engineer, StudioPersonnel - Jupp Wegner, Mastering Engineer, Asst. Recording Engineer, StudioPersonnel - Erik Brauer, Editor, StudioPersonnel - Johannes Hartmuth, Asst. Recording Engineer, StudioPersonnel

℗ 2022 Deutsche Grammophon GmbH, Berlin

7
Theme (From "Jurassic Park")
Berliner Philharmoniker
00:05:37

Berliner Philharmoniker, Orchestra, MainArtist - John Williams, Composer, Conductor, MainArtist - Christoph Franke, Producer, Editor, Recording Producer, StudioPersonnel - René Möller, Mixer, Engineer, Mastering Engineer, StudioPersonnel - Jupp Wegner, Mastering Engineer, Asst. Recording Engineer, StudioPersonnel - Erik Brauer, Editor, StudioPersonnel - Johannes Hartmuth, Asst. Recording Engineer, StudioPersonnel

℗ 2022 Deutsche Grammophon GmbH, Berlin

8
Superman March (From "Superman")
Berliner Philharmoniker
00:04:54

Berliner Philharmoniker, Orchestra, MainArtist - John Williams, Composer, Conductor, MainArtist - Christoph Franke, Producer, Editor, Recording Producer, StudioPersonnel - René Möller, Mixer, Engineer, Mastering Engineer, StudioPersonnel - Jupp Wegner, Mastering Engineer, Asst. Recording Engineer, StudioPersonnel - Erik Brauer, Editor, StudioPersonnel - Johannes Hartmuth, Asst. Recording Engineer, StudioPersonnel

℗ 2021 Deutsche Grammophon GmbH, Berlin

9
Scherzo for Motorcycle and Orchestra (From "Indiana Jones and the Last Crusade")
Berliner Philharmoniker
00:03:36

Berliner Philharmoniker, Orchestra, MainArtist - John Williams, Composer, Conductor, MainArtist - Christoph Franke, Producer, Editor, Recording Producer, StudioPersonnel - René Möller, Mixer, Engineer, Mastering Engineer, StudioPersonnel - Jupp Wegner, Mastering Engineer, Asst. Recording Engineer, StudioPersonnel - Erik Brauer, Editor, StudioPersonnel - Johannes Hartmuth, Asst. Recording Engineer, StudioPersonnel

℗ 2022 Deutsche Grammophon GmbH, Berlin

10
Marion's Theme (From "Indiana Jones and the Raiders of the Lost Ark")
Berliner Philharmoniker
00:04:05

Berliner Philharmoniker, Orchestra, MainArtist - John Williams, Composer, Conductor, MainArtist - Christoph Franke, Producer, Editor, Recording Producer, StudioPersonnel - René Möller, Mixer, Engineer, Mastering Engineer, StudioPersonnel - Jupp Wegner, Mastering Engineer, Asst. Recording Engineer, StudioPersonnel - Erik Brauer, Editor, StudioPersonnel - Johannes Hartmuth, Asst. Recording Engineer, StudioPersonnel

℗ 2022 Deutsche Grammophon GmbH, Berlin

11
Raiders March (From "Indiana Jones and the Raiders of the Lost Ark")
Berliner Philharmoniker
00:05:51

Berliner Philharmoniker, Orchestra, MainArtist - John Williams, Composer, Conductor, MainArtist - Christoph Franke, Producer, Editor, Recording Producer, StudioPersonnel - René Möller, Mixer, Engineer, Mastering Engineer, StudioPersonnel - Jupp Wegner, Mastering Engineer, Asst. Recording Engineer, StudioPersonnel - Erik Brauer, Editor, StudioPersonnel - Johannes Hartmuth, Asst. Recording Engineer, StudioPersonnel

℗ 2022 Deutsche Grammophon GmbH, Berlin

12
Elegy for Cello and Orchestra
Berliner Philharmoniker
00:07:42

Berliner Philharmoniker, Orchestra, MainArtist - John Williams, Composer, Conductor, MainArtist - Christoph Franke, Producer, Editor, Recording Producer, StudioPersonnel - René Möller, Mixer, Engineer, Mastering Engineer, StudioPersonnel - Bruno Delepelaire, Cello, MainArtist, AssociatedPerformer - Jupp Wegner, Mastering Engineer, Asst. Recording Engineer, StudioPersonnel - Erik Brauer, Editor, StudioPersonnel - Johannes Hartmuth, Asst. Recording Engineer, StudioPersonnel

℗ 2022 Deutsche Grammophon GmbH, Berlin

13
The Adventures of Han (From "Solo: A Star Wars Story")
Berliner Philharmoniker
00:04:16

Berliner Philharmoniker, Orchestra, MainArtist - John Williams, Composer, Conductor, MainArtist - Christoph Franke, Producer, Editor, Recording Producer, StudioPersonnel - René Möller, Mixer, Engineer, Mastering Engineer, StudioPersonnel - Jupp Wegner, Mastering Engineer, Asst. Recording Engineer, StudioPersonnel - Erik Brauer, Editor, StudioPersonnel - Johannes Hartmuth, Asst. Recording Engineer, StudioPersonnel

℗ 2022 Deutsche Grammophon GmbH, Berlin

14
Yoda's Theme (From "Star Wars: The Empire Strikes Back")
Berliner Philharmoniker
00:03:39

Berliner Philharmoniker, Orchestra, MainArtist - John Williams, Composer, Conductor, MainArtist - Christoph Franke, Producer, Editor, Recording Producer, StudioPersonnel - René Möller, Mixer, Engineer, Mastering Engineer, StudioPersonnel - Jupp Wegner, Mastering Engineer, Asst. Recording Engineer, StudioPersonnel - Erik Brauer, Editor, StudioPersonnel - Johannes Hartmuth, Asst. Recording Engineer, StudioPersonnel

℗ 2022 Deutsche Grammophon GmbH, Berlin

15
Throne Room & Finale (From "Star Wars: A New Hope")
Berliner Philharmoniker
00:08:32

Berliner Philharmoniker, Orchestra, MainArtist - John Williams, Composer, Conductor, MainArtist - Christoph Franke, Producer, Editor, Recording Producer, StudioPersonnel - René Möller, Mixer, Engineer, Mastering Engineer, StudioPersonnel - Jupp Wegner, Mastering Engineer, Asst. Recording Engineer, StudioPersonnel - Erik Brauer, Editor, StudioPersonnel - Johannes Hartmuth, Asst. Recording Engineer, StudioPersonnel

℗ 2022 Deutsche Grammophon GmbH, Berlin

16
Princess Leia's Theme (From "Star Wars: A New Hope")
Berliner Philharmoniker
00:04:41

Berliner Philharmoniker, Orchestra, MainArtist - John Williams, Composer, Conductor, MainArtist - Christoph Franke, Producer, Editor, Recording Producer, StudioPersonnel - René Möller, Mixer, Engineer, Mastering Engineer, StudioPersonnel - Jupp Wegner, Mastering Engineer, Asst. Recording Engineer, StudioPersonnel - Erik Brauer, Editor, StudioPersonnel - Johannes Hartmuth, Asst. Recording Engineer, StudioPersonnel

℗ 2022 Deutsche Grammophon GmbH, Berlin

17
Flying Theme (From "E.T. the Extra-Terrestrial")
Berliner Philharmoniker
00:03:58

Berliner Philharmoniker, Orchestra, MainArtist - John Williams, Composer, Conductor, MainArtist - Christoph Franke, Producer, Editor, Recording Producer, StudioPersonnel - René Möller, Mixer, Engineer, Mastering Engineer, StudioPersonnel - Jupp Wegner, Mastering Engineer, Asst. Recording Engineer, StudioPersonnel - Erik Brauer, Editor, StudioPersonnel - Johannes Hartmuth, Asst. Recording Engineer, StudioPersonnel

℗ 2022 Deutsche Grammophon GmbH, Berlin

18
The Imperial March (From "Star Wars: The Empire Strikes Back")
Berliner Philharmoniker
00:03:11

Berliner Philharmoniker, Orchestra, MainArtist - John Williams, Composer, Conductor, MainArtist - Christoph Franke, Producer, Editor, Recording Producer, StudioPersonnel - René Möller, Mixer, Engineer, Mastering Engineer, StudioPersonnel - Jupp Wegner, Mastering Engineer, Asst. Recording Engineer, StudioPersonnel - Erik Brauer, Editor, StudioPersonnel - Johannes Hartmuth, Asst. Recording Engineer, StudioPersonnel

℗ 2022 Deutsche Grammophon GmbH, Berlin

Descrição do álbum

It is heartening to see John Williams, the dean of film composers, recognized in his old age by invitations to lead the grand European orchestras, first the Vienna Philharmonic and then, here, the Berlin Philharmonic, in a concert recorded in October of 2021, just a few months in advance of Williams' 90th birthday. Williams fans will probably want both albums, for the contents do not overlap much. This is possible because he has written such an abundance of great music, and any hearer of these albums cannot help but reflect on how deeply his music is woven into the contemporary cinematic consciousness. One will also notice how much Williams owes to the grand tradition of Austrian-American film music, growing out of Wagner and Strauss. The Berlin Philharmonic does not have to master the tricky acquisition of American vernacular idioms, for Williams rarely uses these. When he departs from his central language, as in the score to Close Encounters of the Third Kind, it is in a modernist direction. One center of his music is the march, which is present in many pieces that are not explicitly designated as marches, and it is here that The Berlin Concert takes Williams to a new level. Are there American brass sections that could add the same level of snap to the Olympic Fanfare and Theme (written for the 1984 Olympic Games) or the "Raiders March" (from Indiana Jones and the Raiders of the Lost Ark)? Possibly a few. Would they necessarily be available for a high-profile survey of Williams' work like this one? Probably not. The album has been billed as a meeting between the greatest film composed in the world and the greatest orchestra in the world. Certainly, neither characterization is far off, and the combination results in a very special release indeed.
© James Manheim /TiVo

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