Categorias:
Carrinho de compras 0

Serviço indisponível no momento.

J.J. Johnson|J&K: Stonebone

J&K: Stonebone

J.J. Johnson, Kai Winding

Disponível em
16-Bit/44.1 kHz Estéreo

Streaming ilimitado

Escute agora este álbum em alta qualidade nos nossos aplicativos

Iniciar meu período de teste e começar a escutar este álbum

Curta este álbum nos aplicativos Qobuz com a sua assinatura

Assinar

Curta este álbum nos aplicativos Qobuz com a sua assinatura

Idioma disponível: inglês

Oddly, the third of the J&K A&M projects was released only in Japan, though it was given a U.S. catalogue number (SP 3027), and one can only speculate as to why -- the diminishing American audience for jazz in 1969, producer Creed Taylor's impending move to start his own label. But the fact is that this is the best album of the three -- and the one closest in touch with the crucial improvisatory impulse of jazz. It is a prototype of the CTI formula of the '70s, allowing first-class jazz musicians to groove at length with minimal shaping on the production end to give these tracks drama. Johnson especially enjoys his freedom here, with plenty of room to stretch out joyously. We also hear the fluid inventive guitar of George Benson in full youthful bloom, Herbie Hancock is caught near the beginning of his funky experiments with electronic keyboards (augmented by Bob James and Ross Tompkins on "Recollections") and Ron Carter and Grady Tate have never played better on a Creed Taylor production. If you somehow stumble upon this superb import, grab it or hope that A&M comes to its senses and lets you hear it someday.

© Richard S. Ginell /TiVo

Mais informações

J&K: Stonebone

J.J. Johnson

launch qobuz app Já baixei o Qobuz para Windows / MacOS Abrir

download qobuz app Ainda não baixei o Qobuz para Windows / MacOS Baixar o aplicativo Qobuz

Você está escutando amostras.

Escute mais de 100 milhões de músicas com um plano de streaming ilimitado.

Escute esta playlist e mais de 100 milhões de músicas com os nossos planos de streaming ilimitado.

A partir de 8,99€/mês

1
Dontcha Hear Me Callin' To Ya ?
00:14:11

Grady Tate, Drums, AssociatedPerformer - Ron Carter, Bass, AssociatedPerformer - George Benson, Guitar, AssociatedPerformer - Rudy Van Gelder, Engineer, StudioPersonnel - J.J. Johnson, Trombone, Recording Arranger, MainArtist, AssociatedPerformer - Kai Winding, Trombone, MainArtist, AssociatedPerformer - R. Stevenson, ComposerLyricist - Creed Taylor, Producer - Ross Tompkins, Keyboards, AssociatedPerformer

℗ 1970 UMG Recordings Inc.

2
Musings
00:04:32

Grady Tate, Drums, AssociatedPerformer - Ron Carter, Bass, AssociatedPerformer - George Benson, Guitar, AssociatedPerformer - Rudy Van Gelder, Engineer, StudioPersonnel - J.J. Johnson, Trombone, Recording Arranger, MainArtist, AssociatedPerformer - Kai Winding, Trombone, MainArtist, AssociatedPerformer - JJ Johnson, ComposerLyricist - Creed Taylor, Producer - Ross Tompkins, Keyboards, AssociatedPerformer

℗ 1970 UMG Recordings Inc.

3
Mojo
00:11:28

Grady Tate, Drums, AssociatedPerformer - Ron Carter, Bass, AssociatedPerformer - George Benson, Guitar, AssociatedPerformer - Rudy Van Gelder, Engineer, StudioPersonnel - J.J. Johnson, Trombone, Recording Arranger, MainArtist, AssociatedPerformer - Kai Winding, Trombone, MainArtist, AssociatedPerformer - JJ Johnson, ComposerLyricist - Creed Taylor, Producer - Ross Tompkins, Keyboards, AssociatedPerformer

℗ 1970 UMG Recordings Inc.

4
Recollections
00:07:37

Grady Tate, Drums, AssociatedPerformer - Ron Carter, Bass, AssociatedPerformer - George Benson, Guitar, AssociatedPerformer - Rudy Van Gelder, Engineer, StudioPersonnel - J.J. Johnson, Trombone, Recording Arranger, MainArtist, AssociatedPerformer - Kai Winding, Trombone, MainArtist, AssociatedPerformer - Joe Zawinul, ComposerLyricist - Creed Taylor, Producer - Ross Tompkins, Keyboards, AssociatedPerformer

℗ 1970 UMG Recordings Inc.

Resenha do Álbum

Oddly, the third of the J&K A&M projects was released only in Japan, though it was given a U.S. catalogue number (SP 3027), and one can only speculate as to why -- the diminishing American audience for jazz in 1969, producer Creed Taylor's impending move to start his own label. But the fact is that this is the best album of the three -- and the one closest in touch with the crucial improvisatory impulse of jazz. It is a prototype of the CTI formula of the '70s, allowing first-class jazz musicians to groove at length with minimal shaping on the production end to give these tracks drama. Johnson especially enjoys his freedom here, with plenty of room to stretch out joyously. We also hear the fluid inventive guitar of George Benson in full youthful bloom, Herbie Hancock is caught near the beginning of his funky experiments with electronic keyboards (augmented by Bob James and Ross Tompkins on "Recollections") and Ron Carter and Grady Tate have never played better on a Creed Taylor production. If you somehow stumble upon this superb import, grab it or hope that A&M comes to its senses and lets you hear it someday.

© Richard S. Ginell /TiVo

Sobre o álbum

Melhorar as informações do álbum
Mais sobre o Qobuz
Por J.J. Johnson

The Great Kai And J.J.

J.J. Johnson

The Great Kai And J.J. J.J. Johnson

The Eminent J.J. Johnson

J.J. Johnson

In Person

J.J. Johnson

In Person J.J. Johnson

Willie Dynamite

J.J. Johnson

Willie Dynamite J.J. Johnson

The Eminent Jay Jay Johnson, Vol. 1

J.J. Johnson

Playlists

Você também pode gostar...

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

The Sky Will Still Be There Tomorrow

Charles Lloyd

The Köln Concert (Live at the Opera, Köln, 1975)

Keith Jarrett

Kind Of Blue

Miles Davis

Kind Of Blue Miles Davis

We Get Requests

Oscar Peterson

We Get Requests Oscar Peterson