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Philip Catherine Trio|I Remember You

I Remember You

Philip Catherine Trio featuring Tom Harrell and Hein Van De Geyn

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A wonderfully sparse and subtle offering from guitarist Philip Catherine, featuring Tom Harrell on flügelhorn and Hein Van de Geyn on bass. This drumless trio pays memorial tribute to Chet Baker with a tranquil, melancholy set of standards and originals, beginning with Miles Davis' "Nardis" and continuing with an extended Catherine original titled "Twice a Week." The set also includes a swinging "I Remember You," a mid-tempo "My Funny Valentine," and a nod to hard bop with Hank Mobley's "Funk in Deepfreeze." Harrell contributes two originals, "From This Time, From That Time" and "Songflower," while Van de Geyn weighs in with a dark waltz, "Soul Role." Catherine closes the album with his own angular, altered "Blues for G.T." Catherine's bright, twangy sound and tasteful use of vibrato, harmonics, octave leaps, and volume and chorus effects distinguish him from many other straight-ahead jazz guitarists. Van de Geyn proves himself to be not only an excellent timekeeper, but also a conversational ensemble player. And this stripped-down setting especially flatters the velvety, lyrical brilliance of Tom Harrell.
© David R. Adler /TiVo

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I Remember You

Philip Catherine Trio

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1
Nardis
00:06:13

Philip Catherine, Composer - Tom Harrell, Composer, FeaturedArtist - Philip Catherine Trio, MainArtist - Hein van de Geyn, Composer, FeaturedArtist

1991 Criss Cross Jazz 2009 Criss Cross Jazz

2
Twice A Week
00:11:03

Philip Catherine, Composer - Tom Harrell, Composer, FeaturedArtist - Philip Catherine Trio, MainArtist - Hein van de Geyn, Composer, FeaturedArtist

1991 Criss Cross Jazz 2009 Criss Cross Jazz

3
I Remember You
00:05:59

Philip Catherine, Composer - Tom Harrell, Composer, FeaturedArtist - Philip Catherine Trio, MainArtist - Hein van de Geyn, Composer, FeaturedArtist

1991 Criss Cross Jazz 2009 Criss Cross Jazz

4
Soul Role
00:07:33

Philip Catherine, Composer - Tom Harrell, Composer, FeaturedArtist - Philip Catherine Trio, MainArtist - Hein van de Geyn, Composer, FeaturedArtist

1991 Criss Cross Jazz 2009 Criss Cross Jazz

5
From This Time, From That Time
00:05:47

Philip Catherine, Composer - Tom Harrell, Composer, FeaturedArtist - Philip Catherine Trio, MainArtist - Hein van de Geyn, Composer, FeaturedArtist

1991 Criss Cross Jazz 2009 Criss Cross Jazz

6
Songflower
00:03:54

Philip Catherine, Composer - Tom Harrell, Composer, FeaturedArtist - Philip Catherine Trio, MainArtist - Hein van de Geyn, Composer, FeaturedArtist

1991 Criss Cross Jazz 2009 Criss Cross Jazz

7
Funk In Deepfreeze
00:07:55

Philip Catherine, Composer - Tom Harrell, Composer, FeaturedArtist - Philip Catherine Trio, MainArtist - Hein van de Geyn, Composer, FeaturedArtist

1991 Criss Cross Jazz 2009 Criss Cross Jazz

8
My Funny Valentine
00:06:07

Philip Catherine, Composer - Tom Harrell, Composer, FeaturedArtist - Philip Catherine Trio, MainArtist - Hein van de Geyn, Composer, FeaturedArtist

1991 Criss Cross Jazz 2009 Criss Cross Jazz

9
Blues For G.T.
00:05:14

Philip Catherine, Composer - Tom Harrell, Composer, FeaturedArtist - Philip Catherine Trio, MainArtist - Hein van de Geyn, Composer, FeaturedArtist

1991 Criss Cross Jazz 2009 Criss Cross Jazz

Resenha do Álbum

A wonderfully sparse and subtle offering from guitarist Philip Catherine, featuring Tom Harrell on flügelhorn and Hein Van de Geyn on bass. This drumless trio pays memorial tribute to Chet Baker with a tranquil, melancholy set of standards and originals, beginning with Miles Davis' "Nardis" and continuing with an extended Catherine original titled "Twice a Week." The set also includes a swinging "I Remember You," a mid-tempo "My Funny Valentine," and a nod to hard bop with Hank Mobley's "Funk in Deepfreeze." Harrell contributes two originals, "From This Time, From That Time" and "Songflower," while Van de Geyn weighs in with a dark waltz, "Soul Role." Catherine closes the album with his own angular, altered "Blues for G.T." Catherine's bright, twangy sound and tasteful use of vibrato, harmonics, octave leaps, and volume and chorus effects distinguish him from many other straight-ahead jazz guitarists. Van de Geyn proves himself to be not only an excellent timekeeper, but also a conversational ensemble player. And this stripped-down setting especially flatters the velvety, lyrical brilliance of Tom Harrell.
© David R. Adler /TiVo

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