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Swans|Filth / Body To Body, Job to Job (Swans)

Filth / Body To Body, Job to Job (Swans)

Swans

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From the center of New York's celebrated downtown music scene emerged a most ugly ducking, the Swans. With a sound like a ditch witch stuck in a tar pit, in 1982 the Swans were the height of noise. Musically, it would be termed proto-industrial, proto-noise rock, but aesthetically it was a sound shot through the axes of power. Strung between the poles of domination and submission, the Swans created a music with a sexually dark, malefic vision of society as despotic and individuals as subjugated to the point of dissolution. This double album, part of a planned series of reissues, captures the Swans at the beginning of their career. The first CD contains their earliest album, Filth, along with a previously unreleased live performance at the Kitchen. It's a classic album and, even though the quality isn't great, sounds more uncompromising live. The second consists of unreleased studio tracks, tape experiments, and live recordings from 1982 through 1985, providing an interesting balance to the "finished" compositions of Filth. It shows Michael Gira et al. testing the limits of their sound, exploring new directions, and laying the groundwork for future albums. Releasing them together makes a point about the experimental quality of the Swans' work. If that isn't enough to make you buy it, there's always the slick and expensive embossed packaging.
© Brian Whitener /TiVo

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Filth / Body To Body, Job to Job (Swans)

Swans

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1
Stay Here
00:05:36

Swans, interprète

2
Big Strong Boss
00:03:02

Swans, interprète

3
Blackout
00:03:47

Swans, interprète

4
Power For Power
00:05:52

Swans, interprète

5
Freak
00:01:13

Swans, interprète

6
Right Wrong
00:04:43

Swans, interprète

7
Thank You
00:03:52

Swans, interprète

8
Weakling
00:05:20

Swans, interprète

9
Gang
00:03:24

Swans, interprète

10
Swans Live At The Kitchen, NYC, 1982_1983
00:24:18

Swans, interprète

DISCO 2

1
I'll Cry For You
00:05:41

Swans, interprète

2
Red Sheet
00:03:11

Swans, interprète

3
Loop
00:00:59

Swans, interprète

4
Your Game
00:03:57

Swans, interprète

5
Seal It Over
00:03:48

Swans, interprète

6
Whore
00:03:56

Swans, interprète

7
We'll Hang For That
00:03:55

Swans, interprète

8
Half Life
00:03:57

Swans, interprète

9
Loop
00:01:26

Swans, interprète

10
Get Out
00:03:31

Swans, interprète

11
Job
00:05:40

Swans, interprète

12
Loop 1
00:01:01

Swans, interprète

13
Mother, My Body Disgusts Me
00:04:53

Swans, interprète

14
Cop
00:05:56

Swans, interprète

15
Only I Can Hear, Only I Can Touch
00:02:41

Swans, interprète

16
Thug
00:09:44

Swans, interprète

17
Raping A Slave (Live Berlin 1984)
00:09:02

Swans, interprète

Resenha do Álbum

From the center of New York's celebrated downtown music scene emerged a most ugly ducking, the Swans. With a sound like a ditch witch stuck in a tar pit, in 1982 the Swans were the height of noise. Musically, it would be termed proto-industrial, proto-noise rock, but aesthetically it was a sound shot through the axes of power. Strung between the poles of domination and submission, the Swans created a music with a sexually dark, malefic vision of society as despotic and individuals as subjugated to the point of dissolution. This double album, part of a planned series of reissues, captures the Swans at the beginning of their career. The first CD contains their earliest album, Filth, along with a previously unreleased live performance at the Kitchen. It's a classic album and, even though the quality isn't great, sounds more uncompromising live. The second consists of unreleased studio tracks, tape experiments, and live recordings from 1982 through 1985, providing an interesting balance to the "finished" compositions of Filth. It shows Michael Gira et al. testing the limits of their sound, exploring new directions, and laying the groundwork for future albums. Releasing them together makes a point about the experimental quality of the Swans' work. If that isn't enough to make you buy it, there's always the slick and expensive embossed packaging.
© Brian Whitener /TiVo

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