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Christiane Oelze|FAURE: Requiem, Op. 48 / Pavane, Op. 50

FAURE: Requiem, Op. 48 / Pavane, Op. 50

Gabriel Faure - Anonymous

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Thanks to the dedication, skill, and expressive power of the vocal soloists, choir, orchestra, and conductor, this profound and beautiful performance of Gabriel Fauré's Requiem, Op. 48, is one of the most moving interpretations on disc, and sure to garner critical praise for its polish and eloquence. Baritone Harry Peeters is especially moving in his solo in the Libera Me, and soprano Christiane Oelze's Pie Jesu is as seraphic and serene as one might wish. The scrupulously blended voices of the Netherlands Chamber Choir and the sonorous Limburg Symphony Orchestra, conducted by Ed Spanjaard, merge seamlessly in this gentle, legato performance. Yet it should also be noted that Spanjaard's pacing, while steady, is slightly faster than usual, which keeps the Requiem fluid and light, and prevents even the most foreboding passages from sliding into gloominess. Also contributing to the excellence of this hybrid SACD is PentaTone's remarkably deep multichannel reproduction, and the resonance of the venue adds an ideal radiance to the performers' warm sound. Listeners may pick and choose among the short works that fill out the rest of this album -- some, such as the overplayed Pavane and the bombastic Les Djinns, are easy to skip -- but the sublime Requiem should not be missed.
© TiVo

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FAURE: Requiem, Op. 48 / Pavane, Op. 50

Christiane Oelze

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Requiem, op. 48 (Gabriel Fauré)

1
I. Introit
Harry Peeters
00:01:44

Gabriel Fauré, Composer - Netherlands Chamber Choir, Choir - Christiane Oelze, Performer - Harry Peeters, Performer - Ed Spanjaard, Conductor - Mass Text, Lyricist - Limburg Symphony Orchestra, Orchestra

2005 PentaTone 2005 PentaTone

2
II. Kyrie
Harry Peeters
00:04:19

Gabriel Fauré, Composer - Netherlands Chamber Choir, Choir - Christiane Oelze, Performer - Harry Peeters, Performer - Ed Spanjaard, Conductor - Mass Text, Lyricist - Limburg Symphony Orchestra, Orchestra

2005 PentaTone 2005 PentaTone

3
III. Offertoire
Harry Peeters
00:07:23

Gabriel Fauré, Composer - Netherlands Chamber Choir, Choir - Christiane Oelze, Performer - Harry Peeters, Performer - Ed Spanjaard, Conductor - Mass Text, Lyricist - Limburg Symphony Orchestra, Orchestra

2005 PentaTone 2005 PentaTone

4
IV. Sanctus
Harry Peeters
00:02:40

Gabriel Fauré, Composer - Netherlands Chamber Choir, Choir - Christiane Oelze, Performer - Harry Peeters, Performer - Ed Spanjaard, Conductor - Mass Text, Lyricist - Limburg Symphony Orchestra, Orchestra

2005 PentaTone 2005 PentaTone

5
V. Pie Jesu
Harry Peeters
00:03:15

Gabriel Fauré, Composer - Netherlands Chamber Choir, Choir - Christiane Oelze, Performer - Harry Peeters, Performer - Ed Spanjaard, Conductor - Mass Text, Lyricist - Limburg Symphony Orchestra, Orchestra

2005 PentaTone 2005 PentaTone

6
VI. Agnus Dei
Harry Peeters
00:05:12

Gabriel Fauré, Composer - Netherlands Chamber Choir, Choir - Christiane Oelze, Performer - Harry Peeters, Performer - Ed Spanjaard, Conductor - Mass Text, Lyricist - Limburg Symphony Orchestra, Orchestra

2005 PentaTone 2005 PentaTone

7
VII. Libera me
Harry Peeters
00:04:26

Gabriel Fauré, Composer - Netherlands Chamber Choir, Choir - Christiane Oelze, Performer - Harry Peeters, Performer - Ed Spanjaard, Conductor - Mass Text, Lyricist - Limburg Symphony Orchestra, Orchestra

2005 PentaTone 2005 PentaTone

8
VIII. In Paradisum
Harry Peeters
00:02:55

Gabriel Fauré, Composer - Netherlands Chamber Choir, Choir - Christiane Oelze, Performer - Harry Peeters, Performer - Ed Spanjaard, Conductor - Mass Text, Lyricist - Limburg Symphony Orchestra, Orchestra

2005 PentaTone 2005 PentaTone

Pavane, Op. 50 (version for choir and orchestra) (Gabriel Fauré)

9
Pavane, Op. 50
Ed Spanjaard
00:04:35

Gabriel Fauré, Composer - Netherlands Chamber Choir, Choir - Ed Spanjaard, Conductor - Limburg Symphony Orchestra, Orchestra - Robert de Montesquiou, Lyricist

2005 PentaTone 2005 PentaTone

Madrigal, Op. 35 (Gabriel Fauré)

10
Madrigal, Op. 35
Ed Spanjaard
00:03:21

Gabriel Fauré, Composer - Netherlands Chamber Choir, Choir - Armand Silvestre, Lyricist - Ed Spanjaard, Conductor - Limburg Symphony Orchestra, Orchestra

2005 PentaTone 2005 PentaTone

Les Djinns, op. 12 (Gabriel Fauré)

11
Les Djinns, Op. 12
Ed Spanjaard
00:04:13

Gabriel Fauré, Composer - Netherlands Chamber Choir, Choir - Victor Hugo, Lyricist - Ed Spanjaard, Conductor - Limburg Symphony Orchestra, Orchestra

2005 PentaTone 2005 PentaTone

Ave verum, Op. 65, No. 1 (Gabriel Fauré)

12
Ave Verum, Op. 65/1
Ed Spanjaard
00:03:01

Gabriel Fauré, Composer - Netherlands Chamber Choir, Choir - Ed Spanjaard, Conductor - Anonymous, Lyricist - Limburg Symphony Orchestra, Orchestra

2005 PentaTone 2005 PentaTone

Tantum ergo, Op. 55 (Gabriel Fauré)

13
Tantum Ergo, Op. 55
Netherlands Chamber Choir
00:02:41

Gabriel Fauré, Composer - Netherlands Chamber Choir, Choir - Christiane Oelze, Performer - Ed Spanjaard, Conductor - Anonymous, Lyricist - Limburg Symphony Orchestra, Orchestra

2005 PentaTone 2005 PentaTone

Cantique de Jean Racine, Op. 11 (Live) (Gabriel Fauré)

14
Cantique de Jean Racine, Op. 11
Ed Spanjaard
00:04:45

Gabriel Fauré, Composer - Netherlands Chamber Choir, Choir - Ed Spanjaard, Conductor - Jean Racine, Lyricist - Limburg Symphony Orchestra, Orchestra

2005 PentaTone 2005 PentaTone

Descrição do álbum

Thanks to the dedication, skill, and expressive power of the vocal soloists, choir, orchestra, and conductor, this profound and beautiful performance of Gabriel Fauré's Requiem, Op. 48, is one of the most moving interpretations on disc, and sure to garner critical praise for its polish and eloquence. Baritone Harry Peeters is especially moving in his solo in the Libera Me, and soprano Christiane Oelze's Pie Jesu is as seraphic and serene as one might wish. The scrupulously blended voices of the Netherlands Chamber Choir and the sonorous Limburg Symphony Orchestra, conducted by Ed Spanjaard, merge seamlessly in this gentle, legato performance. Yet it should also be noted that Spanjaard's pacing, while steady, is slightly faster than usual, which keeps the Requiem fluid and light, and prevents even the most foreboding passages from sliding into gloominess. Also contributing to the excellence of this hybrid SACD is PentaTone's remarkably deep multichannel reproduction, and the resonance of the venue adds an ideal radiance to the performers' warm sound. Listeners may pick and choose among the short works that fill out the rest of this album -- some, such as the overplayed Pavane and the bombastic Les Djinns, are easy to skip -- but the sublime Requiem should not be missed.
© TiVo

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