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Sheku Kanneh-Mason|Elgar

Elgar

Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle

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Cellist Sheku Kanneh-Mason, just 20 years old when this album was recorded in 2019, can be forgiven for taking a bit of a breather with this, his sophomore release. After all, he had been riding a wave of celebrity nearly unprecedented for a young classical musician: an appearance with his siblings on "Britain's Got Talent" in 2015, the BBC Young Musician award (the first black player so honored) the following year and a performance before an audience of three billion at the wedding of Prince Harry and Meghan Markle in 2018. The Elgar album largely follows the pattern of Kanneh-Mason's debut, Inspiration, which featured a 20th century repertory concerto (there, the Shostakovich Cello Concerto No. 1 in E flat major, Op. 107, here, the Elgar Cello Concerto in E minor, Op. 85) surrounded by smaller works. Here, the encore-type pieces are laid on a bit thick: most are arranged from their original form. It's true the cello repertory is a bit sparse, but the chamber cello arrangements on this album have a certain sentimental sameness. However, there is no doubting the talents of Kanneh-Mason. He already has a unique dark, warm tone that commands attention on his terms, and his performance in the Elgar Cello Concerto, sensitively backed by the London Symphony under Sir Simon Rattle, is solid. Kanneh-Mason has said that he was inspired to take up the work by Jacqueline du Pré's classic 1960s recording, but he does not mimic her highly emotional approach. Instead, he applies his burnished tone evenly and seeks longer lines, unearthed through repeated performances of the concerto before he recorded it. It's certainly a worthwhile and original reading of the concerto, and it whets the listener's appetite to hear Kanneh-Mason in Beethoven, Dvořák, and the rest of the standard cello repertory that he has easily earned the right to address.

© TiVo

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Elgar

Sheku Kanneh-Mason

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1
Blow The Wind Southerly (Arr. Kanneh-Mason for Cello)
Sheku Kanneh-Mason
00:02:22

Traditional, ComposerLyricist - Jonathan Allen, Producer - Jonathan Stokes, Recording Engineer, StudioPersonnel - Sheku Kanneh-Mason, Arranger, Cello, Work Arranger, MainArtist, AssociatedPerformer

℗ 2020 Decca Music Group Limited

Variations on an Original Theme, Op. 36 "Enigma" (Edward Elgar)

2
9. Nimrod. Adagio (Arr. Parkin for Cello Ensemble)
Sheku Kanneh-Mason
00:04:00

Edward Elgar, Composer - Jonathan Allen, Producer - Josephine Knight, Cello, MainArtist, AssociatedPerformer - Caroline Dearnley, Cello, MainArtist, AssociatedPerformer - Jonathan Stokes, Recording Engineer, StudioPersonnel - Ashok Klouda, Cello, MainArtist, AssociatedPerformer - Ben Davies, Cello, MainArtist, AssociatedPerformer - Hannah Roberts, Cello, MainArtist, AssociatedPerformer - Simon Parkin, Arranger, Work Arranger - Sheku Kanneh-Mason, Cello, MainArtist, AssociatedPerformer

℗ 2019 Decca Music Group Limited

Cello Concerto in E Minor, Op. 85 (Edward Elgar)

3
I. Adagio - Moderato
Sheku Kanneh-Mason
00:08:13

Edward Elgar, Composer - Sir Simon Rattle, Conductor, MainArtist - Jonathan Allen, Producer - London Symphony Orchestra, Orchestra, MainArtist - Jonathan Stokes, Recording Engineer, StudioPersonnel - Sheku Kanneh-Mason, Cello, MainArtist, AssociatedPerformer

℗ 2020 Decca Music Group Limited

4
II. Lento - Allegro molto
Sheku Kanneh-Mason
00:04:20

Edward Elgar, Composer - Sir Simon Rattle, Conductor, MainArtist - Jonathan Allen, Producer - London Symphony Orchestra, Orchestra, MainArtist - Jonathan Stokes, Recording Engineer, StudioPersonnel - Sheku Kanneh-Mason, Cello, MainArtist, AssociatedPerformer

℗ 2020 Decca Music Group Limited

5
III. Adagio
Sheku Kanneh-Mason
00:04:52

Edward Elgar, Composer - Sir Simon Rattle, Conductor, MainArtist - Jonathan Allen, Producer - London Symphony Orchestra, Orchestra, MainArtist - Jonathan Stokes, Recording Engineer, StudioPersonnel - Sheku Kanneh-Mason, Cello, MainArtist, AssociatedPerformer

℗ 2020 Decca Music Group Limited

6
IV. Allegro
Sheku Kanneh-Mason
00:11:35

Edward Elgar, Composer - Sir Simon Rattle, Conductor, MainArtist - Jonathan Allen, Producer - London Symphony Orchestra, Orchestra, MainArtist - Jonathan Stokes, Recording Engineer, StudioPersonnel - Sheku Kanneh-Mason, Cello, MainArtist, AssociatedPerformer

℗ 2020 Decca Music Group Limited

7
Romance in D Minor, Op. 62 (Arr. Parkin for String Ensemble)
Sheku Kanneh-Mason
00:05:36

Edward Elgar, Composer - Jonathan Allen, Producer - Chris Murray, Cello, AssociatedPerformer - Jonathan Stokes, Recording Engineer, StudioPersonnel - Gary Pomeroy, Viola, AssociatedPerformer - Simon Parkin, Arranger, Work Arranger - Oliver Heath, Violin, AssociatedPerformer - The Heath Quartet, String Quartet, MainArtist, AssociatedPerformer - Sheku Kanneh-Mason, Cello, MainArtist, AssociatedPerformer - Sara Wolstenholme, Violin, AssociatedPerformer - Toby Hughes, Double Bass, MainArtist, AssociatedPerformer

℗ 2020 Decca Music Group Limited

4 Short Pieces, H. 104 (Frank Bridge)

8
No. 2, Spring Song (Arr. Parkin for Cello and String Quartet)
Sheku Kanneh-Mason
00:02:15

Jonathan Allen, Producer - Chris Murray, Cello, AssociatedPerformer - Frank Bridge, Composer - Jonathan Stokes, Recording Engineer, StudioPersonnel - Gary Pomeroy, Viola, AssociatedPerformer - Simon Parkin, Arranger, Work Arranger - Oliver Heath, Violin, AssociatedPerformer - The Heath Quartet, String Quartet, MainArtist, AssociatedPerformer - Sheku Kanneh-Mason, Cello, MainArtist, AssociatedPerformer - Sara Wolstenholme, Violin, AssociatedPerformer

℗ 2020 Decca Music Group Limited

9
Scarborough Fair (Arr. Parkin for Cello and Guitar)
Sheku Kanneh-Mason
00:03:14

Traditional, ComposerLyricist - Jonathan Allen, Producer - Jonathan Stokes, Recording Engineer, StudioPersonnel - Simon Parkin, Arranger, Work Arranger - Sheku Kanneh-Mason, Cello, MainArtist, AssociatedPerformer - Plinio Fernandes, Guitar, MainArtist, AssociatedPerformer

℗ 2020 Decca Music Group Limited

10
Prelude, B 63
Braimah Kanneh-Mason
00:04:52

Jonathan Allen, Producer - Ernest Bloch, Composer - Jonathan Stokes, Recording Engineer, StudioPersonnel - Braimah Kanneh-Mason, Violin, MainArtist, AssociatedPerformer - Sheku Kanneh-Mason, Cello, MainArtist, AssociatedPerformer - Alinka Rowe, Viola, MainArtist, AssociatedPerformer - Ayla Sahin, Violin, MainArtist, AssociatedPerformer

℗ 2020 Decca Music Group Limited

From Jewish Life, B 54 (Ernest Bloch)

11
1. Prayer (Arr. B. Kanneh-Mason for Violin and Cello)
Braimah Kanneh-Mason
00:04:34

Jonathan Allen, Producer - Ernest Bloch, Composer - Jonathan Stokes, Recording Engineer, StudioPersonnel - Braimah Kanneh-Mason, Arranger, Violin, Work Arranger, MainArtist, AssociatedPerformer - Sheku Kanneh-Mason, Cello, MainArtist, AssociatedPerformer

℗ 2020 Decca Music Group Limited

12
Elégie in C Minor, Op. 24 (Arr. Parkin for Cello Ensemble)
Sheku Kanneh-Mason
00:07:35

Gabriel Fauré, Composer - Jonathan Allen, Producer - Chris Murray, Cello, MainArtist, AssociatedPerformer - Josephine Knight, Cello, MainArtist, AssociatedPerformer - Caroline Dearnley, Cello, MainArtist, AssociatedPerformer - Jonathan Stokes, Recording Engineer, StudioPersonnel - Ashok Klouda, Cello, MainArtist, AssociatedPerformer - Hannah Roberts, Cello, MainArtist, AssociatedPerformer - Robert Max, Cello, MainArtist, AssociatedPerformer - Simon Parkin, Arranger, Work Arranger - Rowena Calvert, Cello, MainArtist, AssociatedPerformer - Nicholas Trygstad, Cello, MainArtist, AssociatedPerformer - Sheku Kanneh-Mason, Cello, MainArtist, AssociatedPerformer - Desmond Neysmith, Cello, MainArtist, AssociatedPerformer

℗ 2019 Decca Music Group Limited

13
Hymnus, Op. 57
Sheku Kanneh-Mason
00:05:13

Jonathan Allen, Producer - Chris Murray, Cello, MainArtist, AssociatedPerformer - Josephine Knight, Cello, MainArtist, AssociatedPerformer - Caroline Dearnley, Cello, MainArtist, AssociatedPerformer - Jonathan Stokes, Recording Engineer, StudioPersonnel - Julius Klengel, Composer - Ashok Klouda, Cello, MainArtist, AssociatedPerformer - Ben Davies, Cello, MainArtist, AssociatedPerformer - Hannah Roberts, Cello, MainArtist, AssociatedPerformer - Robert Max, Cello, MainArtist, AssociatedPerformer - Jo Cole, Cello, MainArtist, AssociatedPerformer - Rowena Calvert, Cello, MainArtist, AssociatedPerformer - Nicholas Trygstad, Cello, MainArtist, AssociatedPerformer - Sheku Kanneh-Mason, Cello, MainArtist, AssociatedPerformer - Desmond Neysmith, Cello, MainArtist, AssociatedPerformer

℗ 2020 Decca Music Group Limited

Resenha do Álbum

Cellist Sheku Kanneh-Mason, just 20 years old when this album was recorded in 2019, can be forgiven for taking a bit of a breather with this, his sophomore release. After all, he had been riding a wave of celebrity nearly unprecedented for a young classical musician: an appearance with his siblings on "Britain's Got Talent" in 2015, the BBC Young Musician award (the first black player so honored) the following year and a performance before an audience of three billion at the wedding of Prince Harry and Meghan Markle in 2018. The Elgar album largely follows the pattern of Kanneh-Mason's debut, Inspiration, which featured a 20th century repertory concerto (there, the Shostakovich Cello Concerto No. 1 in E flat major, Op. 107, here, the Elgar Cello Concerto in E minor, Op. 85) surrounded by smaller works. Here, the encore-type pieces are laid on a bit thick: most are arranged from their original form. It's true the cello repertory is a bit sparse, but the chamber cello arrangements on this album have a certain sentimental sameness. However, there is no doubting the talents of Kanneh-Mason. He already has a unique dark, warm tone that commands attention on his terms, and his performance in the Elgar Cello Concerto, sensitively backed by the London Symphony under Sir Simon Rattle, is solid. Kanneh-Mason has said that he was inspired to take up the work by Jacqueline du Pré's classic 1960s recording, but he does not mimic her highly emotional approach. Instead, he applies his burnished tone evenly and seeks longer lines, unearthed through repeated performances of the concerto before he recorded it. It's certainly a worthwhile and original reading of the concerto, and it whets the listener's appetite to hear Kanneh-Mason in Beethoven, Dvořák, and the rest of the standard cello repertory that he has easily earned the right to address.

© TiVo

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