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Carl Davis|DAVIS, C.: Alice in Wonderland [Ballet] (Prague City Philharmonic, Davis) (Carl Davis)

DAVIS, C.: Alice in Wonderland [Ballet] (Prague City Philharmonic, Davis) (Carl Davis)

Carl Davis

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Carl Davis has become internationally renowned and admired for his film scores, but he has also composed a number of ballets on literary subjects, and this has developed into an important category of his work. In providing music for such classic tales as A Christmas Carol, The Picture of Dorian Gray, Cyrano de Bergerac, and Alice in Wonderland, Davis has extended his reach to a genre, which, like film, depends on music to carry the narrative along and to enhance its emotional content. For Alice in Wonderland, Davis has drawn on themes by Pyotr Il'yich Tchaikovsky, the Russian master whose Swan Lake, Sleeping Beauty, and Nutcracker are decidedly the most famous ballets in the world. Davis carefully treads through Tchaikovsky's works, adapting snippets and whole pieces from the less famous scores, such as the tone poems Hamlet and The Tempest, as well as from chamber music, keyboard miniatures, and the less familiar operas. The one borrowing that stands out most egregiously is the third movement from the Symphony No. 5 in E minor, which may work well enough on-stage as a waltz for the scene The Garden of Living Flowers, but on CD feels like an overt rip-off or simple laziness on Davis' part. With this single exception, Alice in Wonderland coheres surprisingly well, and Davis has the grace to let Tchaikovsky's music shine in a familiar idiom, thereby making this a fourth Tchaikovsky ballet by default. This may not satisfy purists, but it will please ballet lovers, and this lively performance by the City of Prague Orchestra will entertain children and adults alike.
© TiVo

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DAVIS, C.: Alice in Wonderland [Ballet] (Prague City Philharmonic, Davis) (Carl Davis)

Carl Davis

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1
Overture
00:02:31

Carl Davis, Conductor - Carl Davis, Conductor

2
Act I: Alice and her Sister
00:02:02

Carl Davis, Conductor - Carl Davis, Conductor

3
Act I: The White Rabbit I
00:00:41

Carl Davis, Conductor - Carl Davis, Conductor

4
Act I: The Fall
00:03:49

Carl Davis, Conductor - Carl Davis, Conductor

5
Act I: The Corridor of Doors
00:03:04

Carl Davis, Conductor - Carl Davis, Conductor

6
Act I: The White Rabbit II
00:01:15

Carl Davis, Conductor - Carl Davis, Conductor

7
Act I: The Fan
00:01:22

Carl Davis, Conductor - Carl Davis, Conductor

8
Act I: The Pool of Tears
00:02:26

Carl Davis, Conductor - Carl Davis, Conductor

9
Act I: The Caucus Race
00:03:00

Carl Davis, Conductor - Carl Davis, Conductor

10
Act I: The Lost Glove
00:01:24

Carl Davis, Conductor - Carl Davis, Conductor

11
Act I: The Caterpillar
00:02:26

Carl Davis, Conductor - Carl Davis, Conductor

12
Act I: The Garden of Living Flowers
00:06:00

Carl Davis, Conductor - Carl Davis, Conductor

13
Act I: The Fish and Frog Footmen
00:00:59

Carl Davis, Conductor - Carl Davis, Conductor

14
Act I: The Duchess's House
00:03:18

Carl Davis, Conductor - Carl Davis, Conductor

15
Act I: The Cheshire Cat
00:01:48

Carl Davis, Conductor - Carl Davis, Conductor

16
Act I: The Tea Party (Scherzo)
00:05:42

Carl Davis, Conductor - Carl Davis, Conductor

17
Act I: The Tea Party (Gavotte)
00:02:45

Carl Davis, Conductor - Carl Davis, Conductor

18
Act II: Prelude
00:00:34

Carl Davis, Conductor - Carl Davis, Conductor

19
Act II: Fanfare
00:00:21

Carl Davis, Conductor - Carl Davis, Conductor

20
Act II: Entrance March
00:05:27

Carl Davis, Conductor - Carl Davis, Conductor

21
Act II: The Queen of Hearts
00:02:44

Carl Davis, Conductor - Carl Davis, Conductor

22
Act II: The Croquet Match
00:03:28

Carl Davis, Conductor - Carl Davis, Conductor

23
Act II: The Queen (Furioso)
00:01:01

Carl Davis, Conductor - Carl Davis, Conductor

24
Act II: The Dutchess and Alice
00:01:20

Carl Davis, Conductor - Carl Davis, Conductor

25
The Gryphon
00:01:31

Carl Davis, Conductor - Carl Davis, Conductor

26
Act II: The Mock Turtle
00:02:04

Carl Davis, Conductor - Carl Davis, Conductor

27
Act II: Pas de Trois
00:01:27

Carl Davis, Conductor - Carl Davis, Conductor

28
Act II: Lobster Quadrille
00:00:58

Carl Davis, Conductor - Carl Davis, Conductor

29
Act II: Coda (Pas de Sept)
00:01:29

Carl Davis, Conductor - Carl Davis, Conductor

30
Alice Tired
00:01:36

Carl Davis, Conductor - Carl Davis, Conductor

31
Act II: Pas de Deux (the grown up Alice)
00:03:41

Carl Davis, Conductor - Carl Davis, Conductor

32
Act II: Trial Fanfare
00:00:20

Carl Davis, Conductor - Carl Davis, Conductor

33
Act II: The White Rabbit's Evidence
00:00:56

Carl Davis, Conductor - Carl Davis, Conductor

34
Act II: Alice as Witness
00:02:18

Carl Davis, Conductor - Carl Davis, Conductor

35
Act II: The River Bank - Finale
00:02:03

Carl Davis, Conductor - Carl Davis, Conductor

Descrição do álbum

Carl Davis has become internationally renowned and admired for his film scores, but he has also composed a number of ballets on literary subjects, and this has developed into an important category of his work. In providing music for such classic tales as A Christmas Carol, The Picture of Dorian Gray, Cyrano de Bergerac, and Alice in Wonderland, Davis has extended his reach to a genre, which, like film, depends on music to carry the narrative along and to enhance its emotional content. For Alice in Wonderland, Davis has drawn on themes by Pyotr Il'yich Tchaikovsky, the Russian master whose Swan Lake, Sleeping Beauty, and Nutcracker are decidedly the most famous ballets in the world. Davis carefully treads through Tchaikovsky's works, adapting snippets and whole pieces from the less famous scores, such as the tone poems Hamlet and The Tempest, as well as from chamber music, keyboard miniatures, and the less familiar operas. The one borrowing that stands out most egregiously is the third movement from the Symphony No. 5 in E minor, which may work well enough on-stage as a waltz for the scene The Garden of Living Flowers, but on CD feels like an overt rip-off or simple laziness on Davis' part. With this single exception, Alice in Wonderland coheres surprisingly well, and Davis has the grace to let Tchaikovsky's music shine in a familiar idiom, thereby making this a fourth Tchaikovsky ballet by default. This may not satisfy purists, but it will please ballet lovers, and this lively performance by the City of Prague Orchestra will entertain children and adults alike.
© TiVo

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