Bach, J.S.: Cantatas, Vol. 40 - Bwv 79, 137, 164, 168
Masaaki Suzuki
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Idioma disponível: inglês
Japanese historical-performance specialist Masaaki Suzuki reaches the 40th volume of his complete traversal of Bach's cantatas with this disc. The series has attained an impressive level of technical consistency, and technical ensemble precision is what Suzuki's style is all about. Start with the German pronunciation of his Bach Collegium Japan, which has been tested on native Germans and found flawless. Among the various Bach cantata series, you can think of Suzuki and John Eliot Gardiner as being at opposite ends of the spectrum, with Gardiner's humanistic readings closely connected to the text, and varying widely in style according to the text, while with Suzuki the focus is on the instruments, and even the able soloists somehow seem subsidiary to the overall effect. The distinctive moments in Suzuki come in moments of unusual texture, for example in the duet "Lobe den Herren, der künstlich und fein" from the Cantata No 137 (track 3), where Bach wrote a mysterious squiggly line above the staff, similar to those that appear in other Bach autographs but of unknown significance. Not to give anything away: what Suzuki makes of this marking is both extremely unusual and also a perfect example of something that only he could get away with. More generally, these cantatas are of the type he does best. The Cantata No. 137 and the familiar Cantata No. 79, "Gott der Herr is Sonn und Schild," BWV 79, are big pieces with several brass instruments and timpani, and absolutely nobody is better than Suzuki at clarifying textures with Baroque brass instruments, which are challenging to play to begin with. The two sonatas are nicely set against works featuring wind instruments deployed in subtly dramatic ways. Most impressive of all is the sound; the environment of the Kobe Shoin Women's University Chapel is uncannily well suited to the music and to the conductor's aims. Superb as usual, this is a good milepost disc for those starting out with Suzuki's series.
© TiVo
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Lobe den Herren, den machtigen Konig der Ehren, BWV 137 (Johann Sebastian Bach)
Bach Collegium Japan, Orchestra - Peter Kooij, Performer - Yukari Nonoshita, Performer - Makoto Sakurada, Performer - Bach Collegium Japan Chorus, Choir - Robin Blaze, Performer - Masaaki Suzuki, Conductor - Johann Sebastian Bach, Composer - Joachim Neander, Composer
2008 BIS 2008 BIS
Peter Kooij, Performer - Robin Blaze, Performer - Bach Collegium Japan, Orchestra - Bach Collegium Japan Chorus, Choir - Yukari Nonoshita, Performer - Masaaki Suzuki, Conductor - Makoto Sakurada, Performer - Johann Sebastian Bach, Composer - Joachim Neander, Composer
2008 BIS 2008 BIS
Masaaki Suzuki, Conductor - Bach Collegium Japan Chorus, Choir - Yukari Nonoshita, Performer - Makoto Sakurada, Performer - Bach Collegium Japan, Orchestra - Peter Kooij, Performer - Robin Blaze, Performer - Johann Sebastian Bach, Composer - Joachim Neander, Composer
2008 BIS 2008 BIS
Bach Collegium Japan, Orchestra - Bach Collegium Japan Chorus, Choir - Yukari Nonoshita, Performer - Masaaki Suzuki, Conductor - Makoto Sakurada, Performer - Peter Kooij, Performer - Robin Blaze, Performer - Johann Sebastian Bach, Composer - Joachim Neander, Composer
2008 BIS 2008 BIS
Bach Collegium Japan, Orchestra - Bach Collegium Japan Chorus, Choir - Yukari Nonoshita, Performer - Robin Blaze, Performer - Masaaki Suzuki, Conductor - Makoto Sakurada, Performer - Peter Kooij, Performer - Johann Sebastian Bach, Composer - Joachim Neander, Composer
2008 BIS 2008 BIS
Tue Rechnung! Donnerwort, BWV 168 (Johann Sebastian Bach)
Robin Blaze, Performer - Makoto Sakurada, Performer - Peter Kooij, Performer - Bach Collegium Japan Chorus, Choir - Masaaki Suzuki, Conductor - Bach Collegium Japan, Orchestra - Yukari Nonoshita, Performer - Johann Sebastian Bach, Composer - Salomo Franck, Composer - Bartholomaus Ringwaldt, Composer
2008 BIS 2008 BIS
Peter Kooij, Performer - Yukari Nonoshita, Performer - Robin Blaze, Performer - Masaaki Suzuki, Conductor - Bach Collegium Japan, Orchestra - Makoto Sakurada, Performer - Bach Collegium Japan Chorus, Choir - Bartholomaus Ringwaldt, Composer - Johann Sebastian Bach, Composer - Salomo Franck, Composer
2008 BIS 2008 BIS
Peter Kooij, Performer - Yukari Nonoshita, Performer - Makoto Sakurada, Performer - Masaaki Suzuki, Conductor - Bach Collegium Japan, Orchestra - Bach Collegium Japan Chorus, Choir - Robin Blaze, Performer - Salomo Franck, Composer - Bartholomaus Ringwaldt, Composer - Johann Sebastian Bach, Composer
2008 BIS 2008 BIS
Bach Collegium Japan, Orchestra - Bach Collegium Japan Chorus, Choir - Makoto Sakurada, Performer - Peter Kooij, Performer - Yukari Nonoshita, Performer - Robin Blaze, Performer - Masaaki Suzuki, Conductor - Johann Sebastian Bach, Composer - Salomo Franck, Composer - Bartholomaus Ringwaldt, Composer
2008 BIS 2008 BIS
Makoto Sakurada, Performer - Peter Kooij, Performer - Bach Collegium Japan Chorus, Choir - Masaaki Suzuki, Conductor - Bach Collegium Japan, Orchestra - Yukari Nonoshita, Performer - Robin Blaze, Performer - Johann Sebastian Bach, Composer - Salomo Franck, Composer - Bartholomaus Ringwaldt, Composer
2008 BIS 2008 BIS
Makoto Sakurada, Performer - Peter Kooij, Performer - Bach Collegium Japan Chorus, Choir - Masaaki Suzuki, Conductor - Bach Collegium Japan, Orchestra - Yukari Nonoshita, Performer - Robin Blaze, Performer - Johann Sebastian Bach, Composer - Salomo Franck, Composer - Bartholomaus Ringwaldt, Composer
2008 BIS 2008 BIS
Gott der Herr ist Sonn und Schild, BWV 79 (Johann Sebastian Bach)
Bach Collegium Japan Chorus, Choir - Masaaki Suzuki, Conductor - Bach Collegium Japan, Orchestra - Yukari Nonoshita, Performer - Peter Kooij, Performer - Robin Blaze, Performer - Martin Rinkart, Composer - Ludwig Helmbold, Composer - Johann Sebastian Bach, Composer - Bible - Old Testament, Composer
2008 BIS 2008 BIS
Masaaki Suzuki, Conductor - Bach Collegium Japan Chorus, Choir - Robin Blaze, Performer - Peter Kooij, Performer - Yukari Nonoshita, Performer - Bach Collegium Japan, Orchestra - Bible - Old Testament, Composer - Johann Sebastian Bach, Composer - Ludwig Helmbold, Composer - Martin Rinkart, Composer
2008 BIS 2008 BIS
Bach Collegium Japan, Orchestra - Peter Kooij, Performer - Masaaki Suzuki, Conductor - Bach Collegium Japan Chorus, Choir - Yukari Nonoshita, Performer - Robin Blaze, Performer - Johann Sebastian Bach, Composer - Ludwig Helmbold, Composer - Martin Rinkart, Composer - Bible - Old Testament, Composer
2008 BIS 2008 BIS
Bach Collegium Japan Chorus, Choir - Robin Blaze, Performer - Yukari Nonoshita, Performer - Peter Kooij, Performer - Bach Collegium Japan, Orchestra - Masaaki Suzuki, Conductor - Johann Sebastian Bach, Composer - Bible - Old Testament, Composer - Martin Rinkart, Composer - Ludwig Helmbold, Composer
2008 BIS 2008 BIS
Masaaki Suzuki, Conductor - Robin Blaze, Performer - Bach Collegium Japan, Orchestra - Peter Kooij, Performer - Bach Collegium Japan Chorus, Choir - Yukari Nonoshita, Performer - Bible - Old Testament, Composer - Johann Sebastian Bach, Composer - Ludwig Helmbold, Composer - Martin Rinkart, Composer
2008 BIS 2008 BIS
Masaaki Suzuki, Conductor - Bach Collegium Japan, Orchestra - Robin Blaze, Performer - Bach Collegium Japan Chorus, Choir - Yukari Nonoshita, Performer - Peter Kooij, Performer - Bible - Old Testament, Composer - Johann Sebastian Bach, Composer - Ludwig Helmbold, Composer - Martin Rinkart, Composer
2008 BIS 2008 BIS
Ihr, die ihr euch von Christo nennet, BWV 164 (Johann Sebastian Bach)
Makoto Sakurada, Performer - Bach Collegium Japan, Orchestra - Bach Collegium Japan Chorus, Choir - Robin Blaze, Performer - Peter Kooij, Performer - Yukari Nonoshita, Performer - Masaaki Suzuki, Conductor - Elisabeth Kreuziger, Composer - Johann Sebastian Bach, Composer - Salomo Franck, Composer
2008 BIS 2008 BIS
Bach Collegium Japan, Orchestra - Bach Collegium Japan Chorus, Choir - Yukari Nonoshita, Performer - Robin Blaze, Performer - Makoto Sakurada, Performer - Peter Kooij, Performer - Masaaki Suzuki, Conductor - Salomo Franck, Composer - Elisabeth Kreuziger, Composer - Johann Sebastian Bach, Composer
2008 BIS 2008 BIS
Bach Collegium Japan, Orchestra - Bach Collegium Japan Chorus, Choir - Robin Blaze, Performer - Peter Kooij, Performer - Yukari Nonoshita, Performer - Masaaki Suzuki, Conductor - Makoto Sakurada, Performer - Johann Sebastian Bach, Composer - Salomo Franck, Composer - Elisabeth Kreuziger, Composer
2008 BIS 2008 BIS
Bach Collegium Japan Chorus, Choir - Masaaki Suzuki, Conductor - Bach Collegium Japan, Orchestra - Yukari Nonoshita, Performer - Makoto Sakurada, Performer - Peter Kooij, Performer - Robin Blaze, Performer - Johann Sebastian Bach, Composer - Salomo Franck, Composer - Elisabeth Kreuziger, Composer
2008 BIS 2008 BIS
Robin Blaze, Performer - Yukari Nonoshita, Performer - Bach Collegium Japan Chorus, Choir - Masaaki Suzuki, Conductor - Makoto Sakurada, Performer - Peter Kooij, Performer - Bach Collegium Japan, Orchestra - Salomo Franck, Composer - Elisabeth Kreuziger, Composer - Johann Sebastian Bach, Composer
2008 BIS 2008 BIS
Bach Collegium Japan Chorus, Choir - Robin Blaze, Performer - Peter Kooij, Performer - Bach Collegium Japan, Orchestra - Yukari Nonoshita, Performer - Masaaki Suzuki, Conductor - Makoto Sakurada, Performer - Elisabeth Kreuziger, Composer - Johann Sebastian Bach, Composer - Salomo Franck, Composer
2008 BIS 2008 BIS
Descrição do álbum
Japanese historical-performance specialist Masaaki Suzuki reaches the 40th volume of his complete traversal of Bach's cantatas with this disc. The series has attained an impressive level of technical consistency, and technical ensemble precision is what Suzuki's style is all about. Start with the German pronunciation of his Bach Collegium Japan, which has been tested on native Germans and found flawless. Among the various Bach cantata series, you can think of Suzuki and John Eliot Gardiner as being at opposite ends of the spectrum, with Gardiner's humanistic readings closely connected to the text, and varying widely in style according to the text, while with Suzuki the focus is on the instruments, and even the able soloists somehow seem subsidiary to the overall effect. The distinctive moments in Suzuki come in moments of unusual texture, for example in the duet "Lobe den Herren, der künstlich und fein" from the Cantata No 137 (track 3), where Bach wrote a mysterious squiggly line above the staff, similar to those that appear in other Bach autographs but of unknown significance. Not to give anything away: what Suzuki makes of this marking is both extremely unusual and also a perfect example of something that only he could get away with. More generally, these cantatas are of the type he does best. The Cantata No. 137 and the familiar Cantata No. 79, "Gott der Herr is Sonn und Schild," BWV 79, are big pieces with several brass instruments and timpani, and absolutely nobody is better than Suzuki at clarifying textures with Baroque brass instruments, which are challenging to play to begin with. The two sonatas are nicely set against works featuring wind instruments deployed in subtly dramatic ways. Most impressive of all is the sound; the environment of the Kobe Shoin Women's University Chapel is uncannily well suited to the music and to the conductor's aims. Superb as usual, this is a good milepost disc for those starting out with Suzuki's series.
© TiVo
Sobre o álbum
- 1 disco(s) - 23 faixa(s)
- Duração total: 00:57:11
- Artistas principais: Masaaki Suzuki
- Compositor: Johann Sebastian Bach
- Gravadora: BIS
- Género: Clássica
-
24-Bit 44.1 kHz - Stereo
2008 BIS 2008 BIS
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