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Choir of Clare College, Cambridge|Arvo Pärt: Stabat

Arvo Pärt: Stabat

Choir of Clare College, Cambridge, The Dmitri Ensemble, Graham Ross

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The usually holy minimalism of Arvo Pärt, for all its simplicities, is virtuoso music, thriving on precise control of texture and resonance. His works are associated with professional choirs that exercise this control to a greater degree than the Choir of Clare College, Cambridge, and director Graham Ross do here. The young singers are attractive and clean, but they do not deliver a knife's edge. However, what the listener gets instead is a fresh program. Now that Pärt is one of the world's most frequently performed composers, it's worth exploring his relationship to other nearby choral styles, and that's what the Choir of Clare College presents. The program includes Plainscapes by Peteris Vasks, certainly within Pärt's orbit but both warmer (with its solo violin and cello, and its landscape pictorialism) and bleaker than the spirituality of Pärt. The second entr'acte is a Miserere by James MacMillan: not a minimalist work, certainly, but one that shows how a striving toward rigorous, unsentimental simplicity is not just the province of Pärt and his associates. This is a solid release that shows new directions for the performance of Arvo Pärt's music as it spreads across the choral world.
© TiVo

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Arvo Pärt: Stabat

Choir of Clare College, Cambridge

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1
Da pacem, Domine (mixed choir a cappella)
Choir of Clare College, Cambridge
00:04:25

Arvo Pärt, Composer - Choir of Clare College, Cambridge, Choir, MainArtist - Graham Ross, Conductor, MainArtist

2020 harmonia mundi 2018 Choir of Clare College, Cambridge

2
The Woman with the Alabaster Box (mixed choir a cappella)
Choir of Clare College, Cambridge
00:06:05

Arvo Pärt, Composer - Choir of Clare College, Cambridge, Choir, MainArtist - Graham Ross, Conductor, MainArtist

2020 harmonia mundi 2018 Choir of Clare College, Cambridge

3
Plainscapes (mixed choir, violin and cello)
Jamie Campbell
00:15:00

Peteris VASKS, Composer - Choir of Clare College, Cambridge, Choir, MainArtist - Graham Ross, Conductor, MainArtist - Oliver Coates, Cello, MainArtist - Jamie Campbell, Violin, MainArtist

2020 harmonia mundi 2018 Choir of Clare College, Cambridge

4
Magnificat (mixed choir a cappella)
Helena Mackie
00:07:33

Arvo Pärt, Composer - Choir of Clare College, Cambridge, Choir, MainArtist - Graham Ross, Conductor, MainArtist - Helena Mackie, MainArtist, SopranoSolo

2020 harmonia mundi 2018 Choir of Clare College, Cambridge

5
Nunc dimittis (mixed choir a cappella)
Rebecca McElroy
00:06:50

Arvo Pärt, Composer - Choir of Clare College, Cambridge, Choir, MainArtist - Graham Ross, Conductor, MainArtist - Rebecca McElroy, MainArtist, SopranoSolo

2020 harmonia mundi 2018 Choir of Clare College, Cambridge

6
Miserere (mixed choir a cappella)
Georgina Gulliver
00:12:24

James MacMillan, Composer - Choir of Clare College, Cambridge, Choir, MainArtist - Graham Ross, Conductor, MainArtist - Toby Hession, MainArtist, BassVocals - Georgina Gulliver, MainArtist, SopranoSolo - Isaac Barnham, MainArtist, Countertenor - Joshua Cleary, MainArtist, TenorSolo

2020 harmonia mundi 2018 Choir of Clare College, Cambridge

7
Stabat Mater (mixed choir and string orchestra)
The Dmitri Ensemble
00:27:27

Arvo Pärt, Composer - Choir of Clare College, Cambridge, Choir, MainArtist - Graham Ross, Conductor, MainArtist - The Dmitri Ensemble, MainArtist, MusicalEnsemble

2020 harmonia mundi 2018 Choir of Clare College, Cambridge

Resenha do Álbum

The usually holy minimalism of Arvo Pärt, for all its simplicities, is virtuoso music, thriving on precise control of texture and resonance. His works are associated with professional choirs that exercise this control to a greater degree than the Choir of Clare College, Cambridge, and director Graham Ross do here. The young singers are attractive and clean, but they do not deliver a knife's edge. However, what the listener gets instead is a fresh program. Now that Pärt is one of the world's most frequently performed composers, it's worth exploring his relationship to other nearby choral styles, and that's what the Choir of Clare College presents. The program includes Plainscapes by Peteris Vasks, certainly within Pärt's orbit but both warmer (with its solo violin and cello, and its landscape pictorialism) and bleaker than the spirituality of Pärt. The second entr'acte is a Miserere by James MacMillan: not a minimalist work, certainly, but one that shows how a striving toward rigorous, unsentimental simplicity is not just the province of Pärt and his associates. This is a solid release that shows new directions for the performance of Arvo Pärt's music as it spreads across the choral world.
© TiVo

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