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The Afghan Whigs|1965

1965

The Afghan Whigs

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With 1965, the Afghan Whigs finally made the gritty soul record just always out of their reach -- seamlessly integrating the R&B aspirations which have textured the band's sound since the beginning, the music simmers with raw energy, its deep, dark grooves not so much white-boy as simply white-hot. Recorded in New Orleans, the album is plainly the product of its environment -- sultry, sleazy, and more than a little menacing; here more than ever, Greg Dulli is the frontman you love to hate, strutting and swaggering his way through standout tracks like "Something Hot," "Uptown Again," and "John the Baptist" with predatory aggression. (Who else would deliver a lyric like "I got the devil in me, girl" as though it were a pickup line?) Still, for all its cocksure arrogance, 1965 is nevertheless a sincere tribute to the classic music recalled by the album's title -- lyrics aside, even if Dulli did sell his soul, he's somehow managed to get it all back.

© Jason Ankeny /TiVo

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1965

The Afghan Whigs

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1
Somethin' Hot (Album Version)
00:02:57

Dave Bianco, Mixing Engineer - Howie Weinberg, Mastering Engineer - George Drakoulias, Mixing Engineer - Greg Dulli, Producer - Greg Dulli, Composer - Greg Dulli, Lyricist - Jeff Powell, Recording Engineer - Lia Sweet, Executive Producer - The Afghan Whigs, Performer

(P) 1998 Columbia Records, a division of Sony Music Entertainment

2
Crazy (Album Version)
00:04:04

Dave Bianco, Mixing Engineer - Howie Weinberg, Mastering Engineer - George Drakoulias, Mixing Engineer - Greg Dulli, Producer - Greg Dulli, Composer - Greg Dulli, Lyricist - Jeff Powell, Recording Engineer - Lia Sweet, Executive Producer - The Afghan Whigs, Performer

(P) 1998 Columbia Records, a division of Sony Music Entertainment

3
Uptown Again (Album Version)
00:03:11

Dave Bianco, Mixing Engineer - Howie Weinberg, Mastering Engineer - George Drakoulias, Mixing Engineer - Greg Dulli, Producer - Greg Dulli, Composer - Greg Dulli, Lyricist - Jeff Powell, Recording Engineer - Lia Sweet, Executive Producer - The Afghan Whigs, Performer

(P) 1998 Columbia Records, a division of Sony Music Entertainment

4
Sweet Son Of A Bitch (Album Version)
00:00:23

Dave Bianco, Mixing Engineer - Howie Weinberg, Mastering Engineer - George Drakoulias, Mixing Engineer - Greg Dulli, Producer - Greg Dulli, Composer - Greg Dulli, Lyricist - Jeff Powell, Recording Engineer - Lia Sweet, Executive Producer - The Afghan Whigs, Performer

(P) 1998 Columbia Records, a division of Sony Music Entertainment

5
66 (Album Version)
00:03:23

Dave Bianco, Mixing Engineer - Howie Weinberg, Mastering Engineer - George Drakoulias, Mixing Engineer - Greg Dulli, Producer - Greg Dulli, Composer - Greg Dulli, Lyricist - Lia Sweet, Executive Producer - The Afghan Whigs, Performer - Dave Hillis, Recording Engineer

(P) 1998 Columbia Records, a division of Sony Music Entertainment

6
Citi Soleil (Album Version)
00:05:03

Dave Bianco, Mixing Engineer - Howie Weinberg, Mastering Engineer - George Drakoulias, Mixing Engineer - Greg Dulli, Producer - Greg Dulli, Composer - Greg Dulli, Lyricist - Jeff Powell, Recording Engineer - Lia Sweet, Executive Producer - The Afghan Whigs, Performer

(P) 1998 Columbia Records, a division of Sony Music Entertainment

7
John The Baptist (Album Version)
00:05:33

Dave Bianco, Mixing Engineer - Howie Weinberg, Mastering Engineer - George Drakoulias, Mixing Engineer - Greg Dulli, Producer - Greg Dulli, Composer - Greg Dulli, Lyricist - Jeff Powell, Recording Engineer - Lia Sweet, Executive Producer - The Afghan Whigs, Performer

(P) 1998 Columbia Records, a division of Sony Music Entertainment

8
The Slide Song (Album Version)
00:03:53

Dave Bianco, Mixing Engineer - Howie Weinberg, Mastering Engineer - George Drakoulias, Mixing Engineer - Rick McCollum, Composer - Rick McCollum, Lyricist - Greg Dulli, Producer - Greg Dulli, Composer - Greg Dulli, Lyricist - Jeff Powell, Recording Engineer - Lia Sweet, Executive Producer - The Afghan Whigs, Performer

(P) 1998 Columbia Records, a division of Sony Music Entertainment

9
Neglekted (Album Version)
00:04:00

Dave Bianco, Mixing Engineer - Howie Weinberg, Mastering Engineer - George Drakoulias, Mixing Engineer - Rick McCollum, Composer - Rick McCollum, Lyricist - Greg Dulli, Producer - Greg Dulli, Composer - Greg Dulli, Lyricist - Jeff Powell, Recording Engineer - Lia Sweet, Executive Producer - The Afghan Whigs, Performer

(P) 1998 Columbia Records, a division of Sony Music Entertainment

10
Omerta (Album Version)
00:05:40

Dave Bianco, Mixing Engineer - Howie Weinberg, Mastering Engineer - George Drakoulias, Mixing Engineer - Rick McCollum, Composer - Rick McCollum, Lyricist - Greg Dulli, Producer - Greg Dulli, Composer - Greg Dulli, Lyricist - Jeff Powell, Recording Engineer - Lia Sweet, Executive Producer - The Afghan Whigs, Performer

(P) 1998 Columbia Records, a division of Sony Music Entertainment

11
The Vampire Lanois (Instrumental)
00:03:22

Howie Weinberg, Mastering Engineer - John Curley, Composer - John Curley, Lyricist - The Afghan Whigs, Performer - Rick McCollum, Composer - Rick McCollum, Lyricist - George Drakoulias, Mixing Engineer - Michael Horrigan, Composer - Michael Horrigan, Lyricist - Lia Sweet, Executive Producer - Greg Dulli, Producer - Greg Dulli, Composer - Greg Dulli, Lyricist - Dave Bianco, Mixing Engineer - Jeff Powell, Recording Engineer

(P) 1998 Columbia Records, a division of Sony Music Entertainment

Resenha do Álbum

With 1965, the Afghan Whigs finally made the gritty soul record just always out of their reach -- seamlessly integrating the R&B aspirations which have textured the band's sound since the beginning, the music simmers with raw energy, its deep, dark grooves not so much white-boy as simply white-hot. Recorded in New Orleans, the album is plainly the product of its environment -- sultry, sleazy, and more than a little menacing; here more than ever, Greg Dulli is the frontman you love to hate, strutting and swaggering his way through standout tracks like "Something Hot," "Uptown Again," and "John the Baptist" with predatory aggression. (Who else would deliver a lyric like "I got the devil in me, girl" as though it were a pickup line?) Still, for all its cocksure arrogance, 1965 is nevertheless a sincere tribute to the classic music recalled by the album's title -- lyrics aside, even if Dulli did sell his soul, he's somehow managed to get it all back.

© Jason Ankeny /TiVo

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