InFiné
A label that is synonymous with a sound far from the simple footprint of musical "genres", borders and "scenes". This is the perfect description of InFiné music label, created in 2006 by Alexandre Cazac (artistic director) and Yannick Matray after a Francesco Tristano concert in Paris. They were later joined by Julien Gagnebien who attends to the international development of the label.
Having endorsed the motto of designer Raymond Loewy "Most Advanced Yet Acceptable", the label's approach is multidisciplinary and crossover. InFiné intends "to promote meetings between styles and generations, but also between disciplines." It uses electronic music as a vector for the discovery of uncharted musical territories, to blend heritage with avant-garde. On the one hand, a generation of young electronic producers (Danton Eeprom, Rone, Clara Moto, Cubenx, Arandel ...), on the other, musicians from jazz, world music, classical or contemporary (Francesco Tristano, Bachar Mar-Khalifé, Aufgang, Pedro Soler, Bruce Brubacker).
Read moreA label that is synonymous with a sound far from the simple footprint of musical "genres", borders and "scenes". This is the perfect description of InFiné music label, created in 2006 by Alexandre Cazac (artistic director) and Yannick Matray after a Francesco Tristano concert in Paris. They were later joined by Julien Gagnebien who attends to the international development of the label.
Having endorsed the motto of designer Raymond Loewy "Most Advanced Yet Acceptable", the label's approach is multidisciplinary and crossover. InFiné intends "to promote meetings between styles and generations, but also between disciplines." It uses electronic music as a vector for the discovery of uncharted musical territories, to blend heritage with avant-garde. On the one hand, a generation of young electronic producers (Danton Eeprom, Rone, Clara Moto, Cubenx, Arandel ...), on the other, musicians from jazz, world music, classical or contemporary (Francesco Tristano, Bachar Mar-Khalifé, Aufgang, Pedro Soler, Bruce Brubacker).
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Tohu Bohu (Deluxe Edition)
Ambient - Released by InFiné on Oct 15, 2012
Hi-Res AudioThe Qobuz Ideal Discography4F de Télérama24-Bit 44.1 kHz - Stereo -
Glassforms
Classical - Released by InFiné on Jun 5, 2020
QobuzissimeAfter Glass Cage in 2000 and Glass Piano in 2015, New York Julliard graduate pianist Bruce Brubaker returns to his obsession with Philip Glass. Brubak ...
24-Bit 44.1 kHz - Stereo -
Room with a View
Ambient - Released by InFiné on Apr 24, 2020
4F de Télérama24-Bit 44.1 kHz - Stereo -
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Rone & Friends
Ambient - Released by InFiné on Mar 26, 2021
2020 was to be a big year for Rone. In March he had launched a series of prestigious concerts for his album Room With a View at the Théâtre du Châtele ...
24-Bit 44.1 kHz - Stereo -
Versus (feat. Francesco Tristano, Les Siècles & François-Xavier Roth)
Techno - Released by InFiné on May 5, 2017
An untouchable. The status of Carl Craig , pioneer of Detroit Techno, is such that without him, countless electro tinkers would still be fooling aroun ...
24-Bit 48.0 kHz - Stereo -
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Les Olympiades (Original Motion Picture Soundtrack)
Film Soundtracks - Released by InFiné on Nov 5, 2021
24-Bit 44.1 kHz - Stereo -
Glass Piano
Solo Piano - Released by InFiné on Jun 1, 2015
24-Bit 44.1 kHz - Stereo -
Piano Concerto No. 23 in A, K. 488: II. Adagio (Air France TV Ad) - Single (Wolfgang Amadeus Mozart)
Classical - Released by InFiné on Sep 16, 2011
Hi-Res Audio24-Bit 44.1 kHz - Stereo -
Idiosynkrasia
Electronic - Released by InFiné on Nov 15, 2010
Hi-Res Audio"IDIOSYNKRASIA retains the sharp darkness of where techno essentially resides -- inside a hefty club soundsystem -- and Tristano uses his piano to fil ...
24-Bit 96.0 kHz - Stereo -
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