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With this new artistic proposal, French pianist Vanessa Wagner (who started her recording career by performing Scriabin and Rachmaninoff for Lyrinx, albums which are unfortunately unavailable) positions herself in a contemporary, resolutely contemplative and often dreamy state. Closely tied to the label InFiné − the label that released Statea on which she went exchanged with Murcof, both players of a great disenchanted saga −, Vanessa Wagner makes no secret of her inclinations for melancholic atmospheres. Wagner performs mini-versions of Moondog, Émilie Levienaise-Farrouch, Bryce Dessner, as well as more substantial works, easily recognizable by minimalist fans: Philip Glass’ Etude No. 9, Michael Nyman’s The Heart Asks Pleasure First, and Gavin Bryars’ Ramble On Cortona.
Vanessa Wagner’s piano sounds dark. Fortunately, the album ends on the sublime Baltā ainava (“White Scenery”), the first piece of a great fifty-minute four-part partition by Latvian composer Pēteris Vasks, titled The Seasons. A rude, mostly dark cycle, however it is introduced by this rather bright, quite hypnotic, very atmospheric and truly mind-blowing piece: one can feel the white snow and the black, humid sun peeking through the mist, shining on the large steppes of Eastern Europe. © Pierre-Yves Lascar/Qobuz
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Moondog, Composer - Vanessa Wagner, MainArtist
2019 InFiné 2019 InFiné
Vanessa Wagner, MainArtist - Emilie Levienaise-Farrouch, Composer
2019 InFiné 2019 InFiné
Vanessa Wagner, MainArtist - Bryce Dessner, Composer
2019 InFiné 2019 InFiné
Vanessa Wagner, MainArtist - Bryce Dessner, Composer
2019 InFiné 2019 InFiné
Philip Glass, Composer - Vanessa Wagner, MainArtist
2019 InFiné 2019 InFiné
William Susman, Composer - Vanessa Wagner, MainArtist
2019 InFiné 2019 InFiné
Meredith Monk, Composer - Vanessa Wagner, MainArtist
2019 InFiné 2019 InFiné
Michael Nyman, Composer - Vanessa Wagner, MainArtist
2019 InFiné 2019 InFiné
Hans Otte, Composer - Vanessa Wagner, MainArtist
2019 InFiné 2019 InFiné
Nico Muhly, Composer - Vanessa Wagner, MainArtist
2019 InFiné 2019 InFiné
Gavin Bryars, Composer - Vanessa Wagner, MainArtist
2019 InFiné 2019 InFiné
Moondog, Composer - Vanessa Wagner, MainArtist
2019 InFiné 2019 InFiné
Wim Mertens, Composer - Vanessa Wagner, MainArtist
2019 InFiné 2019 InFiné
Peteris VASKS, Composer - Vanessa Wagner, MainArtist
2019 InFiné 2019 InFiné
Album review
With this new artistic proposal, French pianist Vanessa Wagner (who started her recording career by performing Scriabin and Rachmaninoff for Lyrinx, albums which are unfortunately unavailable) positions herself in a contemporary, resolutely contemplative and often dreamy state. Closely tied to the label InFiné − the label that released Statea on which she went exchanged with Murcof, both players of a great disenchanted saga −, Vanessa Wagner makes no secret of her inclinations for melancholic atmospheres. Wagner performs mini-versions of Moondog, Émilie Levienaise-Farrouch, Bryce Dessner, as well as more substantial works, easily recognizable by minimalist fans: Philip Glass’ Etude No. 9, Michael Nyman’s The Heart Asks Pleasure First, and Gavin Bryars’ Ramble On Cortona.
Vanessa Wagner’s piano sounds dark. Fortunately, the album ends on the sublime Baltā ainava (“White Scenery”), the first piece of a great fifty-minute four-part partition by Latvian composer Pēteris Vasks, titled The Seasons. A rude, mostly dark cycle, however it is introduced by this rather bright, quite hypnotic, very atmospheric and truly mind-blowing piece: one can feel the white snow and the black, humid sun peeking through the mist, shining on the large steppes of Eastern Europe. © Pierre-Yves Lascar/Qobuz
About the album
- 1 disc(s) - 14 track(s)
- Total length: 01:00:59
- Main artists: Vanessa Wagner
- Composer: Various Composers
- Label: InFiné
- Genre: Classical
2019 InFiné 2019 InFiné
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