Thanks to the hard work carried out in cooperation with recording studios as well as an increasing number of music labels (Plus Loin Music, Bee Jazz, Ambronay Editions, Zig Zag Territoires, ECM, Mirare, Aeolus, Ondine, Winter & Winter, Laborie, etc.), Qobuz now offers a rapidly-growing selection of new releases and back catalogue records in 24-bit HD quality. These albums reproduce exactly the sound from the studio recording, and offer a more comfortable listening experience that exceeds the sound quality of a CD (typically \"reduced\" for mastering at 44.1kHz/16-bit). \"Qobuz HD\" files are DRM-free and are 100% compatible with both Mac and PC. Moving away from the MP3-focused approach that has evolved over recent years at the expense of sound quality, Qobuz provides the sound calibre expected by all music lovers, allowing them to enjoy both the convenience and quality of online music.

Opmerking 24-bit HD albums sold by Qobuz are created by our labels directly. They are not re-encoded using SACD and we guarantee their direct source. In order to continue on this path, we prohibit any tampering with the product.

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Klassiek - Verschenen op 21 juni 2019 | Le Palais des Dégustateurs

Hi-Res Booklet
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Klassiek - Verschenen op 21 juni 2019 | Sony Classical

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Klassiek - Verschenen op 31 mei 2019 | Alia Vox

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By the middle of 1788, at the age of 32, Mozart had reached the height of his creative maturity, dominated by the last three symphonies, absolute masterpieces that he composed in a very short period of time – barely one and a half months. This extraordinary “symphonic massif” consisting of three peaks – Symphony No. 39 in E-flat major, completed on 26th June, Symphony No 40 in G minor, completed on 25th July and Symphony No. 41 in C major, the “Jupiter”, dated 10th August – is unquestionably the composer’s “Symphonic Testament”.
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Klassiek - Verschenen op 10 mei 2019 | Sony Classical

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Klassiek - Verschenen op 26 april 2019 | Mirare

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Duo´s - Verschenen op 19 april 2019 | Channel Classics Records

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Kamermuziek - Verschenen op 12 april 2019 | NoMadMusic

Hi-Res Booklet Onderscheidingen 4F de Télérama
A is for “Amadeus,” and a recording which marks a return to the source for Quatuor Zaïde, who dedicate their fourth collection to the genius Austrian composer. Z is for Zaïde, a “Singspiel” by Mozart in the style of Die Zauberflöte, which historical transcription for string quartet is a world premiere! Paired with the Quartet in G Major, No. 14, K. 387, this miniature version of one of the most famous operas repeatedly casts each instrument of the quartet in a multitude of lyric roles, celebrating the eternal dialogue between singing and playing. © Nomadmusic
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Kamermuziek - Verschenen op 8 maart 2019 | Foghorn Classics

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Klassiek - Verschenen op 1 maart 2019 | Berlin Classics

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Klassiek - Verschenen op 9 januari 2019 | Royal Concertgebouw Orchestra

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Klassiek - Verschenen op 30 november 2018 | MUNCHNER PHILHARMONIKER GBR

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Klassiek - Verschenen op 23 november 2018 | Rubicon Classics

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Klassiek - Verschenen op 2 november 2018 | naïve classique

Hi-Res Booklet
Naïve is particularly proud to release the first recording from the orchestra recently founded by conductor Mathieu Herzog: Ensemble Appassionato. A favourite composer for the orchestra, who other than Mozart to bear witness to the recording debut from this ensemble? An ensemble born under the most auspicious circumstances, full of members from France’s major string quartets. The last three symphonies, a triptych as monumental as it is mysterious - we know almost nothing about the circumstances surrounding their composition - are probably the works that best symbolise the projects thus far of Mathieu Herzog and the Ensemble Appassionato. Their fresh vision, modern and chamber-like, plus a multitude of eclectic repertoire. A vision galvanised by the desire to share music with everyone. Listening to this recording nourished with as much passion and ambition as respect and humility, a more human and personified Mozart appears before us, more luminous than ever. Clear timbres, instrumental cohesion, balance, well-rounded characters, full-bodied tempi ... Mathieu Herzog demonstrates here a vision and an inherent know-how, placing him immediately in the pantheon of great conductors. © Naive
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Piano solo - Verschenen op 19 oktober 2018 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Kamermuziek - Verschenen op 5 oktober 2018 | Supraphon a.s.

Hi-Res Booklet
Warning: this recording is not intended for musicological purists. But if you love spontaneous music making in the most select of company, this is definitely the right recording for you. Radek Baborák, for example, does not hesitate to arrange a discarded movement from a symphony to add as the missing movements of an unfinished horn concerto. Of course, to tell the truth, didn't Mozart himself do the exact same thing countless times? In this way, the preserved fragments are turned into two "new horn concertos". The Sinfonia concertante for four wind instruments and orchestra, K 297b is a work surrounded by many mysteries, and it fits beautifully in this context of discovery. Here, it is recorded in Baborák's arrangement for Mozart's original instrumentation. Playing the solo parts are virtuosos from Europe's best orchestras. For the 12 horn duets - the only completely extant composition on this album played in its original instrumentation - Baborák's partner is another of today's legendary horn players, Radovan Vlatković. Radek Baborák and his friends are inviting you on an excursion to the world of their elder colleague Wolfgang Amadeus - with his inexhaustible supply of jokes, ideas, and colours. © Supraphon Wolfgang Amadeus Mozart (1756-1791) Sinfonia Concertante in E flat major for Flute, Oboe, French Horn, Bassoon and Orchestra, K 297b Concert Pieces for French Horn and Strings: in E flat major K 370b, E major K 494a, Adagio in B flat major K 580a, Rondo in E flat major K 371, Andantino grazioso in B major K Zu 132/02, Presto assai in E major K 162. Twelve Duos for Two French Horns K 487/496a Radek Baborák - French horn, conductor Radovan Vlatković - French horn Walter Auer - flute Clara Dent-Bogányi - oboe Bence Bogányi - bassoon Baborák Ensemble
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Klassiek - Verschenen op 10 augustus 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet
When he wrote his two unique quartets for piano, violin, alto and cello, in 1785 and 1786 respectively—the era of The Marriage of Figaro—Mozart was brilliantly inaugurating a genre which, much later, would inspire others, and not the least: Brahms, Mendelssohn, Schumann, Dvořák and Fauré, Saint-Saëns and Chausson. Not the big crowd then, because it is true that the format causes balance problems, that Mozart has overcome with his usual mastery (the others too, be reassured). Because the risk and the temptation are huge to make it some kind of mini-concerto for piano with three string accompaniments, and the composer took great pain to avoid that: yes, he often sets the piano against the three strings, but the exchange remains balanced and never are the strings only there to only act as support. In this, Mozart is the true precursor. On piano, Daniel Barenboim has surrounded himself with three musicians coming from his famous East-West Divan Orchestra: his son Michael B. on violin, the Russian violist Yulia Deyneka and Persian cellist Kian Soltani, great soloists whose value hasn’t awaited the passing of years to blossom in the light of day. Let’s note that these recordings have been made in a public concert in March 2017. © SM/Qobuz
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Klassiek - Verschenen op 3 augustus 2018 | Sony Classical

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Volledige opera's - Verschenen op 6 juli 2018 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 22 juni 2018 | EnPhases

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Klassiek - Verschenen op 15 juni 2018 | Sony Music Labels Inc.

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