Categories :

Albums

CD€ 33,99

Pop - Verschenen op 26 juni 2020 | Rhino - Warner Records

CD€ 33,99

Pop - Verschenen op 1 november 2019 | Rhino - Warner Records

CD€ 1,99

Pop - Verschenen op 18 oktober 2019 | Rhino - Warner Records

HI-RES€ 55,99
CD€ 48,99

Rock - Verschenen op 27 september 2019 | Rhino - Warner Records

Hi-Res Onderscheidingen Best New Reissue
Thirty years later, Paul Westerberg and the rest of The Replacements are having another shot at getting their sixth album right on Don’t Tell A Soul Redux. The revamp is part of a new box set, Dead Man's Pop, which also contains a live show and other rare goodies, including additional tracks from a session with Tom Waits and earlier, scrapped tracks recorded at Bearsville Studios. For the Redux mix, Matt Wallace, who originally co-produced Don't Tell a Soul along with the band, used a mix recorded during the 1988 Paisley Park sessions as source material. As might be expected, the polarizing late-'80s gloss is gone, replaced by a clearer, lively sonic approach with plenty of nuance: Acoustic guitars are more prominent throughout, and individual parts within songs (a blazing guitar line here, a crashing piano part there) are evident. This clarity also revealed that Don't Tell a Soul continued to build on Pleased To Meet Me's diversity; songs encompass a whimsical soul-pop shuffle ("Asking Me Lies"), an R.E.M.-esque anthem ("Darlin' One" and its towering, droning guitars) and swaggering Americana ("We'll Inherit the Earth"). In perhaps the boldest move of all, Don't Tell a Soul's tracklisting is completely shuffled around on the new version, with only leadoff track "Talent Show" and "We'll Inherit the Earth" in slot three maintaining their original positions. This sequencing tweak is brilliant, as the album now boasts a poignant emotional arc that starts with anxiety over band and career matters and ends with piercing personal confessions. © Annie Zaleski / Qobuz
HI-RES€ 132,49
CD€ 112,49

Punk en New Wave - Verschenen op 27 september 2019 | Rhino - Warner Records

Hi-Res
A rock’n’roll tsunami! On stage, the Ramones never questioned themselves, shooting at everything that moved just to remind everyone of their unique style; one that was anchored in traditional rock’n’roll yet incorporated surf music and punk. With foolishness as their philosophy, teenage carelessness as their credo, supersonic guitars as their weapon of mass destruction, this profession of faith - binary in form and playful in content - gave birth to amphetamine-fuelled hymns of bubble-gum pop such as Blitzkrieg Bop, Now I Wanna Sniff Some Glue and Judy Is A Punk. Recorded in 1977 at London’s Rainbow Theatre on New Year’s Eve, It’s Alive includes these hits and many others, going at 200 mph through their first three albums: Ramones (1976), Leave Home (1977) and Rocket to Russia (1977). The gang from Forest Hills in Queens pack in 28 tracks in less than an hour! To celebrate the fortieth anniversary of this live anthology from 1979, the Deluxe Edition proposes the original remastered album alongside a series of tracks recorded at other concerts during the same English tour in December 1977: the Top Rank in Birmingham on 28 th , Victoria Hall in Stoke-On-Trent on 29 th and the Friars in Aylesbury on 30 th . Without the frills of the studio versions (not that there were many in the first place), all the songs on It's Alive tap into that initial fury, which comes across as even more raw and effective. This 40 th Anniversary Deluxe Edition is supervised by Ed Stasium, the producer and sound engineer of the original album. © Marc Zisman/Qobuz
CD€ 127,49

Pop - Verschenen op 13 september 2019 | Rhino - Warner Records

HI-RES€ 17,49
CD€ 14,99

Funk - Verschenen op 6 september 2019 | Rhino - Warner Records

Hi-Res
Previously unreleased albums from Miles Davis are few and far between. So this record, released by Warner Bros. and Rhino in September 2019, is exciting to say the least. Recorded in 1985, these pieces were not strictly written during the trumpeter’s heyday. That year, Miles shocked everybody by leaving Columbia, his record label for over 30 years, to join Warner. The move was all the more surprising given that over the preceding few years he had enjoyed commercial success thanks to The Man With the Horn (1981), Star People (1983), Decoy (1984) and the rather commercialised You're Under Arrest (1985). In October, at the age of 59, he began recording a new album entitled Rubberband in Los Angeles with producers Randy Hall and Zane Giles. During the sessions the trumpeter took his playing in a radically new direction, incorporating funk and soul grooves into his music. He even planned on recruiting Al Jarreau and Chaka Khan for the vocals. However, the album was never released and instead Miles Davis turned his attention to working on his famous Tutu with Marcus Miller, leaving Rubberband’s tracks unreleased for over three decades. But now, the treasure chest has been finally opened. The album was completed by its original producers - Hall and Giles – along with Vince Wilburn Jr., Miles Davis’ nephew who played the drums in the original sessions. The eighties synth-drenched sound features a funk/disco rhythm section. In fact, some tracks, on which Miles is rather discreet, do not sound jazzy at all (especially those featuring vocals by Ledisi and Lalah Hathaway). In any case, it is impossible to listen to Rubberband, which was conceived with keyboardists Adam Holzman, Neil Larsen and Wayne Linsey, percussionist Steve Reid, saxophonist Glen Burris and drummer Vince Wilburn, Jr., without thinking about that very distinct musical period. Nevertheless, on themes such as See I See, Miles’ distinctive phrases are still as impressive as ever. And throughout the album he unleashes a few soaring solos. More than enough to satisfy his fans anyway. © Max Dembo/Qobuz
HI-RES€ 2,99
CD€ 2,29

Alternative en Indie - Verschenen op 6 september 2019 | Rhino - Warner Records

Hi-Res
HI-RES€ 2,99
CD€ 2,29

Punk en New Wave - Verschenen op 6 september 2019 | Rhino - Warner Records

Hi-Res
HI-RES€ 2,99
CD€ 2,29

Alternative en Indie - Verschenen op 16 augustus 2019 | Rhino - Warner Records

Hi-Res
HI-RES€ 2,99
CD€ 2,29

Punk en New Wave - Verschenen op 16 augustus 2019 | Rhino - Warner Records

Hi-Res
HI-RES€ 2,99
CD€ 2,29

Punk en New Wave - Verschenen op 24 juli 2019 | Rhino - Warner Records

Hi-Res
HI-RES€ 2,99
CD€ 2,29

Alternative en Indie - Verschenen op 23 juli 2019 | Rhino - Warner Records

Hi-Res
HI-RES€ 95,99
CD€ 83,99

Pop - Verschenen op 19 juli 2019 | Rhino - Warner Records

Hi-Res
After leaving Apple Records in 1969, James Taylor signed a deal with Warner Bros. During those six years of partnership, his meteoritic rise made him one of the most adulated folk singers in the United States, for hits such as Fire and Rain and You’ve Got a Friend, that encapsulated his lyrical prowess, entrancing voice and overall capacity to rethink folk idioms in a more commercial-friendly format. Starting with Sweet Baby James in 1970, Mud Slide Slim and the Blue Horizon (1971) One Man Dog (1972), Walking Man (1974), Gorilla (1975), and last but not least In the Pocket, from 1976, the major steppingstones in Taylor’s career are here. These 6 albums, entirely remastered by Peter Asher, are featured on The Warner Bros. Albums: 1970-1976. The collection is a wonderful way to rediscover his halcyon days and his most important body of work, which would influence countless musicians during the 70s and after thanks to his sensitive, introspective charm. © Alexis Renaudat/Qobuz  
CD€ 27,99

Rock - Verschenen op 12 juli 2019 | Rhino - Warner Records

HI-RES€ 2,99
CD€ 2,29

Pop - Verschenen op 5 juli 2019 | Rhino - Warner Records

Hi-Res

Rock - Verschenen op 14 juni 2019 | Rhino - Warner Records

Kan niet worden gedownload
CD€ 41,99

Rock - Verschenen op 14 juni 2019 | Rhino - Warner Records

Celebrating 50 years of texan blues-rock, Billy Gibbons (vocals, guitar), Dusty Hill (vocals, bass) and Frank Beard (drums) have released a compilation of their biggest hits. On the menu: 50 remasters of the best tunes from their 15-album discography. And, as a bonus: two previously unpublished tracks, dating back to 1969, during ZZ Top’s short stint with the organist Lanier Greig (who passed away in 2013): Salt Lick and Miller’s Farm. A three-disc box set any self-respecting hardcore fan will pick up. © Alexis Renaudat/Qobuz
CD€ 16,99

Rock - Verschenen op 14 juni 2019 | Rhino - Warner Records

HI-RES€ 17,49
CD€ 14,99

Pop - Verschenen op 7 juni 2019 | Rhino - Warner Records

Hi-Res Onderscheidingen 4F de Télérama - Pitchfork: Best New Reissue
Following the piano compositions from Piano & A Microphone 1983 released in 2018, we now have a second posthumous, princely album. Originals is centred around the 1981-1991 decade which was particularly prolific for Prince and so there is a beautiful unity throughout the album which mainly comprises of recordings of songs written for others. Rogers Nelson was first and foremost a very accomplished, versatile artist who could play all the instruments in Purple Rain just as well as he performed on stage, like his idol James Brown, for whom he composed numerous songs. He also composed songs for many other outstanding performers in the “Prince world” and among the fifteen tracks in this album are The Glamorous Life written for Sheila E, the Bangles’ Manic Monday, Martika’s Love Thy Will Be Done and You’re My Love for country crooner Kenny Rogers. With its priceless, unreleased tracks, Originals gives a sneak-peak behind the scenes of the studio in which this legendary icon produced some of the very best melodies and sang them with real panache, without really knowing what would become of them. The perfect example of this has to be Nothing Compares 2 U, the real emotional peak of this opus. © Charlotte Saintoin/Qobuz