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Klassiek - Verschijnt op 19 juni 2020 | Orfeo

CD€ 89,91

Klassiek - Verschijnt op 19 juni 2020 | Orfeo

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Klassiek - Verschijnt op 5 juni 2020 | Orfeo

Booklet
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Opera - Verschenen op 1 mei 2020 | Orfeo

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Klassiek - Verschenen op 3 april 2020 | Orfeo

Booklet
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CD€ 29,99

Opera - Verschenen op 3 april 2020 | Orfeo

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Koormuziek - Verschenen op 6 maart 2020 | Orfeo

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Klassiek - Verschenen op 6 maart 2020 | Orfeo

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Klassiek - Verschenen op 7 februari 2020 | Orfeo

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A pupil of the great Soviet-Georgian pianist Elisso Virsaladze, Amir Katz started studying piano in Israel before he established himself in Germany and perfecting his craft with Leon Fleisher and Murray Perahia. If Amir Katz is known for being an extremely sought-after accompanist, this album which pays tribute to Franz Liszt unveils his talent as a fully-blown concert pianist. His technique is fluid and charming, with a great reserve of strength and infinite variety of colours. After an original first part which is dedicated to a few etudes of concerts, from the Études d’après Paganini to the Réminiscences de Don Juan, Amir Katz throws himself into the Douze Études d'exécution transcendante that are presented here in their entirety. His utterly stunning technique brings an ever-changing perspective to these pieces. © François Hudry/Qobuz
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Klassiek - Verschenen op 7 februari 2020 | Orfeo

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A cantata, long melody and mini-opera all at once, The Diary of One Who Disappeared is a profoundly original piece whose prosody is modelled on the scansion and intonations of Moravian poetry, like all of Janáček’s work. It is the poetic diary of a young farmer who falls in love with a gypsy and decides to go off with her and their new child. Distinctly affected by these popular poems, Janáček kept them under wraps. His love for Kamila was the inspiration for the writing of this splendid work which eventually became a recognition of his own existence. Perhaps slightly inaccessible for those who do not understand the language or have not read the translation before listening, this vast cycle of poems is written for a tenor, with the presence of a contralto (Ester Pavlu here) and a women’s choir which is supported all the way through by an important piano part. Born in Slovakia, the tenor Pavol Breslik sings close to his roots, taking the work from the operatic side, a rather romantic treatment which makes it considerably more successful and modifying its popular appeal. © François Hudry/Qobuz
CD€ 19,99

Klassiek - Verschenen op 17 januari 2020 | Orfeo

Booklet
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Opera - Verschenen op 3 januari 2020 | Orfeo

Booklet

Klassiek - Verschenen op 13 december 2019 | Orfeo

Booklet
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CD€ 9,99

Klassiek - Verschenen op 1 november 2019 | Orfeo

Hi-Res Booklet
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Opera - Verschenen op 1 november 2019 | Orfeo

CD€ 9,99

Liederen (Duitsland) - Verschenen op 4 oktober 2019 | Orfeo

Booklet Onderscheidingen 5 de Diapason
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Concerten voor viool - Verschenen op 13 september 2019 | Orfeo

Hi-Res Onderscheidingen Diapason d'or
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Kamermuziek - Verschenen op 13 september 2019 | Orfeo

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Opera - Verschenen op 2 augustus 2019 | Orfeo

Booklet
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Klassiek - Verschenen op 12 juli 2019 | Orfeo

Hi-Res Booklet
Albums that combine symphonic and chamber music are often very popular because they allow you to discover two complementary styles of music that aren’t always listened to to the same extent. The marvellous German cellist Daniel Müller-Schott composed his last recording under the guidance of Richard Strauss and has decided to present the works in this series chronologically, beginning with the Sonata op. 6 composed by Strauss at the tender age of nineteen. Two Lieder transcribed for cello and piano are then followed by Strauss’ greatest work for cello, his immense poem Don Quichotte for symphonic orchestra (with James Ehnes on lead viola). The cherry on top of the cake would have been the addition of the Romanze for cello and orchestra, a contemporary sonata that would be the perfect addition here. © François Hudry/Qobuz